watch the short film "red" by reacher23 which was mainly used here... This is the tale of Red Hood... Scenes of The company of wolves and Wolfie were also used.... + Informações

profile.myspace.com PUEDES BAJARLA DE AQUÍ: music.download.com Una gran banda de moldavia (Chisinau)creada en el 98, cuya inspiracion proviene de la música sacra de finales del barroco y comienzos del romanticismo. Es posible que al dia de hoy el grupo se haya desintegrado. The source of inspiration for band is the medieval sacred music, in particular, music of an epoch of a baroque and early romanticism, and also creativity of German poets of the " Sturm und Drang " period is used for the band's lyrics. última formación conocida/Last known line-up Alexandr - Keyboards, Vocals Tatiana - Keyboards Nadejda - Vocals Nikolai - Lead Guitar Anastasia - Bass Anastasia - Violin Anna - Flute Serghei Petrenco - Drums Eingehullt in graue Wolken Schlafen jetzt die großen Gotter. Und ich hore, wie sie schnarchen, Und wir haben wildes Wetter. Sturmeswuten will das Arme Schiff zerschellen, Ach, wer zugelt diese Wellen? Ach, wer zugelt diese Winde, Und die herrenlosen Wellen? Kann's nicht hindern das es sturmet, Daß da drohnen Mast und Bretter. Und ich hull mich in den Mantel, Um zu schlafen wie die Gotter Schlafen jetzt die großen Gotter Und wir haben wildes Wetter Und ich hull mich in den Mantel Um zu schlafen wie die Gotter. Ach, wer zugelt diese Winde Und die herrenlosen Wellen!. + Informações

Anna Tomowa-Sintow Helga Müller Mollinari Vinson Cole Paata Burchuladze Wiener Phillarmoniker. + Informações

Last Offertorium's performance in Chi?in?u, Moldova. Recorded at "Moscova" club, October 9, 2005. Music available for download at www.last.fm. + Informações

Requiem Inês de Castro Composed by Pedro Macedo Camacho (b.1979) Dedicated to my master and friend Eurico Carrapatoso. World Premiere Live Recording Maestro: Artur Pinho Maria Soprano: Carla Isabel Moniz Baritone: António Salgado (Demo purpose only) Painting by Andreas Rocha Lyrics: -Offertorium- Domine Jesu Christe, Rex gloriæ, (Lord Jesus Christ, King of glory,) libera animas defunctorum (free the souls of all the faithful departed) de p?nis inferni et de profundo lacu. (from infernal punishment and the deep pit.) Domine Jesu Christe, Rex gloriæ, (Lord Jesus Christ, King of glory,) libera animas defunctorum (free the souls of all the faithful departed) de ore leonis, (from the mouth of the lion;) ne absorbeat eas tartarus, (do not let Tartarus swallow them,) ne cadant in obscurum; (nor let them fall into darkness;) Hostias et preces tibi, Domine, (O Lord, we offer You) laudis offerimus; (sacrifices and prayers of praise;) tu suscipe pro animabus illis, (accept them on behalf of those souls) quarum hodie memoriam facimus. (whom we remember today.) Fac eas, Domine; Fac eas, Domine,(Let them, O Lord; Let them, O Lord, de morte transire ad vitam. (pass over from death to life.) Domine Jesu Christe, Rex gloriæ, (Lord Jesus Christ, King of glory,) libera animas defunctorum (free the souls of all the faithful departed) de p?nis inferni et de profundo lacu. (from infernal punishment and the deep pit.) ne cadant in obscurum; (nor let them fall into darkness;) Amen, Amen, Amen .... + Informações

Offertorium - Benedixisti Domine - Salmo 84, 2 Abençoastes, Senhor, a vossa terra, e libertastes a Jacob do cativeiro; perdoastes a iniquidade do vosso povo. Benedixísti, Dómine, terram tuam: avertísti aptivitátem Jacob: remisísti iniquitatem plebis tuæ. Acesse: mariasedessapientiae.blogspot.com. + Informações

Domine Jesu; IV. Offertorium; Mozart's Requiem - Latin lyrics and English translation and my drawings. Rundfunkchor Leipzig Gert Frischmuth chorus master Staatskapelle Dresden PETER SCHREIER. + Informações

Offertorium, a violin concerto by Russian composer Sofia Gubaidulina (born 1931), was inspired by and dedicated to Latvian violinist Gidon Kremer. The composition is based on the "royal theme" of JS Bach's Musical Offering (BWV 1079) with a Webernian-style orchestration (where the theme is distributed to different instruments, a technique known as Klangfarbenmelodie (tone-color melody)). The work was first performed in 1981, and a few years later its revised edition brought Gubaidulina to international attention.. + Informações

Offertorium - Ave María - Lucas 1, 28 Ave Maria, cheia de graça, o Senhor é conVosco, bendita sois Vós entre as mulheres e bendito é o fruto do vosso ventre. Ave María, gratia plena; Dóminus tecum: benedícta tu in muliéribus, et benedíctus fructus ventris tui. Acesse: mariasedessapientiae.blogspot.com. + Informações

