Theme From A Summer Place. + Informações

Quem frequentou as antigas salas de cinema deve se lembrar da música "A summer place", de Max Steiner, executada à exaustão antes do início da exibição dos filmes. Outras canções, geralmente orquestradas, faziam parte do repertório das salas de cinema, mas essa realmente foi a mais marcante. Foi tema do filme "A Summer place" (Amores clandestinos), clássico de 1959, com roteiro, produção e direção de Delmer Daves. Este vídeo, com o tema original de Percy Faith, traz cenas do filme com o casal de atores Sandra Dee e Troy Donahue. O clássico, um sucesso de bilheteria, conta a história de Ken Jorgenson (Richard Egan), um importante homem de negócios, que resolve levar sua esposa Helen (Constance Ford) e sua filha Molly (Sandra Dee) a uma ilha fora da costa de Maine, local onde foi salva-vidas, para passar as tão esperadas férias. Já no resort, Molly conhece Johnny Hunter (Troy Donahue) por quem se apaixona perdidamente. O que eles não sabem é que o pai de Molly, Ken, ea mãe de Johnny, Silvia (Dorothy McGuire), tiveram uma ardente e intensa paixão na adolescência exatamente no mesmo resort. O reencontro dos dois irá reacender um amor adolescente que nunca se apagou completamente, criando um clima tenso mesclado de paixão e traição. Foi o filme de estréia do renomado ator Troy Donahue, de "O Candelabro Italiano", que surpreendeu a crítica lhe rendendo uma indicação ao Globo de Ouro® de Melhor Ator Coadjuvante. O artista, nascido em Nova Iorque em 27 de janeiro de 1936, teve .... + Informações

Enjoy !!. + Informações

Blogbar do Fontana - Nos balcões dos bares da vida PERCY FAITH plays LATIN THEMES FOR YOUNG LOVERS COLUMBIA RECORDS - 1965 Music - Manhã de Carnaval (Luiz Bonfá & Antonio Maria). + Informações

. + Informações

Somewhere. + Informações

Una de las grandes obras de Percy Faith. + Informações

Tema do filme "Amores Clandestinos" obra do grande maestro, compositor e arranjador Canadense Percy Faith. + Informações

Percy Faith - Till -. + Informações

. + Informações

"Theme from A Summer Place" is a song with lyrics by Mack Discant and music by Max Steiner, written for the 1959 film, A Summer Place, which starred Sandra Dee and Troy Donahue. It was recorded for the film by Hugo Winterhalter.Percy Faith recorded the most popular version of the tune, in the Columbia 30th Street Studio in New York City,which spent an at-the-time record of nine consecutive weeks at number one on the still-young Billboard Hot 100 singles chart in early 1960.It remains the longest-running number-one instrumental in the history of the chart. It reached number two in the UK. It hit number one in Italy under the title "Scandalo Al Sole".Faith won a Grammy Award for Record of the Year in 1961 for his recording. This was the first movie theme and the first instrumental to win a Record of the Year Grammy.Faith re-recorded the song twice -- first, in 1969, as a female choral version, then, in 1976, as a disco version titled "Summer Place 76".In 2008, Faith's original version was ranked at number eighteen on Billboard's top 100 songs during the first fifty years of the Hot 100 chart.. + Informações

"The sighing of the waves . . . The wailing of the wind . . . Watching the tide go out . . . Just dreaming dreams of you." Title: STRANGER ON THE SHORE Artist: PERCY FAITH ORCHESTRA SPECIAL THANKS TO: Mallacosta, Ron Hedrick, Chloe Gallagher, Chazawocky, Prides Crossing and noted painters and artists for the beautiful Painting Art works used on this MV. UNAUTHORIZED PRODUCTION OR DUPLICATION OF VIDEO IS PROHIBITED UNDER PATENT OF THE COPYRIGHT LAW. VRAVISHING.. + Informações

"Manhã de Carnaval" ("Morning of Carnival"), is the title of the most popular song by Brazilian composers Luiz Bonfá and Antonio Maria. It appeared in the 1959 Portuguese-language film Orfeu Negro (Black Orpheus), by French director Marcel Camus and based on a play by Vinícius de Moraes. Particularly in the USA, the song is considered to be one of the most important Brazilian Jazz/Bossa songs that helped establish the Bossa Nova movement in the late 1950s. Manhã de Carnaval has become a jazz standard in the USA, while it is still performed regularly by a wide variety of musicians around the world in its vocalized version or just as an instrumental one. - Wikipedia Recordings of Manhã de Carnaval: (All recordings listed below were released by the title of "Manhã de Carnaval" and sung in Portuguese, except where noted.) ? Luiz Bonfá, Solo in Rio 1959 [LIVE], track #11 & track #25 (reprise), audio CD, Label: Smithsonian Folkways, Feb 22, 2005. Originally released as "O Violão de Luiz Bonfá," label: Cook, 1959. ? Black Orpheus (Original Intl. release title: Orfeu Negro): The Film. Dispat Films, December 1959. ? Luiz Bonfá & Antonio Carlos Jobim, Black Orpheus, Motion Picture Soundtrack, tracks #6 (sung by Agostinho dos Santos), 8 (instrumental by Roberto Menescal), 11 (sung by Elizeth Cardoso) & 14 (instrumental by Bola Sete), LP Vinyl, Fontana, 1959. ? Maysa, Live, sings for TV production, Video, Japan, 1960 ? Miriam Makeba, Miriam Makeba, LP vinyl RCA 1960/63 ? Vince .... + Informações

