Betty Zhou (USA) interpretó el tango "La Cumparsita" de Gerardo Matos Rodríguez y Enrique Maroni, en transcripciones de Néstor Marconi para violín, contrabajo y bandoneón, acompañada por Horacio Romo y Juan Pablo Navarro. Fue en el marco del Primer Concurso Internacional de Violín Buenos Aires 2010. Más información: Web: www.violinbuenosaires.com Blog violinbuenosaires.blogspot.com Facebook www.facebook.com MySpace: www.myspace.com Twitter: www.twitter.com (spanish) Twitter: www.violinba (english) Youtube www.youtube.com. + Informações

Hyuk Joo Kwun (Corea del Sur) interpretó el tango "La Cumparsita" de Gerardo Matos Rodríguez y Enrique Maroni, en transcripciones de Néstor Marconi para violín, contrabajo y bandoneón, acompañado por Horacio Romo y Juan Pablo Navarro. Fue en el marco del Primer Concurso Internacional de Violín Buenos Aires 2010. Más información: Web: www.violinbuenosaires.com Blog violinbuenosaires.blogspot.com Facebook www.facebook.com MySpace: www.myspace.com Twitter: www.twitter.com (spanish) Twitter: www.violinba (english) Youtube www.youtube.com. + Informações

La imagen es de www.diarioperfil.com.ar Música: José Razzano Letra: Enrique Maroni (milonga) Arreglos musicales = Freddy Vaccarezza. + Informações

tango argentino written by Enrique Maroni and Fausto Frontera Azucena Maizani (1902 - 1970), "La ñata gaucha", was the supreme female tango singer in the 1930's. Her career covered the full range available to a tango artist: theatre, film, radio and records. Poor little women: The singer advises a young woman that if she goes around ditching men ('Your victims ... all cry "Betrayal!" when you pass by'), it is only fair to expect similar treatment from them. 'It's useless to talk of forgiveness. Grin and bear it, girl, that way you'll learn!'. + Informações

Audio. Tango compuesto por Gerardo Matos Rodríguez, Pascual Contursi y Enrique Maroni. Interpretado por Gerardo Gandini en solo de piano. Track 2 del CD Flores Negras Postangos en Vivo Vol. I Grabado en 2002 durante uno de sus shows en la ciudad de Rosario, Santa Fe, Argentina. Editado en 2003 por Epsa y Blue Art. Más detalles a cerca de este video: www.solosdebandoneon.com.ar Más información: www.solosdebandoneon.com.ar Audio. Tango. Music and lyrics by Gerardo Matos Rodríguez, Pascual Contursi and Enrique Maroni. Played by Gerardo Gandini in Piano Solo. Track 2 del CD Postangos en Vivo Vol. I Recorded alive in 2002 in his concert in Rosario, Santa Fe, Argentina. Published in 2003 for Epsa and Blue Art. Link more information about this video: www.solosdebandoneon.com.ar For more: www.solosdebandoneon.com.ar. + Informações

MICIFUZ - Adolfo Avilés // Enrique Maroni Lucio Arce & Moscato Luna & Javier Díaz González en El Faro de Villa Urquiza Abril 2012. + Informações

www.facebook.com www.youtube.com En la recalada de la noche de entrega del disco de "El Tango vuelve al Barrio" (edición especial para faroleros) Ignacio Amatriain canta, de José Razzano y Enrique Maroni, la milonga "Tortazos". www.myspace.com www.myspace.com www.myspace.com www.myspace.com facebook.com/juancitovillarreal. + Informações

La Cumparsita - O mais Famoso Tango do Mundo O famoso Tango La Cumparsita foi escrito pelo uruguaio Gerardo Matos Rodriguez no ano de 1917 no café La Giralda, em Montevideo, Uruguay. Gerardo tinha só 17 anos de idade na altura, e naquele momento não podia imaginar que estava a criar uma das mais famosas composições na História do Tango. Após sete anos ele foi para Paris, França, onde conheceu o famoso Francisco Canaro, e descobriu que o seu tango era um sucesso em Paris. Entretanto, os letristas Enrique Maroni e Pascual Contursi tinham escrito letras para o tango eo renomearam Si Supieras. Os próximos vinte anos foram passados por Gerardo entre salas de tribunal a tentar restituir os seus direitos como o autor de La Cumparsita, o tango mais famoso do mundo. O tango La Cumparsita é considerado o hino dos tangos uruguaios. Como tudo sobre o mundo do tango, não existe um consenso sobre quem foi o primeiro a gravar La Cumparsita, mas a maior parte das fontes na história do Tango Argentino concordam em que Roberto Firpo foi o primeiro a gravar La Cumparsita com a sua orquestra de tango. "Fonte: pasiontango". + Informações