Full-length concert at www.digitalconcerthall.com Sofia Gubaidulina: Offertorium, Concerto for violin and orchestra / Vadim Repin, violin · Eivind Gullberg Jensen, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 9 October 2010. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de. + Informações

The Tallis Scholars Victoria Requiem Offertorium: Domine Jesu Christe. + Informações

Jordi Savall - Le Concert des Nations. + Informações

Wolfgang Amadeus Mozart - Requiem Mass in D minor KV 626 (completed by Franz Xaver Süssmayer, revised edition by Franz Beyer) Nikolaus Harnoncourt (conductor) Concentus Musicus Wien (orchestra) Arnold Schönberg Chor (choir) Gerald Finley (bass) Kurt Streit (tenor) Bernarda Fink (alto) Christine Schäfer (soprano) I didn't like Harnoncourt's previous Requiems all that much, but this one is amazing: From the lush, full SACD sound of the (perfectly played) live recording to the stunning balance between the harsh, dramatic and the quiet, mourning parts. He's using the newest critical edition of the Süssmayer Requiem completion, which makes for a sleeker, cleaner and at times harsher orchestration, closer to that of the Introitus - but it leaves the Süssmayer parts intact otherwise, there is no Amen fugue after the Lacrimosa. But it's not just the revised score that makes this one stand out, the playing of the Concentus Musicus is precise when it needs to be, soften when the score calls for it - I've never heard trombones this piercing in the Dies Irae before, truly apocalyptic, the strings in the Confutatis and Rex Tremendae are crushing, raw - no trace of the saccharine, overly romanticized Requiems of the past (Karajan is spinning in his grave, goofy tracksuit and all), here all the mourning is laced with sheer terror. The Arnold Schönberg Choir is excellent as usual and the recording captures its color perfectly. As for the soloist, Gerald Finley and Christine Schäfer stand .... + Informações

Apresentação do Coro Jovem de São José dos Campos, realizada no dia 15/03/09, no Teatro Municipal da cidade, sob regência de Sérgio Wernec Jr. Com solo do barítono Vicente Sampaio.. + Informações

Third Christmas Mass at the Institute St. Philipp Neri in Berlin, Graunstraße 31,13355 Berlin, nearby the underground station Gesundbrunnen, www.institut-philipp-neri.de Holy Mass Sunday 10.30 am Monday to Friday 6 pm If you want to support the Institute St. Philipp Neri, you can make a donation at the following banking account Freundeskreis St. Philipp Neri eV PAX-Bank eG, Berlin Kontonummer 600 2557 019 Bankleitzahl 370 601 93 For a convenient Bank Transfer from outside Germany use: Bic: GENODED1PAX BAN: DE60 3706 0193 6002 5570 19, with reference to: PiscatorTV. Every amount is welcome! THE INSTITUT ST. PHILIPP NERI NEEDS YOUR SUPPORT BADLY! ----------------------------- Weihnachtsmesse vom Tage am Institut St. Philipp Neri in Berlin, St. Afra, Graunstraße 31, 13355 Berlin, nähe U-/S-Bahnhof Gesundbrunnen, www.institut-philipp-neri.de Heilige Messen Sonntag 10.30 Uhr Montag bis Freitag 18.00 Uhr Wenn Sie das Institut St. Philipp Neri unterstützen möchten, können Sie unter folgender Bankverbindung eine Spende machen oder einen Dauerauftrag einrichten. Schon kleine Beträge sind eine große Hilfe: Freundeskreis St. Philipp Neri eV PAX-Bank eG, Berlin Kontonummer 600 2557 019 Bankleitzahl 370 601 93 Zur kostenfreien/-günstigen Überweisung aus dem Ausland: Bic: GENODED1PAX BAN: DE60 3706 0193 6002 5570 19 Stichwort: PiscatorTV DAS INSTITUT ST. PHILIPP NERI IST DRINGEND AUF IHRE UNTERSTÜTZUNG ANGEWIESEN.. + Informações

Joseph Leopold Eybler (born February 8, 1765, in Schwechat near Vienna; and died July 24, 1846 in Vienna) was an Austrian composer known today perhaps more for his friendship with Mozart than for his own music. Requiem in C minor (1803) III. Offertorium 00:00 - I. Domine 05:53 - II. Hostias Steintor Barock Bremen, Barbara Schlick, Harry van Berne Conductor: Wolfgang Helbich Label: Cpo Records. + Informações

Wolfgang Amadeus Mozart - Requiem Mass in D minor KV 626 (completed by Franz Xaver Süssmayer, revised edition by Franz Beyer) Nikolaus Harnoncourt (conductor) Concentus Musicus Wien (orchestra) Arnold Schönberg Chor (choir) Gerald Finley (bass) Kurt Streit (tenor) Bernarda Fink (alto) Christine Schäfer (soprano) I didn't like Harnoncourt's previous Requiems all that much, but this one is amazing: From the lush, full SACD sound of the (perfectly played) live recording to the stunning balance between the harsh, dramatic and the quiet, mourning parts. He's using the newest critical edition of the Süssmayer Requiem completion, which makes for a sleeker, cleaner and at times harsher orchestration, closer to that of the Introitus - but it leaves the Süssmayer parts intact otherwise, there is no Amen fugue after the Lacrimosa. But it's not just the revised score that makes this one stand out, the playing of the Concentus Musicus is precise when it needs to be, soften when the score calls for it - I've never heard trombones this piercing in the Dies Irae before, truly apocalyptic, the strings in the Confutatis and Rex Tremendae are crushing, raw - no trace of the saccharine, overly romanticized Requiems of the past (Karajan is spinning in his grave, goofy tracksuit and all), here all the mourning is laced with sheer terror. The Arnold Schönberg Choir is excellent as usual and the recording captures its color perfectly. As for the soloist, Gerald Finley and Christine Schäfer stand .... + Informações