Percy Faith recorded the most popular version of the tune, which spent an at-the-time record of nine consecutive weeks at number one on the still-young Billboard Hot 100 singles chart in early 1960[ It remains the longest-running number-one instrumental in the history of the chart. It reached number two in the UK. It hit number one in Italy under the title "Scandalo Al Sole". Faith won a Grammy Award for Record of the Year in 1961 for his recording. This was the first movie theme and the first instrumental to win a Record of the Year Grammy. Faith re-recorded the song twice first, in 1969, as a female choral version, then, in 1976, as a disco version titled "Summer Place 76". In 2008, Faith's original version was ranked at number eighteen on Billboard's top 100 songs during the first fifty years of the Hot 100 chart. NOTE: I do not own this material, all songs belong to their legal and rightful owners. I have uploaded this music for educational purposes. I strongly encourage all who visit my channel and watch my videos to support the artists by buying their CDs and/or Mp3s. Thank you.. + Informações

Estou re-postando pois amo essa música... DIREITOS AUTORAIS:-O seu vídeo pode incluir conteúdo que pertence ou é licenciado por estes proprietários de conteúdo: Proprietário do conteúdo: Sony Music Entertainment Tipo: Conteúdo de áudio Comoresultado, seu vídeo foi bloqueado nessas regiões: GERMANY O que devo fazer? Você não deve tomar nenhuma ação. Seu vídeo ainda está disponível em todos os lugares não listados acima. Em alguns casos, os anúncios podem aparecer perto do vídeo.. + Informações

Written in 1953 by composer Robert Maxwell and lyricist Carl Sigman, from Percy's 2001 album 'Theme from a Summer Place'!!! Please COMMENT and RATE!!!. + Informações

Rhythm Of The Rain. + Informações

An early hit for Percy, featuring Stan Freeman on harpsichord. UPDATE! a CLEARER version is now up, at www.youtube.com - the link is my gift to Phil - and YOU!. + Informações

Percy Faith and his exotic strings play "Adios". + Informações

Percy Faith (April 7, 1908 -- February 9, 1976), was born in Toronto, Ontario, Canada. After 1940, he moved to Chicago, becoming a naturalized US citizen in 1945. He died in Encino, California, and is iinterred in Hillside Memorial Park Cemetery, Culver City, California. Faith was a band-leader, orchestrator, and composer best known for his arrangements of standard tunes using lush string sections and female choruses. The latter sometimes sang, most often they just vocalized without words. Faith's live orchestra was a staple of the Canadian Broadcasting Corporation's live-music broadcasts from 1938 to 1940. After moving to the US, Faith made many recordings for Voice of America. After working briefly for Decca Records, he went to work for Mitch Miller at Columbia Records. There, he turned out dozens of albums and provided arrangements for many of the pop singers of the 1950s. The use of the female chorus really became a Percy Faith signature with his mid-late 1960's "Young Lovers" projects; it was also used in his final Holiday album, "Christmas Is," released in 1967. Faith's most famous and best-remembered recordings are "Delicado" (1952), "Moulin Rouge" (1953) and "Theme from A Summer Place" (1960).. + Informações

Visite nossos sites:www.tudopelanet.net e também o nosso negócio de leilão de centavos via marketing multinível, com 50% de participação nos lucros diários, acesse www.leilaolance.net O Filme "Amores Clandestinos", uma historia de amor incrível -- A musica do filme "Theme From A Summer Place" é uma daquelas que você viaja no tempo, era uma das que era usada na abertura das seções de cinema. Percy Faith e Sua Orquestra dá um show.. + Informações

?????-?????????????????????????. + Informações

Sirpaopao, thanks! Tell Her (Percy Faith w/ Female Chorus) Tell her each day you'll adore her Show her your love won't grow cold Tell her the things that you look for her Every girl likes to be told Show her her problems concern you Times when she should be consoled Tell her it's you that she can turn to Every girl likes to be told You don't have to give her riches That's not what she's longing for Just give her your affection And she'll give you so much more So show her that you're thinking of her And you're hers to have and to hold Tell her each day how much you love her Every girl likes to be told (Instrumental) So, show her that you're thinking of her And you're hers to have and to hold Tell her each day how much you love her Every girl likes to be told Tell her you love her Tell her you love her. + Informações

. + Informações

An exceptional Tango performed by Percy Faith. Percy Faith (April 7, 1908 -- February 9, 1976) was a Canadian-born American bandleader, orchestrator, composer and conductor, known for his lush arrangements of pop and Christmas standards. He is often credited with creating the "easy listening" or "mood music" format which became staples of American popular music in the 1950s and continued well into the 1960s. Though his professional orchestra-leading career began at the height of the swing era, Faith refined and rethought orchestration techniques, including use of large string sections, to soften and fill out the brass-dominated popular music of the 1940s. Faith was born and raised in Toronto, Ontario, Canada. He was the oldest of eight children. He played violin and piano as a child, and played in theatres and at Massey Hall. After his hands were badly burned in a fire, he turned to conducting, and his live orchestras utilized the new medium of radio broadcasting. Beginning with defunct stations CKNC and CKCL, Faith was a staple of the Canadian Broadcasting Corporation's live-music broadcasting from 1933 to 1940, when he resettled in Chicago. In 1945, he became a naturalized citizen of the United States. He made many recordings for Voice of America. After working briefly for Decca Records, he worked for Mitch Miller at Columbia Records, where he turned out dozens of albums and provided arrangements for many of the pop singers of the 1950s, including Tony Bennett, Doris .... + Informações