Performed by Angel Romero.. + Informações

Gaspar Sanz 1640-1710. Suite Española. Gallarda y villano.. + Informações

The Granduque (of Florence) is a Italian origin but remained popular in Spain long after passing out of fashion in Italy. The granduque was a set dance which became a ground for differencias in the seventeenth century. The canarios was another "ethnic" dance intended to represent the "shuffling" dances of the Canary Islanders. It is generally accepted that composer Gaspar Sanz was born on April 4, 1640, in Calanda (province of Teruel) in the region of Aragon, Spain. As a young man, he received a bachelor of theology degree and subsequently took the vows of Holy Orders from the University of Salamanca. But the spirituality of music would become a second vocation for Sanz and he journeyed to Italy to study music with Cristofaro Caresana and Lelio Colista, as well as (speculatively) Orazio Benevoli and Pietro Andrea Ziani. Upon his return to Spain, he pursued literature, religion, and music in equal measure with, respectively, a translation of Bartoli (1678), a eulogy to Pope Innocent XI (1681), and his musical magnum opus in the three-volume Instrucción de música sobre la guitarra Española. His musical prowess soon came to loom over his other achievements, becoming widely regarded as the foremost guitar theorist of his day as well as private instructor of guitar to Don Juan of Austria, the dedicatee of his Instrucción. A complete musician, Sanz was also organist to the viceroy of Napoles. He is believed to have died in Madrid in 1710. By the time Sanz began his work, the .... + Informações

John Williams plays Canarios by Gaspar Sanz, on solo classical guitar. From a 1975 TV series about Spanish guitar music with Williams. This episode also featured Paco Pena.. + Informações

Part 1 from 'Suite de Antiguas Danzas Españolas, by Gaspas Sanz.. + Informações

Ensaiando Canarios, no arranjo de Narciso Yepes. + Informações

My interpretation of Canários by Gaspar Sanz Larissa Costa. + Informações

Una bellisima obra del Maestro Gaspar Sanz se llama Canarios, interprete: Narciso Yepes, subido por su servidor Paganini191193. Espero sea de su agrado.. + Informações

Neste vídeo o Angelo Mágico toca, Espagnoleta de Gaspar Sanz, num violão Shiguemitsu Suguiyama modelo EX-65 ano 2000.. + Informações

Gaspar Sanz (1640-1710) Instrucción de música sobre la guitarra española, y método de sus primeros rudimentos, hasta tañerla con destreza. Julián Navarro, guitarra barroca *Del mar del alma: Music and Poetry in Colonial Bogotá (17th-18th Centuries). + Informações

Gaspar Sanz, 1640-1710 some of my favorite baroque era pieces to play, i did not include ''canarios'' i will put that in a separte video in case anyone wonders y its not in there, the list of pieces are .. espanoletas, gallarda y villano, danza de las hachas, rujero,paradetas, zarabanda al ayre espanol, fanfarra,and, la miñona de cataluña. all in the arrangments of narciso yepes,. + Informações

ALEXANDRO FERNANDES: ? El guitarrista brasileño juega Canarios, de Gaspar Sanz (Universidad de São Paulo - USP - 13/set/2010) ? Guitariste brésilien joue Canarios, du Gaspar Sanz (Université de São Paulo - USP - sept/132010) ? Brazilian guitar player plays Canarios, by Gaspar Sanz (University of São Paulo - USP - sep/13/2010) ? Brasilianische Gitarrist spielt Canarios, Gaspar Sanz (Universität von São Paulo - USP - 13/set/2010) ? ??????????? ????????, ?????? Canarios, ?????? ???? (??????????? ???-????? - USP - 13 ???????? 2010). + Informações

The brazilian guitar player Alexandro Fernandes plays Espagnoleta, by Gaspar Sanz. O violonista brasileiro interpreta Espagnoleta de Gaspar Sanz.. + Informações

