Extraído do filme Núpcias Reais, de 1951. A famosa dança no telhado.. + Informações

Blue Skies - 1946.. + Informações

royal wedding hat rack. + Informações

No Facebook: www.facebook.com/daclarice No twitter: www.twitter.com/comedienne Deu pra escutar A canção que tocou pra gente E o meu coração que De repente Inventou de sapatear? Ou eu fui louca E tudo foi um grande engano E eu faço o plano E o contraplano De um filme prestes a acabar? Só pra saber Nesse tal filme de romance Antes que o público se canse Você me beija no final? Um sim cai bem Mas não se sinta pressionado Porque um beijo obrigado Na tela Imprime meio mal Sem problema Ser figurante da sua história E, olha, nem força sua memória Nem nome eu preciso ter Mas, cuidado Me deixa no canto da sala Que se eu tiver alguma fala Eu mudo pra 'Eu amo você'. Diretor, fotógrafo, operador de boom e pessoa que manda tirar o cabelo da cara: Gregorio Duvivier Música composta para a trilha sonora do filme Não Deixe A Julia Ir Embora, de Matheus Souza.. + Informações

Puttin' On The Ritz. One Fred Astaire good, several Fred Astaires better?. + Informações

This is how we all remember Mr. Astaire. From the movie "Blue Skies" (1946) also starring Bing Crosby.. + Informações

Fred Astaire and Eleanor Powell - Begin the Beguine from The Broadway Melody of 1940. + Informações

lets dance piano skit. + Informações

damsel in distress drums. + Informações

PLEASE Read this before crying "Racist!": Yes, Fred Astaire is in blackface makeup but it is not meant to be racist at all. This is his tribute to Bill Robinson, also known as Bojangles, whose style influenced Fred Astaire. And Fred Astaire is in no way racist, much of his style of dancing and tap comes from African American influence, and in the movie 'Shall We Dance' he even went completely against the grain and had a dance scene with African Americans. And if you still believe it to be racist and offensive, please understand that it was in no way intended to be racist and I'm sure if Astaire was alive today he would apologize for any ill-feeling. Thank you. Music by Jerome Kern and lyrics by Dorothy Fields.. + Informações

Personal favorite of mine, this is a Wonderful Astaire "Ceiling" Dance Number by means of a literally revolving set on the 1951 MGM Classic Film 'Royal Wedding'.. + Informações

My favorite Astaire/Rogers dance, the Smoke Gets In Your Eyes number from Roberta. I also included the wedding proposal (well, I suppose "acceptance").. + Informações

ginger rogers shall we dance roller skates tomato tamato. + Informações

swing time bojangles. + Informações

Vídeo de fotos com a música "Quando Fui Fred Astaire" do Jay Vaquer. Sincronia e legenda por: Cris Ylönen twitter.com. + Informações

Good?. + Informações

Two geniuses dancing together.I own nothing.No copyright infrightment intented.Enjoy. + Informações

Fred Astaire in "Say It With Firecrackers" from Holiday Inn (1942).. + Informações

In this Swing Time clip, Lucky, Astaire, saves Penny's, Rogers, job by showing how much she has taught him. The first true dance number with the two, the other being with Fred fumbling and pretending to be a terrible dancer. Both scenes, however, go to the same song, Pick Yourself Up, this scene without lyrics and much more lively with the other more calm, with lyrics, between the two. Music by Jerome Kern and Lyrics by Dorothy Fields. + Informações

The famous dance under moonlight from their last pairing on screen: "You Were Never Lovelier" in 1942. Jerome Kern wrote the classic song "I'm Old Fashioned", with a lyric by Johnny Mercer, for this film. Looks crazy to hear Astaire (in any role) say "I am strictly from corn!", but he (the actor) really was born in Omaha! ........ Wiki reports: "Although Hayworth had a fine voice, Harry Cohn insisted on her singing being dubbed throughout by Nan Wynn.....Dance director was Val Raset, the one and only time he collaborated with Astaire, and his choreographic input into the film is unclear" Hayworth was born "in Brooklyn....she was trained as a dancer from childhood." ....... Fred Astaire, in his autobiography "Steps In Time" wrote: My first meeting with Rita was in a rehearsal hall at Columbia Studios. It was upstairs in one of the buildings and, as I recall, the stairway led directly into the large rehearsal room. As I came up the last few steps I gave a hurried glance around, expecting to see Rita, as I had been told she would be there. I didn't see her and asked one of the assistants, "Isn't Miss Hayworth going to be here this morning?" he pointed to a remote corner of the room, "Why, yes--she's been here for some time." There she was. Oh yes--a beautiful sight. Bob Alton, choreographer on the picture, brought her over and introduced us. I said, "I'm an old freind of your father's." "Yes, I know," murmured Rita. I then asked how tall she was as I stood alongside of her .... + Informações

garrincha-jogador de futebol fred astaire - dançarino 4 pernas fenomenais. + Informações

Fred Astaire dancing and singing to "One for My Baby (and One More for the Road)". Song written for him to perform in the movie "The Sky's the Limit" (1943). Words by Johnny Mercer and music by Harold Arlen, dance by Fred Astaire. Song has been recorded multiple times by Frank Sinatra.. + Informações

From the TV special Astaire Time. Featuring Fred Astaire and Barrie Chase. + Informações

From the 1935 movie "Top Hat", Fred Astaire displays his amazing tap dancing skills, much to the annoyance of Ginger downstairs.. + Informações

Ginger Rogers and Fred Astaire dancing cheeck to cheeck in the film 'Top Hat'.. + Informações