John Williams plays Pavane #3 by Luis Milan, on solo classical guitar. From a 1975 TV series about Spanish guitar music with Williams. This episode also featured Paco Pena.. + Informações

The brazilian guitar player Alexandro Fernandes plays Pavana by Luis Milan. O violonista Alexandro Fernandes interpreta Pavana de Luis Milan. Der brasilianisch Alexandro Fernandes spielen Pavana von Luis Milan bei deine Gitarren. El guitarrista brasileño suona Pavana, composición de Luis Milan.. + Informações

Pedro Alcacer, Vihuela, en el encuentro 2007, de la sociedad de la vihuela, Valencia- España. + Informações

Luys Milán (Luís de Milán o Lluís del Milà (Valencia, 1500-1561) Intérpretes/Performers: José Miguel Moreno & Eligio Quinteiro -Dueto de guitarra y vihuela/Guitar and vihuela duet Imágenes/Images: Ciudad de Valencia. + Informações

Recorded: Elisabethkirche Hamburg August 2011 www.ancientmusicedition.de. + Informações

Two Fantasias by the Spanish master: Luys de Milán (c. 1500 -- 1561 or possibly later). I am sorry for all my groaning, but this is technically quite hard. I will soon better versions without any such noises.... + Informações

Luys Milan (ca. 1500-1561)~Fantasia I & Pavana I From "Moreno Quinteiro Fantasia" (2003~Glossa Music) Recorded in in Robledo de Chavela (Ermita de Navahonda), Spain, in June 2003 Renaissance Guitar & Vihuela. + Informações

3 pavans by Luis Milan. I played these to open up my graduation recital.. + Informações

Fantasía XVI. Luys Milán. Concierto en Holzminden, Alemania. 2009. Guitarra, Pablo Garibay. Guitar builder: Kamil Jaderny.. + Informações

This is me playing the "Pavane number one" from Luis Milan's book called "Libro de musica de vihuela de mano, intitulado El Maestro" (Music book of hand vihuela, entitled The Master). Luis de Milan (also known a Lluis del Mila, 1500 - 1561) was a very influent and important vihuelist (instrument similar to the modern guitar) and composer from the renaissance era, and it's importance is more remarkable if we know that he was actually the first composer to put a tempo mark on the scores. I hope you will like this piece! I think it's really nice.... :-D. + Informações

Luis de Milán (also known as Lluís del Milà) (c. 1500 1561 or possibly later) was a Spanish Renaissance composer, vihuelist (instrument similar to the guitar), and writer on music. He was the first composer in history to publish music for the vihuela de mano, an instrument employed primarily in the Iberian peninsula and some of the Italian states during the fifteenth and sixteenth centuries, and he was also one of the first musicians to specify verbal tempo indications in his music. (Source: Wikipedia). + Informações

The sixth pavan of Luys Milan, from El Maestro (Valencia, 1536), performed on the renaissance lute by David Tayler. Of all Milan's pieces, this pavan is the model of simplicity and elegance. One of the most unusual features of this pavan is that it is written in triple meter: many interpretations are possible for the tempo. I have chosen to interpret the time signature as an indication of affect, since Milan had several terms that he used for tempo, and I have chosen an affect suitable for a pavan from the 1530s. The tempo is derived from a sesquialtera transformation of the pavan dance rhythm.. + Informações

music written for vihuela around 1535. Wayne Cripps tab site: www.cs.dartmouth.edu tab for pavan1: www3.cs.dartmouth.edu. + Informações

Con pavor recordó el moro y empeço de gritos dar; mis arreos son las armas, mi descanso es pelear. Mi cama las duras peñas, mi dormir siempre es vellar, mis vestidos son pesares que no se pueden rasgar. No desexando cosa á vida de quanto puedo matar, hasta que halle la muerte que amor no me quiere dar. Luis de Milán (antes de 1500 - después de 1561) también conocido como Lluís del Milà, vivió probablemente la mayor parte de su vida en Valencia, España. Cortesano valenciano, poeta, escritor, vihuelista y compositor. Apenas se conocen tres libros impresos de su trabajo. Todos estos trabajos, como poeta y como músico, iban destinados a la aristocracia española. Integró la corte del virrey de Valencia y la de Germana de Foix, viuda de Fernando el Católico. Su "Livro de motes de damas ya caballeros: Intitulado "El juego de mandar", es una obra literaria con textos y poesías que versan sobre asuntos de la corte. Su "Libro de música de vihuela de mando: Intitulado 'El maestro'" es su única publicación en el género musical para vihuela, fue dedicado al rey D. Juan III de Portugal. Esta obra constituye la primera colección impresa de música instrumental española. Contiene 40 fantasías, 4 preludios, 6 pavanas, 6 villancicos para vihuela y voz, 4 romances y 6 sonetos con texto de Petrarca, poeta del Renacimiento. Las piezas vocales como los villancicos, fueron escritos en portugués y castellano. Luis Milan (also known as Lluís del Milà) was born around 1500 in Valencia, Spain, where .... + Informações

