Sergei Rachmaninoff Konzert für Klavier und Orchester No. 3 in D moll Op. 30 - I. Allegro ma non tanto - II. Intermezzo: Adagio - III. Finale: Alla breve - Vladimir Horowitz, Klavier - New York Philharmonic Orchestra - Zubin Metha, Leitung Rachmaninoff's fatherly insights and advice regarding his own music were to prove invaluable to Horowitz. For Rachmaninoff, Horowitz was a champion of both his solo works and his Third Concerto, about which Rachmaninoff remarked publicly after the performance that "This is the way I always dreamed my concerto should be played, but I never expected to hear it that way on Earth." In 1985, in the movie The Last Romantic, Horowitz said: "Rachmaninoff is a pianist. I played with him (Arturo Toscanini, who is also mentioned in the conversation), Rachmaninoff and we... [plays the beginning of 3rd piano concerto]. He was a wonderful pianist and a nice friend. He was my best friend! First of all he was composer, pianist and conductor. Three things at once and first class, all three, I think so.. + Informações

Prokofiev's Piano Concerto No.3 in CM Op.26 Movement III - Allegro ma non troppo Martha Argerich, 1967. + Informações

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www.youtube.com Lyrics earth my body water my blood air my breath fire my spirit. + Informações

Don't miss the Royal Philharmonic Orchestra perform this wonderful piece on 29th Nov. 2011 7:30pm at Cadogan Hall (Sloane Square) in London. Book tickets online here: www.cadoganhall.com Augmented by the artwork of Van Gogh, Hugues Merle, and Francis Louis Mora, this Spadecaller video dramatizes the dominant themes of Gorecki's symphonic masterpiece about motherhood and separation through war. David Performed by David Zinman, conductor, and Dawn Upshaw, soprano.. + Informações

Opus III - It's A Fine Day "old skool". + Informações

Ivo Pogorelich Plays Chopin Sonata No. 3/Op. 58 1st mvt. on June 8th, 1983 in Japan. lo-fi. + Informações

played by Ivo Pogorelich at the 1980 Chopin competition. You may download the avi version here(XVid): rapidshare.com. + Informações

Symphony No. 3, Op. 36 - "Symphony of lamentation songs" Composed by Henryk Górecki *** Soundtrack from "Thieves".. + Informações

Premier mouvement violon: Heifetz piano:Capell. + Informações

Chopin: Scherzo No.3 in C sharp minor Op.39. + Informações

Sergey Kuznetsov performing Chopin piano sonata No.3 h-moll op.58, movement I. + Informações

Allegro-Adagio spiccato e tutti-Allegro (I)-Largo e spiccato (II)-Allegro (III). Opus 3 Lestro armonico, Concerto No. 11. The English Concert, on authentic instruments. Simon Standage & Elizabeth Wilcock, violins, Jaap ter Linden, cello. Conducted by Trevor Pinnock, from the harpsichord. Composed by AL Vivaldi (1678-1741). Scoring: 1st Violin-5 2nd Violin-4 Viola-3 Cello-2 Violone-1 Harpsichord continuo. + Informações

Sonate n°3 - Op.58 - en si mineur - Finale: Presto, non tanto. + Informações

The Tempest Sonata, III Tempo. + Informações

PWL Records (UK) 1992. + Informações

Scherzo No. 3 in C sharp minor, Op. 39 Composed 1839 Published 1840 Dedicated to Adolf Gutmann Played by Artur Rubinstein. + Informações

Recording in Beethovensaal, Hannover Germany, Dec 2009. Wilhelm Kempff recorded Beethoven cycle in the very same hall.. + Informações

Howard Shelley London Mozart Players Johann Nepomuk Hummel's Piano Concerto No. 3 Op. 89 in B minor was composed in Vienna in 1819 and published in Leipzig in 1821. Unlike his earlier piano concerti, which closely followed the model of Mozart's, the B minor concerto along with the slightly earlier Concerto no. 2 is written in a proto-Romantic style that anticipates the later the stylistic developments of composers such as Frédéric Chopin and Felix Mendelssohn. The piano concerto was written by Hummel as a showcase for his virtuosity at the instrument. It was written while the composer was in Vienna in 1819 and is scored for piano, Flute, two oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani, and strings. The work is composed in traditional three movement form. * I. Allegro moderato * II. Larghetto * III. Finale: Vivace. + Informações

Beethoven String Quartet Nr.4 in c, Op.18-4 I. Allegro, ma non tanto II. Scherzo. Andante scherzoso, quasi Allegretto III. Menuetto, allegretto IV. Allegro Amadeus Quartet filmed at the ORTF Paris, December 1969. + Informações

Rachmaninov - Symphony No. 2 Op. 27 III. Adagio: Adagio (in A Major) London Symphony Orchestra conducted by Gennadi Rozhdestvensky mp3: www.amazon.com or www.amazon.com. + Informações

iTunes link: itunes.apple.com Tzvi Erez plays Beethoven's Piano Sonata No. 8, Opus 13 in C minor, Rondo. Allegro. Part 3 of 3. Recorded on a 1912 Bosendorfer in February 2000. Beethoven's Piano Works. P & C Niv Classical. www.nivmusic.com. + Informações

Tzvi Erez plays Beethoven's Piano Sonata No. 14, Opus 27 No. 2 in C sharp minor, Part III, Presto agitato. Recorded on a 1912 Bosendorfer in February 2000. Beethoven's Piano Works. P & C Niv Classical. www.nivmusic.com. + Informações

Stephane Tetreault (16 yrs old), cello and Sasha Guydukov, piano. Ludwig van Beethoven - Cello Sonata No. 3 in A major, Op. 69 - III. Adagio cantabile Allegro vivace. Place des Arts, Montreal, March 2010. + Informações

Adagio ma non troppo. recitativo. Adagio ma non troppo. Arioso Dolente. La sonata per pianoforte n. 31 fu composta parallelamente alla successiva Op. 111 e costituisce la penultima dell'intero ciclo di Sonate per pianoforte scritto da Beethoven nel corso della sua vita. L'Op. 110 non reca alcuna dedica, cosa abbastanza particolare viste le proporzioni del lavoro e per il fatto che, in una lettera del 1° maggio 1822 inviata all'editore Schlesinger, si legge: Quanto alla seconda Sonata in La bemolle, ho stabilito di dedicarla a qualcuno e presto le farò avere i particolari in proposito.[1] Ma in tutte le edizioni che furono stampate (Schlesinger, Parigi-Berlino; Steiner, Artaria, Mechetti e Cappi, Vienna; Boosey, Chappel e Clementi, Londra) non compare la dedica. Per tali motivi e per l'intenso carattere "personale" che caratterizza la sonata, alcuni sostengono che Beethoven volle implicitamente dedicarla a sé stesso.[2] Sempre in una lettera, inviata questa volta a Franz Brentano il 12 novembre 1821, si lamentava del tempo che gli sottraevano questa e le compagne Op. 109-Op.111, arrivando a definirle addirittura dei "lavori da pagnotta" (Brotarbaiten). La loro composizione si sovrappose a quella della Messa Solenne Op. 123, alla quale dedicò anima e corpo. Nelle intenzioni dell'autore il terzo movimento doveva avere una semplice struttura tripartita, composto dalla fuga, successivamente dall'Arioso dolente, infine, dalla ripresa della prima. In seguito però decise di .... + Informações