Música del Barroco. + Informações

Ouverture, 00:00 L'Agriculture - Dialogue de la paix et de la félicité, 03:27 L'Agriculture - 1er air, quatre bergers et quatre bergères, 09:16 L'Agriculture - 2ème air pour les mêmes, 10:48 L'Agriculture - 3ème air pour le Roy, 11:48 L'Agriculture - 4ème air, bourrée de madame, 13:08 L'Agricolture - 5ème air, bourrée pour les mêmes, 13:34 La Navigation - Récit de Thétis, 14:44 La Navigation - 1er air, un corsaire et quatre pirates, 19:09 La Navigation - 2ème air pour les pirates, 20:18 L'Orfèvrerie - Récit de Junon, 21:18 L'Orfèvrerie - 1er air, les courtisans chargés d'orfèverie, 25:12 L'Orfèvrerie - 2ème air pour les mêmes, 26:55 La Peinture - Dialogue d'Apelle et de Zeuxis, 28:32 La Peinture - 1er air, les vallets des peintres, 32:43 La Peinture - 2ème air pour quatre peintres et deux valets, 34:23 La Peinture - 3ème air pour les peintres et quatre dames ridicules, 35:24 La Chasse - Récit de Diane, 37:02 La Chasse - 1er air, Céphale et les chasseur, 42:11 La Chasse - Air pour les chasseurs, 43:49 La Chirurgie - Récit d'Esculape, 45:21 La Chirurgie - 1er air, un chirurgien, quatre docteurs et huit estropiès, 50:49 La Chirurgie - 2ème air pour les docteurs et chirurgiens, 52:21 La Chirurgie - 3ème air pour les estropiés, 53:34 La Guerre - Dialogue de Mars et de Bellone, 55:59 La Guerre - 1er air, concert des amazones, 59:48 La Guerre - 2ème air, Pallas et quatre amazones, 01:01:54 La Guerre - 3ème et dernier air, les vertus, 01:03:09 La Simphonie du Marais, Hugo Reyne.. + Informações

Jean Baptiste Lully (1632-1687). L'Orchestre du Roi Soleil. Symphonies, Ouvertures & Airs à jouer. "Le Bourgeois Gentilhomme". "Le Divertissement Royal". "Alceste". Chaconne de "L'Amour Médecin". Le Concert des Nations. Jordi Savall.. + Informações

From the movie: Tous les matins du monde Some Info: Jean-Baptiste Lully (1632-1687) Italian-born composer (French nationality from 1681). Entered service of Louis XIV 1653, composed instrumental music for the court ballets. From 1664 collaborated with Molière in series of comedy-ballets which were forerunners of French opera, the last and most famous being Le Bourgeois Gentilhomme, in which Lully danced role of the Mufti. Having assimilated both Italian and French styles and tastes, from 1673 he turned to opera composition and obtained from the King exclusive rights to arrange operatic performances in Paris. His death was caused by a gangrenous abscess which formed in his foot after he struck it with the long staff he used for beating time on the floor while conducting a Te Deum to celebrate Louis XIV's recovery from illness.. + Informações

GIOVANNI BATTISTA LULLI LE BOURGEOIS GENTILHOMME (LWV 43) Comédie-ballet en quatre Actes en prose et verse Libretto: Molière Chambord, 14 October 1670 Quatrième Intermède: LE BALLET DES NATIONS [LA CÉRÉMONIE DES TURCS] Marche pour la cérémonie turque - 0:05 Première Invocation: Ch?urs des Turcs - 1:46 Le Muphti: Se ti sabir ti respondir - 2:00 Premier Récit du Muphti - 2:43 Dialogue du Muphti et des Turcs - 2:52 Le Muphti, Deuxième Air: Mahametta per Giurdina 3:38 Troisième Air - Reprise - 3:39 LE MUPHTI Bernard Delétré (basse) LE CH?UR DES TURCS Gilles Ragon (haute-contre) Michel Laplénie (taille) Michel Verschaeve (basse-taille) Philippe Cantor (basse) Fabio Biondi, Florence Malgoire, Sophie Gervers-Demoures, Myriam Gevers, Adrian Chamorro, Philippe Couvert (violin) Jacques Maillard, Michèle Sauvé (viola) Christine Angot, Benoit Weeger (ténor de violon) Richard Campbell, Claire Giardelli (basse taille de violon) Ageet Zweistra, Maurizio Naddeo, Jean-Michel Forest, Elisabeth Matiffa (basse de violon) Sébastien Marq, Paul Van Der Linden (recorder) Hugo Reyne, Randall Cook (hautbois) Michel Henry, Marcel Ponseele (taille de hautbois) Marc Vallon, Alberto Grazzi (bassoon) Aline Zylberjach (harpsichord) Pascal Monteilhet (theorbo) Yasunori Imamura (lute & baroque guitar) Marie-Ange Petit (percussion) Les Musiciens du Louvre / Marc Minkowski (conductor) www.mdlg.net 1988 Erato 2292-45286-2 - DDD www.warnerclassicsandjazz.com [on authentic instruments]. + Informações

