"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.". + Informações

?????????????? ??????????????????????????????????Duke Ellington - Jimmy Blanton Piano and bass duet Recorded in Chicago, October 1, 1940 Victor (mx.053504-2). + Informações

????????????????? ??????????????????????????????????Duke Ellington - Jimmy Blanton Piano and bass duet Recorded in Chicago, October 1, 1940 Victor (mx.053506-2). + Informações

On the radio program "America Daces", New York, Jun.2, 1941. If your experience to this legendary duet were only in RCA recordings, this tune would make you happy.. + Informações

10 year-old practicing "Plucked Again" by Duke Ellington & Jimmy Blanton.. + Informações

Dimitri Skidanov Sextet; Live at Jamboree, Barcelona. Julián Sánchez - trumpet, Enrique Oliver - tenor sax, Josep Tutusaus ''Tutu'' - trombon, Txema Riera - piano, Dimitri Skidanov - bass, arr. & tr., Ramon Rabinad - drums.. + Informações

Curtis Humphrey on Guitar Jordan Qualls on Acoustic Bass College of the Sequoias 2010 Final Recital. + Informações

Pitter Panther Patter; Duke Ellington & Jimmy Blanton Tribute: Txema Riera piano, Dimitri Skidanov doublebass.. + Informações

Recorded on October 10, 2016 using a Flip Video camcorder.. + Informações

"Jack The Bear" by Duke Ellington & His Orchestra ( The Blanton-Webster Band) featuring Jimmy Blanton. + Informações

NY, 22 nov 1939 Duke Ellington (p) Jimmy Blanton (b) copyright disclaimer: immagini, logo, e musica sono di proprietà dei leggittimi proprietari, e il sottoscritto non intende avanzare diritti di alcun genere su di essi. + Informações

Love the way this one jumps - Jimmy Blanton's bass playing right on top of the rhythm, keeping 'em that way. Ivie Anderson ain't too awful bad, either. ;) Dig...... + Informações

("An Ellington Unit") Great blues here featuring one of Johnny Hodges' last recordings on soprano sax & Cootie Williams' last recording session with Duke (until 1962 - just 5 days later, Cootie made his debut w/Benny Goodman, recording "Wholly Cats" w/BG's sextet, which I have in my uploads here). ;) The personnel for this November 2, 1940 session are: Johnny Hodges - soprano sax Cootie Williams - trumpet Harry Carney - baritone sax Duke Ellington - piano Jimmy Blanton - bass Sonny Greer - drums Dig...... + Informações

Cool, low key groover here with Jimmy Blanton's tasty licks keeping things riding. ;) Dig...... + Informações

this is a Transcription I made to Jimmy Blanton's Body And Soul, as he played it with Ellington at 1939. i'm playing it at a concert of my jazz recital. Yoav Orion: Double Bass Elmar Fel: Piano. + Informações

"In A Mellow Tone" by Duke Ellington & His Orchestra (the Blanton-Webster Band) from a live NBC radio remote in 1940.....featuring Jimmy Blanton on Stand Up Bass. + Informações

So, in keeping with the key of "C", here's one of the most infectious grooves ever put to record. :) And Duke said he never liked "swing" - HA! This January 21, 1942 cut throws that claim CLEAN out the window - few outfits ever swung this easy.. + Informações

ST. LOUIS IN THE 1920S St. Louis was not finished as a music city when the ragtime years ended. Because of its location as a main stop for the steamboats traveling on the Mississippi River, it was important as an entertainment and tourist city, particularly through the 1920s. Like New Orleans, St. Louis had a large red-light district and many cafes and bars, so there was plenty of employment for musicians. Of the bands coming up the river from New Orleans, pianist Fate Marables was one of the most impressive. Before these musicians settled in Chicago, Marables group featured such top players as cornetists Louis Armstrong and Tommy Ladnier, clarinetist Johnny Dodds, bassists Pops Foster and (in the 1930s) Jimmy Blanton, and drummers Baby Dodds and Zutty Singleton. The influx of musicians in the early 1920s made St. Louis one of the more important Midwestern cities for jazz, although the lack of local record companies led to insufficient documentation of local bands and the dominance of Chicago and Kansas City overshadowed St. Louis role. In the 1920s the most significant jazz groups were led by trumpeters Charlie Creath, who led the Jazz-O-Maniacs, and Dewey Jackson, who headed the Peacock Orchestra. Creaths band recorded just a dozen selections from 1924 to 1927 for the Okeh label, when the company took a mobile recording unit on field trips, while Jackson just led one four-song session. Other recording groups included the Arcadia Peacock Orchestra of St. Louis and the .... + Informações

This one is a Blues Bass Line in the Style of Jimmy Blanton (1940). + Informações

Noah Bailyn, age 10, playing Jimmy Blanton's solo from "Pitter Panther Patter" on double bass at his school talent show. + Informações

Recorded in Hollywood, 1940 Wallace Jones, Ray Nance, Cootie Williams - tp Rex Stewart - cnt "Tricky" Sam Nanton, Lawrence Brown - tb Juan Tizol - vtb Barney Bigard - cl/ts Johnny Hodges - as/ss/cl Otto Hardwick - as:bs Ben Webster - ts Harry Carney - bars Duke -, Billy Straynhorn -p/arr Fred Guy - g Jimmy Blanton - b Sonny Greer - dr. + Informações

Per-Ola Gadd Group Bohusläns museum 2007. Jimmy Guiffry Bo Svensson - saxophone Per-Ola Gadd - bass Carl Orrje - piano James Bradley Jr - drums Editing: Olle Johansson Camera: Olle Johansson Johan Sjöberg Cornelia Kirpensteijn Nellie Petersen. + Informações

www.eugenemartinart.com Visual Artist Eugene James Martin's felt-tip pen (with graphite pencil) drawings created in Washington DC in the late 1970'. The soft paper let the ink bleed through. Video clip montage by Suzanne Fredericq, filmed in Lafayette, Louisiana (LA). en.wikipedia.org "Pitter Panther Patter", Music by Duke Ellington. Duke Ellington (piano) and Jimmy Blanton (bass). Take 1, Take 2. Chicago, October 1, 1940. Duke Ellington Solos, Duets and Trios including all versions of the legendary Ellington-Blanton duets. Reissue produced by Orrin Keepnews. Bluebird 1990. www.amazon.com. + Informações

Per-Ola Gadd Group Live at Bohusläns Museum My Conception Song by Sonny Clark Maffy Falay - trumpet Per-Ola Gadd - bass Carl Orrje - piano James Bradley Jr - drums Editing: Olle Johansson Camera: Olle Johansson Johan Sjöberg Cornelia Kirpensteijn Nellie Petersen. + Informações

Per-Ola Gadd Group, Bohusläns Museum 2007. Luis Bonfa & Antonio Carlos Jobim Per-Ola Gadd - bass Carl Orrje - piano James Bradley Jr - drums Editing: Olle Johansson Camera: Olle Johansson Johan Sjöberg Cornelia Kirpensteijn Nellie Petersen. + Informações