"You Can't Stop Me From Drinking" Peetie Wheatstraw (William Bunch) (Jordan) Peetie Wheatstraw - vocal, pno, (poss Rhythm Willie Hood - hca & poss Lonnie Johnson - gtr Sept 14, 1939 Chicago, Decca 7692 Album: Peetie Wheatstraw Essentials Album Allego Classic Blues CBL 200037 You can't stop me from drinkin' It ain't no use to try You can't stop me from drinkin' It ain't no use to try Because the way you treated me Hoo-hoo-well-well, I'm gonna drink until I die You can't stop me from runnin' around Also from having my ball You can't stop me from runnin' around Also from having my ball Because I am tired, ooo-well-well Of the other man kicking in my stall (harmonica & instrumental) You can't stop me from talkin' To the brown walk-ups down the street You can't stop from from talkin' To the brown that walk up an down the street Because you are chasing these peppers Hoo-well, like a policeman on his beat You can't stop me from drinkin' Whenev' I feel so blue You can't stop me from drinkin' Whenev' I feel so blue If you ever have been mistreated Woo-well-well, you would be drinkin', too. + Informações

St. Louis Blues musician Peetie Wheatstraw, a man way ahead of his time.. + Informações

Peetie Wheatstraw ... Police Station Blues. + Informações

A scene from the Rudy Ray Moore movie Petey Wheatstraw, The Devil's Son-In-Law. The look on Rudy Ray's face when the guys in demon costumes come in is priceless.. + Informações

Opening sequence from the Rudy Ray Moore movie "Petey Wheatstraw The Devil's Son-In-Law" (1979).. + Informações

Peetie Wheatstraw real name William Bunch moved to St Louis in the late '20's. Worked with Big Joe Williams and Lonnie Johnson.. + Informações

Peetie Wheatstraw (December 21, 1902 -- December 21, 1941) was the name adopted by the singer William Bunch, an influential figure among 1930s blues singers. Although the only known photograph of Bunch shows him holding a National brand tricone resonator guitar, he played the piano on most of his recordings. webcache.googleusercontent.com I'm so glad Good whiskey have made it through Well-well, I'm so glad Good whiskey have made it through Well now, it have saved my wife from dyin' Hoo-hoo-well, pal now it saved my sweetheart, too I'm so glad Good whiskey has come back in time Well now, I'm so glad Good whiskey has come back in time Because now I've drank so much hooch Hoo-hoo-well-well, now about to lose my mind I'm so glad Good whiskey sho' is here Mm-hm-um-um, good whiskey sho' is here Well-well, now if you can't drink good whiskey Ooo-well-well, why not drink some doggone good beer? I'm so glad Good whiskey has come back to me Umm-hm-um-well Good whiskey has come back to me Well now, it brought me good things Hoo-hoo, well-well, now from way 'round 'cross the sea Sure as just as welcome Good whiskey, now as the flowers is in May Yes, just as welcome, good whiskey That flowers is in May Well, since you have come back to me Hoo-well-well, now hope you have come back to stay.. + Informações

BP or no BP, gotta have dat cravin'. (I know, I'm being sarcastic). + Informações

"I'll comb yo nappy head for you!". + Informações

There's not enough appreciation of Peetie Wheatstraw ...in fact there's barely anything about him on the whole internet, what's the deal? I'll be posting more when I've the time. + Informações

Broadcasting the Blues (Paul Oliver). + Informações

I do not own the copyright to this recording. This video is for historical and educational purposes Composed by Peetie Wheatstraw William Bunch (Peetie Wheatstraw):Vocals & possibly Piano "Neckbones" (Possibly JD Short):Vocals Other musicians unknown Recorded in Chicago, IL. Wednesday, August 13, 1930 Originally issued on the 1930 single (Vocalion 1552) (78 RPM) This recording taken from the 1998 CD "St. Louis Blues (1929-1933)". + Informações

Peetie Wheatstraw - Gangster's Blues (MAFIA 2 OST). + Informações

The name of this song is "GANGSTER'S BLUES" (1929) by Peetie Wheatstraw from the soundtrack of the game "Mafia 2".. + Informações

James Bunch, the great nephew of Legendary Bluesman Peetie Wheatstraw making a pitch to Radio Personality Michael Baisden for funding for the Peetie Wheatstraw Museum in Cotton Plant, Arkansas.. + Informações

classic spacefunk radio. + Informações

Original Mafia 2 soundtrack. Some of the songs are not uploaded because of copyright problems.I didn''t want to waste time uploading all of them because certain performers' songs are blocked so I skipped them.I will try them later,maybe some of them aren't completely blocked.. + Informações