Fragmento de la película "Le Roi Danse" (El rey está bailando). Se interpreta un fragmento de la ópera "Isis", compuesta por Jean-Baptiste Lully en 1719, con libreto de su colaborador habitual Philippe Quinault. Como la mayoría de las óperas de Lully, se trata de una tragedia lírica.. + Informações

Jean-Baptiste Lully (1632 ? 1687) "Bellerophon" Christophe Rousset. + Informações

Jean Baptiste Lully (1632-1687) "Proserpine", Tragédie Lyrique, 1680. Libretto, Philippe Quinault. Acte III (1º Parte): Scené I:"Proserpine,réponde-nous" Scené II:"N´aurois-je point innocemment" Scené III:"Ceres revient,ah! quelle peine" Scené IV:Prelude. "Je vais revoir ma fille" Ritournelle. J´ay rendu les Humains heureux". Le Concert Spirituel. Hervé Niquet. Proserpine: Salomé Haller, dessus. Cérès: Stéphanie d´Oustrac, bas-dessus. Aréthuse: Blandine Staskiewicz, bas-dessus. Alpheeé: Cyril Auvity, haute-contre. Synopsis Act III: Along the Sicilian countryside, laid waste by the eruption of Mt.Etna, Alpheus and Arethusa look in vain for Proserpina, still unaware of the unfortunate maiden´s fate. Arethusa, suspecting Pluto might have abducted the young girl entrusted to her by Ceres, decides to descended to the underworld to find out. At that very moment, Ceres arrives on the scene. She is startled not to see her daugther; upon receiving no responde from the people of Sicily or, what is still more unserttlin, from Jupiter himself despite her invocations, she is overcome by a sudden fit of desperation and rage. In her folly, she destroys the countryside an the farmlands, fruits of her kindness.. + Informações

Jean-Baptiste de Lully (Italian: Giovanni Battista di Lulli) (29 November 1632 - 22 March 1687) was an Italian-born, French composer who spent most of his life working in the court of Louis XIV of France. He is considered the chief master of Baroque French style and he disavowed any Italian influence in French music of the period. He became a French subject in 1661. Miserere Soloists, Choeur et Orchestre de la Chapelle Royale Direction Philippe Herreweghe Donna Brown, soprano Guillaumette Laurens, mezzo-soprano Howard Cook, tenor Herve Lamy, tenor Peter Kooy, bass. + Informações

Jean Baptiste Lully (1632-1687) Tragédie Lyrique "Phaëton", 1683. Ouverture. Les Musiciens du Louvre. Marc Minkowski.. + Informações

Scene from the movie Le Roi Danse (The King is Dancing). This movie depicts the life of Jean-Baptiste Lully and his relationship with King Louis XIV of France Jean-Baptiste Lully (1632-1687) was an Italian baroque composer, later became a French subject in 1661. Lully's music is known for its power, liveliness in its fast movements and its deep emotional character in its sad movements. One of the most important composers of French Baroque..... + Informações

