Guardame las vacas Composed by Luis de Narvaez. Performed by Shirley Rumsey, lute/vihuela. Music for lute, guitar and vihuele Spanish Renaissance Music Pic: La Cruxificcion (detail) by Juan de Flandes (1465?-1519). + Informações

Kevin Gallagher, guitarist - www.guitar69.com Recorded January 7th and 8th, 2011 in New York City Luis de Narváez (fl. 1526--49) was a vihuelist born in Granada at the end of the Fifteenth Century. He was a court musician of the Comendador of León and then of the later ascending Felipe II. Narváez's most important surviving music is contained in Los seys libros del delphín (Valladolid, 1538), a six-volume collection of music for vihuela. Edited by David Nadal and included in his book, Guitar Classics (Dover) http Recorded with the Edirol R-09 HR tinyurl.com. + Informações

Luis de Narváez: "Paseábase el rey moro" performed by Marta Rodrigo (Soprano) & Andreas Martin (Vihuela de mano). + Informações

Christos Motorinos guitar concert in Athens May 2007. + Informações

One of the first examples of theme and variations. - Frederick Noad I love this piece! Not an easy one, though.. + Informações

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Just in case there aren't enough versions of this on YouTube. :-) Here's a link to a free score www.free-scores.com. + Informações

www.manueldapena.com Luis de Narváez (ca. 1500) Guárdame las vacas Encore Hilton Buenavista Toledo, Spain Toledo Guitar Festival April 23, 2009 José Manuel Dapena, guitar Special thanks to Carlos Alonso Guitar by Gernot Wagner Live Recording - Microphone Audio Technica AT4040 © 2009 www.manueldapena.com. + Informações

An arrangement of Josquin's Mille Regretz by Luis de Narvaez for the vihuela. It was the favourite song of Charles V, Holy Roman emperor (1519-58).. + Informações

Narvaez lived around 1500 to 1555 link to tab: www.mateus-lutes.com. + Informações

"Romance viejo", and old tale about the Christian's defeating the Moorish castle called "Alhama", in Granada. Published in "6 libros del Delphin de música" (1538). Narváez was one of the most appreciated musicians in the court of the Emperor Charles V, and brought the French-Flemish style into the instrumental music in Spain. Concert in Rosario (Argentina), august 2009. + Informações

Guradame las Vacas was composed by Luis de Narvaez who was a spanish born in the period of the Renaissance.The original melody was composed for vihuela.. + Informações

Julian Bream, guitarra. + Informações

Extracto del concierto que ofrecieron Pedro Chamorro y Caridad Simón en la iglesia de San Nicolás de Segovia, el 20 de febrero de 2010, dentro de unas jornadas didácticas de bandurria y mandolina, organizadas por la asociación cultural La Esteva.. + Informações

Published in "6 libros del Delphin de música" (1538). Narváez was one of the most appreciated musicians in the court of the Emperor Charles V, and brought the French-Flemish style into the instrumental music in Spain. Concert in Rosario (Argentina), august 2009. + Informações

one of my favorite pieces from the renaissance period, cancion del emperador was written in the early 16th century by luiz de narvaez. it is based on the popular song "mille regretz" by josquin des prez.. + Informações

Published in "6 libros del Delphin de música" (1538). Narváez was one of the most appreciated musicians in the court of the Emperor Charles V, and brought the French-Flemish style into the instrumental music in Spain. Concert in Rosario (Argentina), august 2009. + Informações

A song by Luis de Narváez. Vihuela made by Didier Jarny. + Informações

This is one of the staples in my repertoire. I love the piece too much to put it away! It is known as being the first (or among the first) published example of theme and variations. I hope you enjoy my performance! The following is from Wikipedia: Luis de Narváez (fl. 152649) was a Spanish composer and vihuelist. Highly regarded during his lifetime, Narváez is known today for Los seys libros del delphín, a collection of polyphonic music for the vihuela which includes the earliest known variation sets. He is also notable for being the earliest composer for vihuela to adapt the contemporary Italian style of lute music. Narváez's most important surviving music is contained in Los seys libros del delphín (Valladolid, 1538), a six-volume collection of music for vihuela. The collection begins with a preface, in which the composer dedicates the work to his patron Francisco de los Cobos. A short text on notation follows (Narváez uses a slightly modified version of Italian lute tablature), then the table of contents and an errata sheet. The first two volumes contain fourteen polyphonic fantasias, modelled after Italian pieces of the same kind. They are characterized by smooth, competent imitative writing in two and three voices. Occasionally Narváez resorts to using short motifs with identical left hand fingerings, probably reflecting the techniques he used for improvisation. The music reflects the influence of Francesco da Milano, whose works Narváez collected. The third volume .... + Informações

Luis de Narváez (Granada, 1500-1550/60) Intérpretes: Juan Carlos Rivera (vihuela) & Marta Almajano (soprano) Si tantos halcones la garza combaten, ¡por Dios, que la maten! La garza se quexa de ver su ventura, que nunca la dexan gozar de altura. Con gozo y tristura asi la combaten. ¡Por Dios, que la maten!. + Informações

slightly improved version,simple piece at first sight, but soooo hard too play perfect,better version coming soon. + Informações

Luis de Narváez (fl. 1526--49) was a Spanish composer and vihuelist. Highly regarded during his lifetime, Narváez is known today for Los seys libros del delphín, a collection of polyphonic music for the vihuela which includes the earliest known variation sets. He is also notable for being the earliest composer for vihuela to adapt the contemporary Italian style of lute music. Popular Variations arr. for harp Nicanor Zabaleta, harp The exact date or even year of Narváez's birth is unknown. He was born in Granada and the earliest surviving references to him indicate that as early as 1526 he was a member of the household of Francisco de los Cobos y Molina, a well-known and very successful patron of the arts who was the secretary of State and comendador for the kingdom of Castile under Charles V. Narváez lived in Valladolid with his patron until the latter's death in 1547. It was during this period that the composer published Los seys libros del delphín (Valladolid, 1538), a large collection of music. By 1548 Narváez was employed as musician of the royal chapel, where he also taught music to choristers. His colleagues there included the famous keyboard composer Antonio de Cabezón. Narváez and Cabezón were both employed as musicians for Felipe, Regent of Spain (later Philip II of Spain), and accompanied him on his many journeys. The last reference to Narváez is from one such journey: during the winter of 1549 he resided in the Low Countries. Narváez was very highly regarded .... + Informações

4 diferencias sobre guárdame las vacas, by Luís de Narváez, played on the 7 course vihuela by Xavier Díaz-Latorre. Live concert in Sveto, Slovenja on the 2nd September 2011 visit www.xavierdiazlatorre.com www.luteatesmuc.com. + Informações

Fantasia 14 by Spanish composer Luis de Narvaez (lived and prospered around 1555). + Informações

Rolf Lislevand, vihuela. + Informações