Dorrit Maria Hanke: Missa Frouwe volliu guote, Offertorium, www.dorritmariahanke.com gespielt von Gregor Hanke auf der Hradetzkyorgel St. Ursula, Wien. + Informações

Pedro de Escobar (Oporto, 1465 - Évora, 1535) Intérpretes: Ensemble Gilles Binchois Domine Iesu Christe, Rex gloriae, libera animas fidelium defunctorum de manu inferni et de profundo lacu. Libera eas de ore leonis, ne absorbeat eas tartarus, ne cadant in obscura tenebra loca: se signifer sanctus Michael representet eas in lucem sanctam quam olim Abrahe promisisti et semini eius. Hostias et preces tibi Domine laudis offerimus: tu suscipe pro animabus illis, quarum hodie memoriam facimus: fac eas, Domine, de morte transire ad vitam, quam olim Abrahe promisisti et semini eius. (Ofertorio/Misa de difuntos) Señor Jesucristo, Rey de la Gloria, libera a las almas de los fieles difuntos de las penas del infierno y del abismo profundo. Sálvalas de las garras del león para que no sean devoradas por el averno ni caigan en las tinieblas. Que San Miguel las conduzca a la santa luz, como prometiste a Abraham ya su descendencia. V/ Hostias y súplicas de alabanza, Señor, te ofrecemos. Acéptalas para provecho de las almas por las que te las ofrecemos. Haz, Señor, que pasen de la muerte a la vida, como prometiste a Abraham ya su descendencia. (Offertoire) Seigneur Jésus-Christ, Roi de gloire, délivre les âmes des fidèles défunts de l'emprise de l'enfer et du lac profond. Délivre-les de la gueule du lion, que les enfers ne les engloutissent pas. Qu'ils ne tombent pas dans les gouffres obscures, mais que le porte-enseigne saint Michel les présente dans la lumière sainte que tu as promise .... + Informações

Lyrics: Summon your power, O God; show us your strenght, O God, as you have done before. Because of your temple at Jerusalem kings will bring you gifts, alleluia. Sing ye to God, sing a psalm to his name, make a way for him who ascendeth upon the west: the Lord is his name. In the churches bless ye God the Lord, from the fountains of Israel. Sing to God, ye kingdoms of the earth: sing ye to the Lord: who mounteth above the heaven of heavens, to the east. Dominica Pentecostes, ad missam in die, Offertorium- Confirma hoc Deus (Psa 68[67], 29-30). + Informações

Gabriel Faure - "Messe de Requiem" op.48 Orchestra - "Pro Arte" Choirs - "Astrolabium", "Pro Arte" and "Cantus" Soprano - Adriana Dankowska-Pi?tek Baritone - Jerzy Mechli?ski Conductor - Micha? Nesterowicz Koncert inauguruj?cy obchody 75-lecia Pa?stwowej Szko?y Muzycznej im. Juliusza Zar?bskiego w Inowroc?awiu, po?wi?cony pami?ci Inowroc?awskich muzyków. 17.02.2008r.. + Informações

Offertorium, concerto for violin & orchestra (1980) Gidon Kremer, violin Boston Symphony Orchestra Charles Dutoit Until the early 1980s, Gubaydulina's works were little known in the USSR because of the authorities' disapproval of her compositional style, and her music was also virtually unknown in the west. Performances of this violin concerto changed those circumstances in Europe and later in the United States, as Gidon Kremer, the Latvian violinist for whom it was written and then dedicated, took the work to European centers. Its popularity established Gubaydulina's reputation. Like many of the composer's works, the piece uses musical structures to symbolize and express spiritual ideas, while simultaneously suggesting those concerns to the listener through the use of a musical language of brilliant instrumental colors and meditative movement. Offertorium opens with the theme on which Frederick the Great of Prussia requested that Bach write a fugue, but which Bach used instead in A Musical Offering. Gubaydulina treats this theme in the manner of Webern, changing the instruments which play the melody every few notes. The transformation of this theme into a melody of instrumental colors (Klangfarbenmelodie) is significant because Gubaydulina has here united Bach and Webern, the two composers who she says have made the greatest impression on her. Webern himself composed an orchestral version of the Ricercata from A Musical Offering which featured Klangfarbenmelodie, so with .... + Informações

Festal Offertorium. Percy Fletcher. + Informações

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Vasilij Meljnikov - violin Cond.: Anton Nanut 1998 Slovenian RTV Symphony Orchestra. + Informações