Another song from Kind of Blue. + Informações

"Summertime" is a track from the album "Porgy and Bess" by jazz trumpet musician Miles Davis, released in 1958 on Columbia Records. The album features arrangements by Davis and collaborator Gil Evans from George Gershwin's opera Porgy and Bess. The album was recorded in four sessions on July 22, July 29, August 4 and August 18 in 1958 at Columbia's 30th Street Studio in New York City. It is the second collaboration between Davis and Evans and has garnered much critical acclaim since its release, being acknowledged by music critics as the best of their collaborations. For many jazz critics, Porgy and Bess is regarded as historic. In 1958, Davis was one of many jazz musicians growing dissatisfied with bebop, seeing its increasingly complex chord changes as hindering creativity. Five years earlier, in 1953, pianist George Russell published his Lydian Chromatic Concept of Tonal Organization, which offered an alternative to the practice of improvisation based on chords. Abandoning the traditional major and minor key relationships of Western music, Russell developed a new formulation using scales or a series of scales for improvisations. Russell's approach to improvisation came to be known as modal in jazz. Davis saw Russell's methods of composition as a means of getting away from the dense chord-laden compositions of his time, which Davis had labeled "thick". Modal composition, with its reliance on scales and modes, represented, as Davis put it, "A return to melody". In a 1958 .... + Informações

The Miles Davis Quintet digs into this classic on November 7, 1967 at the Stadthalle, Karlsruhe, Germany.. + Informações

Miles Davis with Marcus Miller.. + Informações

Music video by Miles Davis performing So What. (C) 2008 SONY MUSIC ENTERTAINMENT. + Informações

Miles Davis - Human Nature 2.000.000 VIEWS THANK YOU ALL! RIP Michael Jackson King of Pop RIP Miles Davis King of Jazz. + Informações

video do miles davis & marcus miller - mr pastorius mtv jazz. + Informações

Miles Davis Quintet - 'Round Midnight (1956 Columbia Records Version) Personnel: Miles Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), Paul Chambers (bass), Philly Joe Jones (drums) from the album ''ROUND ABOUT MIDNIGHT'. + Informações

Miles Davis no trompete e John Coltrane no saxofone. Dois anormais!. + Informações

Somethin' Else is a 1958 album by jazz musician Julian "Cannonball" Adderley, regarded as a landmark album in the hard bop and cool styles. This critically-acclaimed album is notable for the presence and prominent contributions of Miles Davis, in one of his few recording dates for Blue Note Records. Many critics and jazz fans consider Somethin' Else to be among the greatest jazz albums of all time. When alto saxophonist Cannonball Adderley culled together this quartet, he grabbed three champions from seemingly disparate schools to complement his flinty solos: Miles Davis, the king of cool; Art Blakey, the thundering force of hard bop; Hank Jones, a veteran of swing; and Sam Jones, a versatile bassist adaptable to nearly any setting. The results are one of Blue Note's most beloved albums. The open-ended beauty of "Autumn Leaves," which features Davis beautifully stating the melody on muted trumpet, sounds like it could easily be an outtake from Kind of Blue (which it isn't). The midtempo title track provides the centerpiece of this classic as Adderley echoes Miles's swaggering melody before both unravel wonderful solos. Cannonball Adderley...Alto Saxophone Miles Davis...................Trumpet Art Blakey......................Drums Sam Jones....................Double Bass Hank Jones...................Piano. + Informações

The 50th Anniversary of Miles Davis' Kind of Blue is a very historic event. Legacy Recordings is releasing a Collector's Edition Box set on September 30 to celebrate this very important release. Take a look at this piece and see why this is such an important release, if you don't already know.. + Informações

Favoloso brano estratto dalla colonna sonora del film "Ascenseur pour l'echafaud" composta interamente da Miles Davis + galleria fotografica del grande trombettista.. + Informações

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Live at Teatro Dell'Arte, Milano 10/11/1964 Miles Davis, Wayne Shorter, Herbie Hancock, Ron Carter, Tony Williams. + Informações

Miles Davis - Herbie Hancock - Wayne Shorter - Ron Carter - tony williams Stockholm 1963. + Informações

miles davis time after time. + Informações

Miles davis" time after time ". + Informações

Faixa 1 do lendário disco de Miles Davis gravado em 1959. Um dos melhores conjuntos já reunidos no jazz. E faixa do disco de jazz mais vendido de todos os tempos.. + Informações

Video with the album cover of Miles Davis' "Someday My Prince Will Come" with the title song. Wynton Kelly on piano, John Coltrane on sax, Paul Chambers on bass, and Jimmy Cobb on drums.. + Informações

Enjoy!. + Informações

? Un Beau Moment de Musique. Mr Miles Davis qui improvise lors d'une Séance d'Enregistrement pour la Bande Son de ce Merveilleux Film de Louis Malle ? Superbe tout Simplement. Peace & Music ... SnOOpy ;o). + Informações

A great Wayne Shorter composition, taken from Miles Smiles. + Informações

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Miles Davis interviewed by Bryant Gumbel for NBC's the Today Show in 1982.. + Informações

Best Wishes // cellojax Miles Dewey Davis III (May 26, 1926 September 28, 1991) was an American jazz trumpeter, bandleader, and composer. Widely considered one of the most influential musicians of the 20th century, Davis was at the forefront of almost every major development in jazz from World War II to the 1990s: he played on various early bebop records and recorded one of the first cool jazz records; he was partially responsible for the development of hard bop and modal jazz, and both jazz-funk and jazz fusion arose from his work with other musicians in the late 1960s and early 1970s; and his final album blended jazz and rap. Many leading jazz musicians made their names in Davis's groups, including pianist Herbie Hancock, saxophonist John Coltrane, saxophonist Kenny Garrett, and guitarist John McLaughlin. As a trumpeter, Davis had a pure, round sound but also an unusual freedom of articulation and pitch. He was known for favoring a low register and relatively sparse playing that served the song rather than display flashy playing, but Davis was also capable of highly complex and technically demanding trumpet work. On March 13, 2006 Davis was posthumously inducted into the Rock and Roll Hall of Fame. He has also been inducted into the St. Louis Walk of Fame, Big Band and Jazz Hall of Fame, and Down Beat's Jazz Hall of Fame.. + Informações