Luis de Milán (also known as Lluís del Milà) (c. 1500 -- 1561 or possibly later) was a Spanish Renaissance composer, vihuelist (instrument similar to the guitar), and writer on music. He was the first composer in history to publish music for the vihuela de mano, an instrument employed primarily in the Iberian peninsula and some of the Italian states during the 15th and 16th centuries, and he was also one of the first musicians to specify verbal tempo indications in his music.. + Informações

Pavana von Don Luis Milan, original für Vihuela, einem Vorläufer der heutigen Konzertgitarre. Gitarre: Ronald Fuchs. Video: Sigwardskirte in Idensen (Wunstorf). classic-arietta. + Informações

Tre Pavane(Luis de Milan) Guitar:Andres Segovia. + Informações

Robert Wetzel performs live here in concert on Sunday afternoon, November 20, 2011 in the Junipero Serra Museum in San Diego, California. He begins the concert here with the Pavane no. 5 by Luis Milan, a distinguished and elegant performer and composer of vihuela music in Spain in the 16th century. Robert is playing on a spruce top classical guitar made for him in 1999 by Australian luthier, Simon Marty. The impresario of Guitar Artists International, Mark Langford, graciously introduces Robert Wetzel just before the solo classical guitar concert begins. You are invited to visit: www.robertwetzel.com www.concerthallrecords.com www.itunes.com/robert wetzel www.itunes.com/odeum guitar duo. + Informações

Iván Barrero interpreta: Pavana 5, de la guitarra del maestro Luis Milán siglo XVI. + Informações

carlosgass.blogspot.com Fantasía del segundo tono. Luys Milan (c. 1500 - c. 1561). Esta fantasía es de carácter íntimo y tranquilo. El estilo del contrapunto está basado en la música vocal de la época y no se trata todavía de música idiomática para vihuela, aunque sí es cierto que resulta muy natural en el instrumento, pero el estilo musical es como dije polifónico-vocal empleando ligaduras para mantener las voces y favorecer así las imitaciones del contrapunto. Está escrita a tres voces reales. Según el teórico y compositor Bartolomé Ramos de Pareja, a la música del segundo tono le interesa un tiempo lento y es buena para provocar el sueño y provoca paz interior. Luys Milan en la introducción a esta obra nos recuerda que es de segundo tono, y que por eso le atañe un compás apresurado. Yo no estoy de acuerdo con Milan, estoy más a favor de Ramos de Pareja en la elección de un tempo lento y pausado de esta fantasía, aun teniendo en cuenta un cierto anacronismo entre la época de Pareja y Milan. Ramos de Pareja escribe respecto al segundo tono en su tratado teórico "De musica practica" en 1482 lo siguiente "Me domina el sopor porque marcho con paso lento. Avanzando más lentamente produzco y sueño". La luna es el "planeta" del segundo tono y no dice que es la "Gobernadora de las cosas inferiores". Su color "cristalino". La musa que inspira este tono es Clío , musa de la poesía heroica. Ramos de Pareja habla de los ocho tonos de la música. Cada uno tiene unas propiedades .... + Informações

LUYS MILAN Libro de musica de Vihuela de mano intitulado El MAESTRO,1536 Fantasia X "de consonancias y redobles", performed by Sandro Volta, winner Grand Prix Du Disque, Paris 1994.. + Informações

Nelson Amos plays Pavan IV from Luis Milan's "Libro de Musica de vihuela de mano" published in 1536, The vihuela used here, from the David Rubio workshop (made by Paul Fisher In 1975), is based on the illustration within Milan's book.. + Informações

"Fantasia del segundo tono" from "El Maestro" by Luys Milan (1536). + Informações

Luis Milan: Fantasía de consonancias y redobles. Milan proposes a very free concept of tempo, playing the "consonancias a espacio" (chordal poliphony slowly) and "redobles apriesa" (scales in faster tempo) concert version, august 2009.. + Informações

Don Luis Milan (1500-1561), vihueliste espagnol du 16è siècle, a écrit "El maestro", publié à Valencia, Il était au service du vice-roi Don Fernando d'Aragon à Valencia.. + Informações