Glossary plays "Only Time Will Tell" at Ball State University. + Informações

Kelly and Joey performing "Some Eternal Spark" at Neutral Skate Supply 10.4.11. + Informações

Glossary touring the West. + Informações

Glossary live at Grimeys in Nashville. 10-23-07. Multicam footage by Corey Hannah and Doc Dailey.. + Informações

Glossary performing "Heart Full Of Wanna" 11.18.11 at The Mercy Lounge in Nashville. + Informações

Discover more at www.roh.org.uk Romany Pajdak, Royal Ballet First Artist, demonstrates a series of arabesques. The arabesque is one of the most basic static poses in ballet, the dancer balances on one leg and extends the other out behind. The arms may be held in number of harmonious positions.. + Informações

In honor of Beavis and Butthead's return to MTV, we've created a helpful educational video to reacquaint yourself with the animated duo's colorful vernacular. Check us out at www.brobible.com. + Informações

Royal Ballet First Artists Romany Pajdak and Erico Montes demonstrate Odette's mime from Swan Lake. Mime is the use of gesture to convey narrative meaning. Classical ballet has a distinct language of mime where specific gestures convey precise meanings such as love, marriage, king, queen, etc. Highly stylized mime sequences are often used to spell out particular moments in the story, and to offer a vital change of pace between set pieces. Early theatre also used a complex language of mime, and early audiences would have been much more familiar with this silent language than today's ballet goers. Read more: www.roh.org.uk. + Informações

Defining terms as liberals use them. You can learn a lot from a glossary. Narration by Dennis Queen. More videos and information on issues of liberty is available at www.LibertyPen.com. + Informações

Akane Takada, Royal Ballet First Artist, demonstrates glissades. Glissade: A travelling step that creates the illusion of gliding, often used to link other steps. The working foot glides from fifth position outwards and the other foot closes to it, with the dancer landing on a plié. Read more: www.roh.org.uk. + Informações

Dawid Trzensimiech, Royal Ballet Artist, and Akane Takada, Royal Ballet First Artist, demonstrate pirouettes. Pirouette: A famous ballet movement in which the dancer performs a complete turn en pointe or demi-pointe. Pirouettes may be performed in any given position, in arabesque, in second position, etc. Origin: From Old French pirouet, spinning top. Read more: www.roh.org.uk. + Informações

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Romany Pajdak, Royal Ballet First Artist, demonstrates développé. Développé: To open out, unfold. A ballet movement in which, from a standing position, the working leg is drawn up to the knee of the supporting leg and slowly extended outwards and held there, demonstrating perfect control. Read more: www.roh.org.uk. + Informações

Pas de bourrées In ballet, pas de bourrées are a series of linking steps consisting of three small steps. They may be executed with the back foot or front foot, sideways, forwards, backwards or turning - usually from fifth position to second position to fifth. Watch Romany Pajdak, Royal Ballet First, execute a series of pas de bourrées.. + Informações

Dawid Trzensimiech, Royal Ballet Artist, and Akane Takada, Royal Ballet First Artist, demonstrate a grand allegro. Jeter /jeté: From the French verb 'to throw'. A jeté is the usual word for a jump in ballet. A Grand jeté is a technical jump in which the dancer jumps high in the air with both legs open horizontally, almost as if flying. Allegro - jumps small jumps - petit allegro, and big jumps - grand allegro. Petit allegro: . Sauté - A simple jump landing on two feet Grand allegro: . Grand jeté - A large leap from one foot to the other Read more: www.roh.org.uk. + Informações

HOW TO CREATE A MOODLE GLOSSARY Pamela Walker-Williams Interactive Distance Learning Spring 2010. + Informações

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Dawid Trzensimiech, Royal Ballet Artist, and Akane Takada, Royal Ballet First Artist, demonstrate fouettés. Fouetté: A whipping motion of the leg used to propel the dancer around. The dancer starts on flat foot in plié, and extends the working leg in fourth position en l'air (in the air) then whips the leg around pulling the working foot to touch the supporting knee. There are a variety of fouettés. In a fouetté en tournant, the dancer uses their free leg and arms to propel themselves around using a whipping motion. Done properly, the dancer should remain in the same place while performing a series of fouettés. Read more: www.roh.org.uk. + Informações

Romany Pajdak, Royal Ballet First Artist, demonstrates a relevé. Relevé: to rise up on the pointe or demi-pointe from flat feet often using a little spring from a demi-plié during which both feet are swiftly drawn up. Relevés may be done in any position. Read more: www.roh.org.uk. + Informações

Music video "Under A Barking Moon" made by Joey Kneiser. + Informações

What is Privatization? Privatization is explained this this glossary term video.. + Informações

Romany Pajdak, Royal Ballet First Artist, demonstrates positions of the feet. Feet positions: In all schools of ballet, there are five basic foot positions: first, second, third, fourth, fifth. All ballet movements begin or end in one of these five positions. Ballet dancers must have good natural turnout of the leg from their hip to enable them to stand in first position with the feet turned out to the sides. First position: Heels together, toes pointed outwards to the sides. Second position: The feet remain pointing outwards, but are moved apart in parallel with each other, by approximately the length of the dancer's foot and a half. Third position: The feet remain pointing outwards, but one is placed in front of the other, the front foot's heel touches the back foot's instep. Fourth position opposite third / fourth open: The feet remain pointing outwards, and in the same position as third but the front foot is placed slightly forward (about the length of one of the dancer's feet). Fourth position opposite fifth / fourth crossed: As above but the feet are crossed further with the front foot placed opposite the toes of the back foot. Fifth position: The feet point outwards with the legs crossed and the feet touching. The heel of one foot is placed beside the toes of the other. Read more: www.roh.org.uk. + Informações

Romany Pajdak, Royal Ballet First Artist, demonstrates arm positions. Ballet uses strictly defined positions through which most arm movements travel. There are five basic positions: first, second, third, fourth, fifth. Read more: www.roh.org.uk First position: Both arms are held out in front of the body at approximately 80 degrees, maintaining rounded elbows and an oval shape, sloping down a little from the shoulders. Second position: Both arms are held out to the sides to form a strong horizontal, but with a slight slope downwards from shoulders to wrist. Third position: One arm is held forward in first position, the other is held to the side in second position. Fourth position: One arm is held to the side in second position, the other is raised up, slightly in front of the head. Fifth position: Both arms are raised up high almost vertically, but held slightly forward of the head.. + Informações

Romany Pajdak, Royal Ballet First Artist, demonstrates petit battement. Batterie/Battement: Movements in which the legs and feet 'beat' together quickly, usually as part of a jump. The may be performed as part of a jetés, entrechats trois, quatre, cinq, changements, grand jeté, etc. The difference between grande batterie and petite batterie [ lit. 'big' and 'small' batterie] depends upon the amount of elevation the dancer needs to jump to perform the 'beating'. i) Petits battements / battements tendus: extensions of the leg in which the working foot does not leave the ground, used to practise stretching the foot to a fully pointed position ii) Grands battements: high extensions of the whole leg, which is raised into the air and brought down again while keeping the rest of the body still. Read more: www.roh.org.uk. + Informações