Bachelor of Theology at the University of Salamanca, Gaspar Sanz (1640--1710) was baptized as Francisco Bartolome Sanz y Celma. Sanz wrote three volumes of pedagogical works for guitar: 'Instrucción de Música sobre la Guitarra Española' (1674), 'Libro Segundo de Cifras sobre la Guitarra Española' (1675) and 'Libro Tercero de Música de Cifras sobre la Guitarra Española' (1697). In 1697, the three books were published in one volume, named 'Instrucción de Música sobre la Guitarra Española y metodo de sus primeros rudimenteros, hasta teñerla con destreza' (Musical Instruction for the Spanish Guitar and method of the primary rudiments for playing it with dexterity). 'Folias', that is part of this book, is a set of variations on the bass-ground of a Spanish early song known as 'La Folia' or 'Folias de España'. Many others composers have written variations on this song. Among them are A. Corelli, CPE Bach, A. Salieri and the Mexican composer Manuel Ponce. Original for the Baroque five-orders guitar, here 'Folias' is played by Fernando Lewis de Mattos on the Brazilian country viola (viola caipira).. + Informações

Eu tocando Canarios, música de Gaspar Sanz, versão de Turíbio Santos, apresentada numa audição do Conservatório! Desculpe por alguns erros! Agradecimento a Luciana Morais irmã do Rafael que gravou o video !!!. + Informações

Me playing Villanos by Gaspar Sanz on my Yamaha SLG100 classical guitar. + Informações

6. Trio Yepes featuring Narciso on the guitar and Ana dancing part of her Espanola Suite. Recording : Palau de Barcelona, June 14th 1991. + Informações

Fabiano Mayer em um concerto na Igreja do Rosário. Duas músicas de Gaspar Sanz.. + Informações

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Performance realizada no Recital Didático dos alunos do Professor Judson Castro em dezembro no Auditório da Rádio Universitária em Goiânia-Go.. + Informações

Gaspar Sanz (1640-1710) was a spanish courtier. He developed an important method for the five course guitar. This Pavane is taken from his 1674 method. Guitar by Darren Hippner. + Informações

Concerto NOVÉIS TANGEDORES, realizado no Instituto do Vinho Madeira a 3 de Julho de 2009. Manuel Gouveia - rajão I; Jorge Natividade - rajão II. + Informações

Obra do violonista e compositor espanhol Gaspar Sanz executada sob orientação do Professor Danilo Borges do Conservatório Musical André da Silva Gomes.. + Informações

Texte du Lutin d'Ecouves : La Folia est, à l'origine, une danse dont il est fait pour la première fois mention dans un texte portugais du XVe siècle. Il s'agissait d'un rite chorégraphique lié à la fertilité lors duquel les danseurs portaient des hommes habillés en femmes sur leurs épaules. Le rythme rapide de la danse ainsi que son aspect insensé furent certainement à l'origine de son nom. Parmi un certain nombre de thèmes, émergea une mélodie de base. Jusqu'au milieu du XVIIe, elle se répandit en Italie (Follia) et en France (Folie d'Espagne) puis le thème évolua rapidement pour prendre sa forme définitive dans cette suite d'accords : réM/La7/réM/do/fa/do/réM/la7 réM/La7/réM/do/fa/do/rém-la7/réM Apparue aux alentours de 1650 puis publiée en 1672 par Lully, cette mélodie se stabilisera en se ralentissant et devint le thème d'innombrables variations dont les plus célèbres furent celles de Corelli parues en 1700. A partir de ce moment, Les Folies habitèrent consciemment et parfois inconsciemment la musique occidentale et ne la quittèrent plus. La plupart du temps, elles prirent la forme « thème et variations » ; parfois elles ne furent qu'une citation sans grand développement (JSBach, Keiser); quelques fois, elles ne furent qu'une inspiration pour une autre mélodie (sarabande de Händel, chaconne de Purcell); elles sont même dissimulées dans certaines ?uvres comme dans l'andante de la 5ème symphonie de Beethoven. Même si les XIXème & XXème siècles furent moins riches en .... + Informações

Canarios by Gaspar Sanz, Fabrizio Capoleoni baroque guitar.. + Informações