Documentary by Jean-Paul Fargier. + Informações

Documentary by Jean-Paul Fargier. + Informações

The Starfish // L'Etoile de Mer L'Étoile de Mer (English: The Sea Star) is a 1928 film directed by Man Ray. The film is based on a script by Robert Desnos and depicts a couple (Alice Prin and André de la Rivière) acting through scenes that are shot out of focus. Director: Man Ray Writer: Robert Desnos (poem) Stars: Kiki of Montparnasse, André de la Rivière and Robert Desnos www.imdb.com. + Informações

es tarde y me siega el sol al costado del camino hay palmeras hay un bar hay sombra hay algo mas en el caribe sur. + Informações

Artist: Man Ray Album: Ultramar Director: Octavio Scopelliti Photographer: Paula Grandio Title: "Amor Azul" Genre: Music Video Duration: 3'41" Editor: Gus Codella. + Informações

Documentary by Jean-Paul Fargier. + Informações

Documentary by Jean-Paul Fargier. + Informações

man ray. + Informações

Documentary by Jean-Paul Fargier. + Informações

music video. + Informações

Sirva este arbitrario collage de videos de Man Ray e Hilda Lizarazu para ilustrar una de mis canciones favoritas de la programación de Espacio 59: Extraño ser. La grabación es de 1988, y la banda, de origen argentino, estaba formada por Laura Gómez Palma, Tito Losavio, Pablo Buratti e Hilda Lizarazu. La producción, primera de esta agrupación argentina, corrió a cargo de Andrés Calamaro, y entre los músicos invitados estuvieron Richard Coleman, Didi Gutman, Ariel Rot y Gringui Herrera.. + Informações

Canción incluida en el disco "Hombre rayo", de 1994. Fue parte del opening de la novela "Montaña rusa", donde actuaban Gastón Pauls, Nancy Duplaá, etc... El vídeo es "D10s", de Hilda Lizarazu en solitario. TODO CAMBIA. Dando vueltas, esperando sin saber. Pasa el tiempo como un rayo de TV. Dónde voy? Y si te digo: "Todo está mal!", seguro que mañana puede cambiar. De repente todo vuelve a suceder, voy corriendo para verte otra vez. Vos quien sos? No nos mintamos, no llores más, soy como un río que no puede parar. Todo cambia y todo cambia. Y todos cambian. Dando vueltas como un plato volador, pasa el tiempo yo lo veo en mi reloj. Allá voy! No quiero cuentos, quiero verdad. Seguro que el amor no se va a escapar Todo cambia y todo cambia. Y todos cambian.. + Informações

Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many filming techniques used by Man Ray, including Rayographs, double exposures, soft focus and ambiguous features. Director: Man Ray Writer: Man Ray Stars: Kiki of Montparnasse and Jacques Rigaut www.imdb.com. + Informações

Music - da Lucia di Lammermoor di Donizetti. + Informações

Le Retour A La Raison (The Return to Reason), film by Man Ray, 1923 Sound by Dmitry Shubin (piano), live at Experimental Sound Gallery (Saint Petersburg), 30.04.2011 sound.dmitryshubin.ru. + Informações

Le retour à la raison [Return to reason]. Short film editing, produced and directed by Man Ray in 1923. With model Kiki de Montparnasse.. + Informações

Man Ray's grave in Paris and some pics he took.. + Informações

Man Ray experiment with cinema. + Informações

In Emak Bakia, the mischievous dadaist and surrealist Man Ray pioneered the technique of cameraless filmmaking, exposing lengths of film to light after sprinkling them with pins, grains of salt and other common objects. In its playful use of disparate materials -- animation, non-objective shapes, rayograms, unfocused and optically fragmented images -- Emak Bakia remains fresh and inspiring nearly 80 years after it was made. Man Ray said he made this one in strict conformity with Surrealist principles. It opens with a series of apparently unrelated shots: grain on film; flowers moving; drawing pins in negative: points of light - out of focus -which order themselves into lines; a signwriter spelling out incomplete sentences; a prism. reflecting bars of light, rotating at different speeds; car headlights, with a huge single eye superimposed over the radiator between them; it blinks; and so on. As the film progresses the car theme becomes dominant: the driver wearing goggles (which mimic the car's headlights). There follow a series of conventional shots of the car driving down an avenue, intercut with close-ups of sheep (in complete tonal contrast). The car stops -a woman's legs are seen getting out -the shot is repeated three times, the fourth time it fades and is replaced by a stepped superimposition of all four shots, one following closely on the other. Individual images are striking for their humour and originality, but Ray still apparently felt it necessary to impose a .... + Informações

www.origiful.com this is my website so check it out! this is from a photo by Man Ray. the song is "agathe" by "ania et le programmeur". their site is http please comment and rate.. + Informações

From album Cago. Animation by Han Hoogerbrugge.. + Informações

E' un film di Man Ray che consiste in varie textures animate, rayogrammi, e il corpo di Kiki di Montparnasse, la donna di cui era innamorato.. + Informações

Man Ray - Caribe Sur. + Informações

John Zorn - Somnambulisme (Man Ray) Video Clip from Man Ray - Chateu du Dé (1929) Music from John Zorn - The Last Supper Filmworks XXII (2008) Thanks Marty. + Informações

Messing around with samples. Decided to make a short song. ma ma ma maaa ma ma maaa ma maaaaaaaa. + Informações