Scenas Portuguezas op. 9 - José Vianna da Motta nº1 - Cantiga d'Amor Machina Lirica Duo: Monika Streitova & Pedro Rodrigues Festival Colores Flamencos, Olomouc, Czech Republic - 2011 (transcription: Pedro Rodrigues). + Informações

Romantic Portuguese composer Jose Viana da Motta's (1868-1948) Barcarole in A Minor, published 1884.. + Informações

José Vianna da Motta, Concerto para Piano em Lá maior (2- Largo; 3- Variação 1; 4- Variação 3- vivace-tranquilo), Artur Pizarro, Orquestra Gulbenkian, Cond. Martyn Brabbins. + Informações

José Vianna da Motta - Sinfonia "À Pátria"Gala de Ópera Festa do Avante 2011 Associação Ginásio Ópera Maestro: Kodo Yamagishi Solistas: Ana Paula Russo, Soprano Ines Thomas Almeida Mezzosoprano Luís Rodrigues, Barítono João Pedro Cabral, Tenor Mircea Nedelescu, Tenor Nuno Dias, Baixo Orquestra do Ginásio Ópera Coro do Tejo Coro de Câmara de Lisboa Co-Produção do Ginásio Ópera e da Festa do Avante. + Informações

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Que saudade... O verde das matas, a relva.. O canto do... As tardes... Fins de semana... Saudade sua.. + Informações

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Confira a entrevista cedida pelo gerente de produtos da The Leadership Group, José Vianna, para o programa Alta Gestão, da rádio Band News.. + Informações

Wolfgang Amadeus Mozart/arr. Ferruccio Busoni: Duettino Concertante Piano: José Vianna da Motta and Mme. de Castello Lopes --- Vianna da Motta was a pupil of Liszt. Anyone have any info on Castello Lopes? And Busoni shouldn't be the star here, but I really liked the picture, so excuse me.. + Informações

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Vianna da Motta was one of Liszt's last pupils, and at the time of his death in 1948 was the last remaining Liszt pupil. He was a Portuguese pianist who, after Liszt died, and after a period associated with von Bulow, joined the circle of pianists centred around Ferrucio Busoni in Berlin. He was a renowned pianist and teacher in his native Portugal, as well as teaching in Geneva after the first world war, but was essentially little-known outside Portugal due to a lack of an international concerting career and very few recordings being made by him. His style is noticeably more "modern" than that of the other Liszt pupils. All of his studio recordings come from 1928. However, this recording is from a live radio broadcast made in 1945. The Orchestra is the National Symphony Orchestra of Portugal, conducted by Pedros de Freitas Branco. The interpretation is vivid and extremely wild, and utterly unlike performances today. The introduction is made to sound like we are watching the opening credits for a Hammer Horror movie of ten years after this!. + Informações

Vianna da Motta was one of Liszt's last pupils, and at the time of his death in 1948 was the last remaining Liszt pupil. He was a Portuguese pianist who, after Liszt died, and after a period associated with von Bulow, joined the circle of pianists centred around Ferrucio Busoni in Berlin. He was a renowned pianist and teacher in his native Portugal, as well as teaching in Geneva after the first world war, but was essentially little-known outside Portugal due to a lack of an international concerting career and very few recordings being made by him. His style is noticeably more "modern" than that of the other Liszt pupils. All of his studio recordings come from 1928. This work is by Vianna da Motta and is the third of the op.9 set of Cenas Portuguesas.. + Informações

A vida é dura prá quem é mole... O peixe a isca simplesmente engole.... + Informações

Como posso não te amar... De voce eu necessito. Como posso te deixar... Sem voce eu não existo. Eu já sei.... + Informações

Au bor du lac de Pena, Vianna da Motta Performed by Miguel Sousa José Vianna da Motta (1868 -- 1948) was a portuguese composer and pianist. He started his musical studies in Conservatório Nacional (Lisbon). With the support of king D. Fernando and Condessa d'Edla , he went to Berlin to continue his studies. He worked with Xaver Scharwenka, Philip Scharwenka and Carl Schaeffer. Also he worked with Franz Liszt and Hans Von Bullow. Vianna da Motta was very renowed for his musical interpretations. He was the first pianist to play all the Beethoven's sonatas in Portugal. As a composer, he wrote in a romantic style, being almost his works for piano. Some of his works includes Portuguese Rhpasodies, Ballade op. 16 and the symphonie À Pátria. More informations in musidescobrir.blogspot.com. + Informações

Lareira acesa, um bom filme, vinho, morangos.... + Informações

Com todo o respeito amigo, do rádio, televisão, da cidade.... + Informações

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