Jean Baptiste Lully (1632-1687) Ballet des Arts, 1663 IL´Agriculture. Dialogue de la Paix et de la Felicité: Ritournelle, Dialogue 1º couplet, Ritournelle, Dialogue 2º couplet. Dorotheé Leclair, dessus: La Felicité. Mélodie Ruvio, bas-dessus: La Paix. I- L´Agriculture: Cet Art est représenté par les Bergers et des Bergères: les quels sortent des agréables bocages, que font la décoration de cette première scène. Après que la Félicité et la Paix qui les accompagment toujours ont fait un récit en dialogue, auquel répond un choeur d´instruments rustiques. La Simphonie du Marais. Hugo Reine.. + Informações

Piece from the movie: Le Roi Danse (The King is Dancing) Some Info: Jean-Baptiste Lully (1632-1687) Italian-born composer (French nationality from 1681). Entered service of Louis XIV 1653, composed instrumental music for the court ballets. From 1664 collaborated with Molière in series of comedy-ballets which were forerunners of French opera, the last and most famous being Le Bourgeois Gentilhomme, in which Lully danced role of the Mufti. Having assimilated both Italian and French styles and tastes, from 1673 he turned to opera composition and obtained from the King exclusive rights to arrange operatic performances in Paris. His death was caused by a gangrenous abscess which formed in his foot after he struck it with the long staff he used for beating time on the floor while conducting a Te Deum to celebrate Louis XIV's recovery from illness.. + Informações

** Please don't click the link on the end of this description, youtube put it there, can't remove it, it's for copyright and personal reasons. ** Jean Baptiste Lully (1632-1687) La Marche des Combattants - The King's Consort, Robert King (dir.). adf.ly. + Informações

GIOVANNI BATTISTA LULLI [with Pier Francesco Cavalli*] IL XERSE, Ballet (LWV 12) Libretto: Niccolò Minato Paris, 1660 VII. Deuxième Air pour les Matelots jouans des trompettes marines - 0:05 VIII. Troisième Air pour les Esclaves et Singes dansans - 2:07 IX. Troisième Air pour les Docteurs, Frivelins, et Polichinelles - 2:32 X. Air pour les Esclaves dansans (version minuet and version passepied) - 4:13 XI. Air pour les Matassins - 5:43 XII. Gigue pour Bacchus - 8:08 XIII. Gavotte en rondeau - 9:04 * The famous Italian composer (1602-1676), was commissioned to write an opera, Ercole amante, to celebrate the marriage of Louis XIV to Marie-Thérèse. In the event, Cavalli arrived in Paris with the work unfinished, and so at the last minute, a simplified version of his opera Xersès was substituted. Lully was asked to supply ballet interludes, and because of the short notice, he used material previous productions with no connection to Xerxès. Compared to the under-rehearsed opera, the six intermèdes had a light comedic mood. There are Basques and Spanish peasants (in honour of Marie-Thérèse), clowns, Scaramouche, and ship-owner with with his slaves, who carry monkeys dressed as clowns accompanied by sailors playing on trompettes marines. Kevin Mallon, Margot Jewell, Stuart Rogers, Catherine Freitag-Hewson (dessus de violon) Philip Dirks, Christopher Reibling (haute-contre de violon) Anthony Rapoport, Lawrence Beckwith (taille de violon) Beverlee Rapp, May Ing Ruehle (quinte de .... + Informações

One of the Ouvertures that I like better. Enjoy it.. + Informações

Jean Baptiste Lully (1632-1687) Ballet de Arts, 1633. L´Orfévrerie: Récit de Junon: Ritournelle, Récit 1º et 2 couplets III.Entrée:Courtisans 1ºAir: Les Courtisans chargés d´orfévrerie 2ºAir pour les mêmes. Mélodie Ruvio, bas-dessus: Junon. III. L´Orfèvrerie: Junon descend dans une machine qui représente une mine d`or, comme la dèesse qui préside aux richesses, et fait le récit pour l´Orfévrerie, en suite duquent quatre Courtisans qui ont acheté de quelques orfévres les superbes ornements dont is sont parés, font la troiséme Entrée. La Simphonie du Marais Hugo Reyne.. + Informações

Passacaille from Lully's Armide Opera. + Informações

Jean Baptiste Lully (1632-1687) Tragédie Lyrique "Armide",1686. Ouverture. Collegium Vocal et La Chapelle Royale. Philippe Herreweghe. + Informações

