Watch the video for the John B Remix of Pendulum's new single 'Witchcraft', available to buy now: bit.ly. + Informações

from album "In Transit". + Informações

Video by Jan Frejm. + Informações

JOHN B - SALSA REMIX FORMATION RECORDS. + Informações

Jon B came back in 2004 wit this.... killin em!. + Informações

The Beach Boys | Sloop John B | 1966. + Informações

The Jon B version of the song, from what I heard this is an rmx but i'm not sure about it. Lyrics: Verse 1 Nineteen-ninety-eight, damn I can't believe it Whoever thought, throughout the drama, we'd live to see it So many of us done lost lives to the streets As we reminisce I'm pourin liquor for the deceased Thinkin bout the times that I spent with many of em Hopin that the Lord let me see the millenium Trapped in this ghetto main, seekin better days Fightin for my conscience, tryin to shake these wicked ways I know it's wrong but it's hard to change All my life, all I ever knew was hustle and game Lookin for answers ever since I was a adolescent Faced with rejection, early age stressin But now ten years later with doodoo respect I'm bustin million dollar raps and six digit checks Showin love to my peeps and my love don't change Here's a toast to you fakes, huh, here's to better days Chorus It might sound strange, but I just can't run away It might sound strange but I just can't run away I can't run, no, run away Verse 2 Touch a meal ticket, shake a spot for good Never, I still got love for the neighborhood And even though now it's infested with gunplay On most days like Bootsy I can't stay away Cause if I shook like y'all shook on me Then whose gon' stay and guide the way for the lil homies? I can't turn my head on my folks So I stay visible in these streets and try to give hope Born in the ghetto, raised in the ghetto Got love for the ghetto, I can't forget the ghetto .... + Informações

Massive vibes in East Village, London for D&BTV Lives Xmas Presence. Catch the archive of huge sets from Bryan G, John B, Optical and Rockwell, along side MCs Stamina, Stapleton, 2Shy & Phantom. D&BA founder The Risky is on hosting duties as always. BIG NIGHT!!. + Informações

This is another song from his verrry long awaited album Helpless Romantic. I personally don't really like this song all that much, but maybe ya'll will. Plus, i the picture is a pretty updated picture if any of you guys are wondering what he looks like now...which is still sexy. LOL!. + Informações

Great Song from Jon B.. + Informações

Brian Notice singing a cover of Jon B's "They Don't Know" with Producer Ace keys on the grand piano. www.myspace.com www.facebook.com www.twitter.com Filmed by: SilveXmedia www.SilveXmedia.com. + Informações

BattleCat, Jon B, Richie Rich,Trak12ent.com, Keith Scoggins, Sessions. + Informações

workingclassstudies.wordpress.com John B. Russo, Ed.D, is the Coordinator of the Labor Studies Program at the Warren P. Williamson College of Business Administration at Youngstown State University where he teaches courses on Labor Law and Negotiations, Occupational Safety and Health and Work in America. He is also the Co-Director of YSU's Center for Working Class Studies. Dr. Russo has worked regularly with trade unions and has been a labor negotiator himself. He is considered an expert on labor and workplace issues and has consulted regularly on collective bargaining, economic restructuring, pensions, and bankruptcy in manufacturing and transportation from a labor perspective. Dr. Russo has written widely on labor and social issues, given testimony before government commissions, and has been frequently interviewed by the media on workplace issues.His current research interests involve comparative studies of the automobile industries in North America, China, and India and a book on worker rights in the global economy.. + Informações

jonb ft.beenie man. + Informações

On July 21st 1970, Bill Graham presented John Sebastian, performing what turned out to be a primarily solo electric set, sandwiched between outstanding performances by New Orleans' legendary Preservation Hall Jazz Band and Chicago at the creative peak of their original lineup. Following the dissolution of The Lovin' Spoonful, Sebastian received an unexpected kick-start to his solo career, when he became an unscheduled performer on the first day of the legendary Woodstock festival the previous summer. Two of his songs, "I Had A Dream" and "Rainbows All Over Your Blues," seemed to capture the atmosphere of that moment perfectly and his appearance in the Woodstock movie and the soundtrack album releases catapulted Sebastian into one of the most recognized singer-songwriters of 1970. Earlier that year he could be found living in a tent on The Grateful Dead's ranch, writing new songs that would eventually comprise his first solo album. As is obvious from photos of that era, Sebastian took a fancy to the Dead family's tie-dyed amplifier grilles and clothing, which he would embrace as his own colorful uniform. Following his memorable experience at Woodstock, Sebastian continued performing solo,often as an opening act for Crosby, Stills, Nash & Young. He struck a solo deal with Reprise Records and began work on his first album, sessions for which featured the talents of Crosby, Stills, Nash and their drummer Dallas Taylor, as well as stellar musicians like Harvey Brooks, Buzzy .... + Informações

