www.stompbox.de Heiko over at OKKO in Germany makes some of Europe's (and the world's) best pedals. The Diablo is a classic example. It has tons of tone shaping capability, versatility, it's built well, has great looks and it's fundamental tone is killer. This one's a keeper for me and can compete easily with the higher end of other great drives I have in my possession. This video was made with a Larry Corsa modded Les Paul (Peter Green '59 Burst specs) and a HIWATT Custom 50 SA212 amp. A Shure SM57 handled the microphone duties and Pro Tools 9.02 did the recording honours via an M-Audio ProFire 610. Cheers, Brett K.. + Informações

OKKO Diablo Testdrive Amp: Visual Sound Workhorse Pony Guitar: Fender Eric Clapton Strat Pedal: OKKO DIABLO Overdrive Strings: Elixir 10's Enjoy and leave some comments if you like. More to come.... + Informações

OKKO Twin Sonic Overdrive The TwinSonic combines a clean boost (MORE!) and low-to-medium-gain overdrive (ROCK!) The overdrive gives you the sound of your (non-master) amp cranked... at any volume. Therefore it is very neutral sounding by itself -- it doesn't change the sonic or dynamic character of your setup. Besides the Gain and Level controls, the TwinSonics overdrive section features two controls for precise fine-tuning. The TONE control affects the mids -- turn it to the left for more lower mids and a fatter, softer tone or to the right for a punchy "in your face" sound with pronounced upper mids. The CUT control rolls of treble when turned clockwise (like in the old Vox amps). The boost part of the TwinSonic provides a clean signal boost up to 20 dB. When used in conjunction with the overdrive, the signal can be boosted before the OD for more gain and sustain or after the OD for a volume boost or both at the same time! (For complete specifications and description of all the controls please refer to the user manual). Like the Diablo, the TwinSonic features the HEADROOM SWITCH for more dynamic range, more headroom and tighter bass in the HI position. Available at Musictoyz.com www.musictoyz.com. + Informações

Tom Vasel reviews Okko from Asmodee Editions To buy the game, go to tiny.cc For more info and reviews, go to www.thedicetower.com. + Informações

1969 Fender Telecaster (refinished) with Okko Diablo Overdrive pedal (less gain). Amp is a silverface 1968 Fender Vibrolux Reverb "Alu-Frame". TC Nova Delay Part 1 Thanks to Jochen & Claville for the nice Backing Track - check out the Aussensaiter Forum for more nice Aussensaiter Backing-Tracks. + Informações

KAYZER PEDAL DEMO - This clip is recorded with the Zoom Q3, it might not be able to capture the full brutality of the Okko Dominator but you might get a grip how amazing this pedal sounds and i hope you will enjoy the clip anyway ;-) ESP Custom Shop Jeff Hanneman loaded with EMG81 pickups into a Blackstar Artisan 30 combo www.myspace.com/timehascome. + Informações

1996 Gibson Les Paul Studio with P-90 Pickups played through a 1969 Fender Vibrolux plus Okko Diablo Overdrive Pedal. www.gregorhilden.de. + Informações

Grande batalha do Dragão cego! THIS IS A FAN-MADE! NO COPYRIGHTS INTENDED! DON'T REPORT ME PLEASE!. + Informações

OKKO Dominator High Gain Distortion After countless hours of tweaking and improving the circuit, I'm proud to present you the DOMINATOR high gain drive. Aggressive british crunch, classic heavy metal, modern high gain stuff or anything in between -- the Dominator will do the job. This box has nothing in common with those overcompressed, artificial sounding "bedroom metal" distortion pedals that disappear in the mix if you try to use them in a real band situation. Raw natural gain structure, explosive attack, tight low end and great chord definition make the difference -- the Dominator works equally well at home practice or stage level. The active 3-band EQ with switchable mid range frequency provides effective and intuitive control over a broad range of sounds. (For extensive descriptions of the controls please refer to the user manual). Just like the other OKKO drive pedals, the Dominator features an internal voltage doubler. The three gain stages and the EQ stage operate on different individually filtered voltages up to 18 volts for optimal dynamic response and very low noise performance. The Dominator works best in front of a clean amp with some headroom, especially if you use very bass heavy "chugga chugga" settings.. + Informações