PETEYWHEATSTRAW.COM. + Informações

Fred Hinz plays "Crazy with the Blues" by Peetie Wheatstraw, at LaDolce Vita Coffee shop Open Mic on October 17th, 2009. La Dolce Vita is located at 5756 Olde Wadsworth, Arvada, CO, 80002, in HIstoric Old Towne Arvada You can call them at 303-456-8919, in Olde Town Aravda. Open Mics are held every 1st and 3rd Saturday, starting at 7pm. 2nd, 4th and 5th Saturdays feature evenings of scheduled talent. Get there early though, because the seats fill up fast for this popular event. Order sandwiches, coffees, teas, sodas, snacks and ice cream. See hundreds of Open Mic videos and a schedule of upcoming events at: ladolcevitacoffee.wordpress.com. + Informações

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From "Petey Wheatstraw" OST (1977). + Informações

"Little Sammy Davis" is a musical documentary that looks into the life and music of Sammy Davis, a sweet charming 72 year old Mississippi Delta Blues harp player. This film captures a fading culture of "original growth" bluesmen, who are at the core of American music. Sam received his first harmonica from his father and started playing at the age of 8. While growing up, Sam heard the records of Tommy McClennan, Blind Boy Fuller, Peetie Wheatstraw, and one of his favorites, John Lee Williamson. "Little Sammy Davis" won The Audience Recognition Award at the AFI/SLIVERDOCS Film Festival and was a Jury Selection at the London Film Festival and The Woodstock International Film Festival.. + Informações

?Broke Man Blues (J. Arnold) Recorded: Chicago, November 3. 1937 Kokomo Arnold (vcl) (g) Peetie Wheatstraw (p) Kokomo Arnold (15 February 1901 ? 8 November 1968) was an American blues musician. Born James Arnold in Lovejoy's Station, Georgia, Arnold received his nickname in 1934 after releasing "Old Original Kokomo Blues" for the Decca label; it was a cover of the Scrapper Blackwell blues song about the Kokomo brand of coffee. A left-handed slide guitarist, his intense slide style of playing and rapid-fire vocal style set him apart from his contemporaries. Having learned the basics of the guitar from his cousin, John Wiggs, Arnold began playing in the early 1920s as a sideline while he worked as a farmhand in Buffalo, New York, and as a steelworker in Pittsburgh, Pennsylvania. In 1929 he moved to Chicago and set up a bootlegging business, an activity he continued throughout Prohibition. In 1930 Arnold moved south briefly, and made his first recordings, "Rainy Night Blues" and "Paddlin' Madeline Blues", under the name Gitfiddle Jim for the Victor label in Memphis, Tennessee. He soon moved back to the bootlegging center of Chicago, though he was forced to make a living as a musician after the ratification of the Twenty-first Amendment to the United States Constitution ending Prohibition in 1933. Kansas Joe McCoy heard him and introduced him to Mayo Williams who was producing records for Decca[2]. From his first recording for Decca on 10 September 1934 until his last on 12 .... + Informações

"Petey Wheatstraw: The Devil's Son-In-Law" ????? (5stars) One of Dolemite's classic 70's Blaxploitation flicks. All of his projects are fabulously hideous with wonderfully horrible acting. His projects are absolutely the best of the worst on the lowest of budgets. Priceless entertainment value! You'll want to see any of his other works that you've missed!. + Informações

?Head Cutting Blues" (J. Arnold) Recorded: Chicago,November 3, 1937 Kokomo Arnold (vcl) (g), Peetie Wheatstraw (p) Kokomo Arnold (15 February 1901 ? 8 November 1968) was an American blues musician. Born James Arnold in Lovejoy's Station, Georgia, Arnold received his nickname in 1934 after releasing "Old Original Kokomo Blues" for the Decca label; it was a cover of the Scrapper Blackwell blues song about the Kokomo brand of coffee. A left-handed slide guitarist, his intense slide style of playing and rapid-fire vocal style set him apart from his contemporaries. Having learned the basics of the guitar from his cousin, John Wiggs, Arnold began playing in the early 1920s as a sideline while he worked as a farmhand in Buffalo, New York, and as a steelworker in Pittsburgh, Pennsylvania. In 1929 he moved to Chicago and set up a bootlegging business, an activity he continued throughout Prohibition. In 1930 Arnold moved south briefly, and made his first recordings, "Rainy Night Blues" and "Paddlin' Madeline Blues", under the name Gitfiddle Jim for the Victor label in Memphis, Tennessee. He soon moved back to the bootlegging center of Chicago, though he was forced to make a living as a musician after the ratification of the Twenty-first Amendment to the United States Constitution ending Prohibition in 1933. Kansas Joe McCoy heard him and introduced him to Mayo Williams who was producing records for Decca[2]. From his first recording for Decca on 10 September 1934 until his last on .... + Informações