Witchcraft is the second single from Australian drum and bass band Pendulum to be released from their third studio album, "Immersion". It is due for release as a digital single and on iTunes on 18 July 2010, with the CD single being released the following day. It debuted at number sixty-two on the UK Singles Chart following high amounts of downloads from the release of the album. The music video was shot on the 2nd of June 2010 and finished on the 25th of June, as confirmed by Rob Swire's Twitter feed. The single includes a drumstep mix by Rob Swire, remixes by drum and bass DJs and producers John B and Netsky, and a remix by house DJ and producer Chuckie. An exclusive video of Witchcraft was placed on the Pendulum members section "The Other Side". The single artwork shares a similarity with the artwork for Pendulum's debut album, Hold Your Colour. CD single track listing: (released 19 July 2010) "Witchcraft" (Original mix) -- 4:12 "Witchcraft" (Rob Swire's drum-step mix) -- 5:44 "Witchcraft" (Chuckie remix) -- 6:14 "Witchcraft" (John B remix) -- 6:53 "Witchcraft" (Netsky remix) -- 4:56. + Informações

PLAYLIST - Intro (Good Timin') 1. California Girls 2. Sloop John B. 3. Darlin´ 4. School Days 5. God Only Knows´ 6. Be True To Your School 7. Do It Again 8. Little Deuce Coupe 9. Cotton Fields 10. Heroes And Villains 11. Keepin´ The Summer Alive 12. Lady Lynda 13. Surfer Girl 14. Help Me Rhonda 15. Rock & Roll Music 16. I Get Around 17. Surfin´ USA 18. You Are So Beautiful 19. Good Vibrations 20. Barbara Ann 21. Fun, Fun, Fun. + Informações

Kurt Nimmo Infowars July 22, 2009 Near the end of the video here shot by WeAreChange activists, the great-grandson of John D. Rockefeller can only offer a telling smile when asked about the eugenics history of his family. Go find somebody else to talk to, snaps the West Virginia senator when politely asked to elaborate. WeAreChange confront Jay Rockefeller. As briefly documented in the short video, the Rockefeller family essentially created the modern eugenics movement from scratch. As John B. Sharpless of the University of Wisconsin documented in 1993 after examining the files of the Rockefeller Foundation, the records of the Population Council, and the personal papers of John D. Rockefeller III, Rockefeller spawned foundations are responsible for a nearly unanimous change in attitudes and ideas about population that occurred during the 1960s. In addition to the Rockefeller Foundation and the Population Council, other foundations active in eugenics include the Ford Foundation, the Milbank Memorial Fund, the Carnegie Corporation, and the Conservation Foundation. The Carnegie Institution established a laboratory complex at Cold Spring Harbor on Long Island in 1904 that stockpiled millions of index cards on ordinary Americans, as researchers carefully plotted the removal of families, bloodlines and whole peoples. From Cold Spring Harbor, eugenics advocates agitated in the legislatures of America, as well as the nations social service agencies and associations, Edwin Black .... + Informações

Deutscher Trailer zum Film "Das Haus der Dämonen". Deutscher Kinostart: 02.07.2009. Originaltitel: The Haunting in Connecticut Regie: Peter Cornwell Darsteller: Virginia Madsen, Kyle Gallner, Elias Koteas, Amanda Crew, Martin Donovan, Sophi Knight, Ty Wood, Erik Berg, John Bluethner, DW Brown, John B. Lowe Sara Campbell (Virginia Madsen) ist verzweifelt: Sie muss mit ansehen, wie ihr Sohn Matt (Kyle Gallner) langsam an Krebs stirbt. Um ihm die endlosen Trips zur Behandlung in einer Spezialklinik zu ersparen und seinen fragilen Körper nicht mehr zu belasten als notwendig, zieht die Familie nach Connecticut. Sara hat ein günstiges Haus gefunden, das der schlechten finanziellen Lage der Familie entgegen kommt. Kaum eingezogen erfährt die Familie, dass es einen Grund für den guten Preis gab: Die Menschen machen einen Bogen um das Haus, das eine düstere Geschichte hat. Früher wurde es als Bestattungsinstitut genutzt, es kam zu unvorstellbaren Geschehnissen mit schwarzer Magie und Geisterbeschwörungen. Sehr bald beginnt ausgerechnet Matt, unheimliche Dinge wahrzunehmen. Die Eltern zweifeln zunächst: Liegt es nicht vielleicht an den starken Medikamenten? Oder doch am Haus? Als Jonah (Erik Berg), der Sohn des damaligen Besitzers, plötzlich zurückkehrt, beginnt für die Campbells ein unvorstellbares Grauen.... + Informações