Gibson Les Paul 1960 Historic Col. Guitar Center ed. Okko Diablo Overdrive plus Fender Blackface Vibrolux www.gregorhilden.de. + Informações

Track 1 - A Day In The Life(Lennon/McCartney) OKKO RECORDS SITAR - OKKO BECKER MOOG SYNSESIZER - OKKO BECKER ,SIMON ALCOTT. + Informações

It is set on 12 o clock gain - only the attack from the guitar is doing the amount of overdrive! Very dynamic Pedal! 2007 Gibson Les Paul 1959 Reissue Tom Murphy aged with Fender Vibrolux Reverb plus Okko TwinSonic (plus a little bit delay from Akai Headrush) www.gregorhilden.de. + Informações

Telecaster build from old japanese and USA Parts Fender Customshop Pickups etc played through a 1969 Fender Vibrolux plus Okko Diablo Overdrive Pedal - great sounding guitar! www.gregorhilden.de. + Informações

Frank's Finest Bullseyepicks, Kloppmann Pickups von Okko (Oktay Sertkaya) gespielt. Kamera, Tonaufzeichnung (Gitarre), Schnitt sowie Audiomix realisiert von MA-TVPro (MA-TVPro.de, John Fenkl). Hintergrund-Musik komponiert und aufgenommen von Maurice Fuchs.. + Informações

Gibson SG Special with Okko Diablo Overdrive pedal (less gain). Amp is a silverface 1968 Fender Vibrolux Reverb "Alu-Frame". TC Nova Delay Part 1 Thanks to TC 1 for the nice Backing Track - check out the Aussensaiter Forum for more nice Aussensaiter Backing-Tracks. + Informações

KAYZER PEDAL DEMO - BBE Sonic Maximizer & Okko Dominator (ESP Custom Shop Jeff Hanneman into a clean Blackstar Artisan 30 recorded with a Zoom Q3). + Informações

2006 Gibson Custom Shop SG VOS with Okko Diablo & Brunetti Mercury Box plus Fender 1966 blackface Vibrolux Reverb plus Akai Delay Headrush. The Overdrive pedals are set to a low gain. www.gregorhilden.de. + Informações

Quick testdrive with OkkO Diablo Overdrive. Suhr Classic, Aiken Invader, Mojo 2*12. Amp was set clean and loud.. + Informações

Okko : l'Ère d'Asagiri © est un jeu édité par Hazgaard Éditions. Pour plus de vidéos sur les jeux de société, rendez-vous sur : hemvideo.tv !. + Informações

Looper is a Boss RC-2 Heritage HS-535 with Okko Diablo & Fender 1966 blackface Vibrolux Reverb. The Overdrive pedals are set to a low gain www.gregorhilden.de. + Informações

Gibson ES-345 1970 refinished black (old refin)plus 1968 Fender Vibrolux plus Okko Diablo Overdrive www.gregorhilden.de. + Informações

Okko Diablo Gain+ Overdrive Pedal with Gibson Les Paul '57 Goldtop Reissue + Fender Vibrolux Reverb silverface (2) www.gregorhilden.de. + Informações

2005 Gibson Les Paul Std. Plus with Fender Vibrolux Blackface plus Okko Diablo Overdrive plus Akai Headrush delay Boss + RC-2 Looper www.gregorhilden.de For the best results watching in "HD" - let the Video almost run through and scroll back! No sync problems then!. + Informações

Gibson Les Paul Custom 1979 Black Beauty with Okko Diablo Overdrive Pedal plus Fender Vibrolux Reverb www.gregorhilden.de. + Informações

1965 Gibson ES-345 with Okko Diablo & Varitone Demo. Normally I don't like the varitone circuits because they kill sound - but this guitar sounds so great even with the varitone, so I decided to leave it like it is. You can hear all 6 positions from the Varitone when I switch to the Position 5 at 1:25 and switch to 4, 3, 2, 1 later before I go back to 6 again. Amp is a blackface Vibrolux Reverb Delay a Akai Headrush. For the best results watching in "HD" - let the Video almost run through and scroll (!!) back Less sync problems then!. + Informações