Jean Baptiste Lully (1632-1687) Ballet des Arts,1663. La Guerre: Dialogue de Mars et de Bellone. Ritournelle, Récit 1º couplet, Ritournelle, Récit 2º couplet. Mélodie Ruvio, bas-dessus: Bellone. Arnaud Richard, basse: Mars. VII. La Guerre: Un camp orné de plusieurs tentes et pavillons, montre que l´Art de la Guerre va se faire voir: Marte et Bellone dans una machine ayant chanté des vers en dialogue à la louange de cet Art, qui produit tant de renommée et de gloire à ceux qui l´exerce dignement. La déesse Pallas toute brillante, et aussi considérable par sa valeur que par sa beauté descend du ciel: et se joignant à quatre charmantes Amazones dans la septième Entrée: Après qu´un grand concert de plusieurs instruments a succédé au récit de Mars et Bellone La Simphonie du Marais. Hugo Reyne. Simphonie du Marais. Hugo Reyne.. + Informações

Symphonie des Plaisirs Les Esclaves Menuet pour les Trompettes Lully was born in Florence, Italy. Lully had little education, musical or otherwise, but he had a very natural talent to play the guitar and violin and to dance. In 1646, he was discovered by Roger de Lorraine, the chevalier de Guise, son of Charles, Duke of Guise, and taken to France by him, where he entered the services of Mademoiselle de Montpensier (la Grande Mademoiselle) as a scullery-boy and Italian-language teacher. With the help of this princess, his musical talents were cultivated. He studied the theory of music under Nicolas Métru. It has been said that a scurrilous song on his patroness (the doggerel he set to music refers to a "sigh" she produced while at stool) resulted in his dismissal. It is far more likely that he did not want to moulder out in the provinces with the exiled princess.. + Informações

GIOVANNI BATTISTA LULLI PLAUDE LAETARE GALLIA Motet for choir, winds, brasses, strings and basso continuo (Versailles, 7 April 1668) I. Symphonie - 0:05 II. O Jesu vita precantium - 2:44 III. Vivat regnet princeps fidelis - 5:24 Isabelle Desrochers, Marie-Louis Duthoit (dessus.... + Informações

Jean Baptiste Lully (1632-1687) Tragédie Lyrique "Atys", 1676. Ouverture. Les Arts Florissants. William Christie.. + Informações

Jean Baptiste Lully (1632-1687) Ballet des Arts, 1663. La Chirurgie: VI. Entreé: Chirurgiens, Docteurs et Estropiés. 1ºAir: un Chirurgien, quatre Docteurs et huit Estropiés. 2ºAir pour les Docteurs et Chirurgiens. 3ºAir pour les Estropiés. La Simphonie du Marais. Hugo Reyne. + Informações

- Opéra (2008 - 2h) réalisé par Martin Fraudreau . Solistes, danseurs, choeur et orchestre du Poème Harmonique. Avec André Morsch : Cadmus - Claire Lefiliâtre : Hermione - Isabelle Druet : Charite, Melisse - Camille Poul : Amour, Pales - Arnaud Marzorati : Arbas, Pan - Jean-François Lombard : Nourrice, Echion. Vincent Dumestre : direction musicale Benjamin Lazar : mise en scène. - Cadmus et Hermione is a tragédie en musique in a prologue and five acts by Jean-Baptiste Lully. The French-language libretto is by Philippe Quinault, after Ovids Metamorphoses. It was first performed on April 27, 1673, at the Paris Jeu de Béquet. The prologue, in praise of King Louis XIV, represents him as Apollo slaying the Python of Delphi. The opera itself concerns the love story of Cadmus, legendary founder and king of Thebes, Greece, and Hermione (Harmonia), daughter of Venus and Mars. Other characters include Pallas Athene, Cupid, Juno, and Jupiter. With Cadmus et Hermione, Lully invented the form of the tragédie en musique (also known as tragédie lyrique). From contemporary Venetian opera, Lully incorporated elements of comedy among the servants, elements which he would later avoid, as would subsequent reformers in Italian opera. A contemporary transcription of the overture by Jean-Henri dAnglebert remains a possible part of the harpsichord repertoire. In early 2008, the French ensemble Le Poème Harmonique staged a performance of the opera in Paris and Rouen, among other places.. + Informações