Part 2 of 3 ~ Steve Quayle, Author and researcher joined Guest host John B.Wells to discuss the secret powerful forces aligned against humanity since ancient times, and how genetics, nanotechnology, and robotics are permanently changing the world for better or worse. He observed that "in every single country of the world," there are legends which tell of entities who come to Earth not only bestowing their secrets upon humans, but also "going to war with mankind." Quayle observed that this overarching theme is "too formidable a subject to ignore in any way, shape, or form." He traced the root of this battle to be a "supernatural, evil hierarchy" using misguided humans to corrupt God's works here on Earth. These human agents of Satan, he said, believe they will be given greater power by yielding their free will to dark forces. However, Quayle warned, "that power, they yield to, will ultimately consume and destroy them." He pointed to transhumanism as a key aspect of this agenda. "The goal is not to help humanity be all we can be," he lamented. Instead, Quayle contended that the aim is to create a race of quasi-gods which will supplant the human race as we know it. "If anything, the old style human beings will be an irritation, or reminder, of what the transhumanists once were," he surmised. Additionally, according to Quayle, the current economic crisis is actually an orchestrated tool being used to advance this Satanic agenda. To that end, he explained that sinister power .... + Informações

July 7, 2011: Coast --to-Coast AM Guest host John B. Wells welcomed author and researcher Steve Quayle, who discussed the secret powerful forces aligned against humanity since ancient times, and how genetics, nanotechnology, and robotics are permanently changing the world for better or worse. He observed that "in every single country of the world," there are legends, which tell of entities who come to Earth not only bestowing their secrets upon humans, but also "going to war with mankind." Quayle observed that this overarching theme is "too formidable a subject to ignore in any way, shape, or form." He traced the root of this battle to be a "supernatural, evil hierarchy" using misguided humans to corrupt God's works here on Earth. These human agents of Satan, he said, believe they will be given greater power by yielding their free will to dark forces. However, Quayle warned, "that power, they yield to, will ultimately consume and destroy them." He pointed to transhumanism as a key aspect of this agenda. "The goal is not to help humanity be all we can be," he lamented. Instead, Quayle contended that the aim is to create a race of quasi-gods which will supplant the human race as we know it. "If anything, the old style human beings will be an irritation, or reminder, of what the transhumanists once were," he surmised. Additionally, according to Quayle, the current economic crisis is actually an orchestrated tool being used to advance this Satanic agenda. To that end, he .... + Informações

Written by: J. Thomas, J Robinson, G Collins. Produced By: Jon-John Robinson. + Informações

This is one of the most popular kruti of Vyasatheertha and a favorite of Naganandini. This is sung by an Americal Artist, John B.Higgins, who is one of the most accomplished western artist who mastered Karnatak music.. + Informações

Uriah Heep-Ken Hensley;HEEP's Founder;original-keyboards;guitarist;vocals / with ASIA's frontman John Wetton / *This show was part of the Magician's B-day party weekend,filmed at the London Forum in Dec.2001. + Informações

John Field (26 July 1782, Dublin - 23 January 1837, Moscow) was an Irish composer and pianist. He is best known for being the first composer to write nocturnes in the modern sense of the term. Piano Concerto no. 2 in A flat major (1811) 1. Allegro moderato Field was born in Golden gate, Dublin in 1782 the eldest son of Protestant Irish parents. His father, Robert Field, earned his living by playing the violin in Dublin theatres. Field first studied the piano under his grandfather (also named John Field), who was a professional organist, and later under Tommaso Giordani. He made his debut at the age of nine, a performance that was well-received, on 24 March 1792 in Dublin. His family moved to Bath in 1793, and later that same year went to London. Field's father there secured for him an apprenticeship with the pianist and piano manufacturer Muzio Clementi. He attracted favourable comment from Joseph Haydn for his performances. By the time he was seventeen, Field had already premiered his First Piano Concerto (he wrote seven of them); it was one of the last acts of his apprenticeship. He was lionized as a performer for several years before turning to composition, beginning with his first set of piano sonatas, dedicated to Clementi, published in 1801. In 1801 Field accompanied Clementi on a tour of Paris and Vienna (where he studied briefly with Johann Georg Albrechtsberger). When Clementi moved to Russia, Field followed him there, continuing his employment demonstrating his .... + Informações