Um dos tangos mais regravados e conhecidos de todos os tempos. Gravei novamente esta bela relíquia sensual. Letra de Pascual Contursi e Enrique Maroni e música de Gerardo Matos Rodríguez. Gravado por Carlos Gardel em 17/12/1927 (Barcelona, Odeon). Peço perdão, pela interferência que deu novamente no microfone, mas isto não se repetirá :D Tentei imprimir uma interpretação que todo bom tango exige, ou seja, com sentimento e força na voz. Logicamente que dentro dos meus limites de potência vocal eo alcance para as notas mais agudas, fiz o possível dentro de meus limites até o momento ;D. + Informações

HERMOSO POEMA DE ENRIQUE MARONI.. + Informações

Encontrei por acaso este playback do amigo Haranguiz. Tive apenas que editá-lo, sequenciá-lo com a letra, e remasterizá-lo. Então gravei este tango novamente. Letra de Pascual Contursi e Enrique Maroni e música de Gerardo Matos Rodríguez. Procurei imprimir uma interpretação mais intimista e suave nesta versão, semelhante à que Julio Iglesias deu a este tango quando o gravou, ou seja, valorizar (dar espaço) à música também. A melodia (motivo) deste tango, pode ser considerada como marca registrada dos tangos, pois até quem não conhece tango, conhece esta melodia, que também já teve várias versões instrumentais gravadas. Letra: La Cumparsita (si supieras) Si supieras, que aún dentro de mi alma, conservo aquel cariño que tuve para ti... Quién sabe si supieras que nunca te he olvidado, volviendo a tu pasado te acordarás de mí... Los amigos ya no vienen ni siquiera visitarme, nadie quiere consolarme, en mi aflicción... Desde el día que te fuiste, siento angustias en mi pecho, decí, percanta, ¿qué has hecho de mi pobre corazón? Al cotorro abandonado, ya ni el sol de la mañana, asoma por la ventana, como cuando estabas vos, y aquel perrito compañero, que por tu ausencia no comía, al verme solo el otro día, también me dejó... Si supieras, que aún dentro de mi alma, conservo aquel cariño que tuve para ti... Quién sabe si supieras que nunca te he olvidado, volviendo a tu pasado te acordarás de mí.... + Informações

Orquesta JUAN D'ARIENZO - HECTOR MAURE en el recuerdo - 78 Video Club - El "Cantor de la Orquesta" interpreta : "Cicatrices" de Adolfo Aviles y Enrique Maroni (1925) y "Lilian" de Hector Varela y Enrique Caruso (1944) - Hector Maure grabo con la Orquesta de Juan D'Arienzo desde 1941 a 1944 , 50 temas en su mayoria grandes exitos e aqui dos de ellos - El Video : un paseo por las calles de la "Reina del Plata" - BUENOS AIRES - 2009 - * * *. + Informações

Horacio Fontova canta la milonga "Tortazos" de Enrique Maroni y Jose Razzano (1930) en el concierto de Esteban Morgado y Leo Sujatovich en Clasica y Moderna, Buenos Aires, Argentina, 20 de Abril de 2007.. + Informações

Mónica Navarro en Sala Zitarrosa. Grabación del disco "Paquetito de tangos", 22 de marzo de 2007. Tema "Tata llevame pa'l centro" de Scolati Almeyda y Enrique P. Maroni con arreglo de Horacio Di Yorio. Banda: Horacio Di Yorio (piano, dirección musical, arreglos), Eduardo Mauris (guitarra, arreglos), Jorge Pi (contrabajo) y Jorge Lagreca (bandoneón). Imágenes de Tevé Ciudad. www.monicanavarro.com.uy. + Informações

Cicatrices incurables de una herida que me ha causado la vida en su triste batallar. Cicatrices que ya no se cierran nunca porque llevan siempre trunca la esperanza de curar. La quería eternamente pero ella fue perjura y llenó de honda amargura y de pena mi ilusión. Y es por eso que ahora vivo siempre a golpes con la suerte y sólo quiero la muerte para mi angustiado y pobre corazón. En la cara también luzco con orgullo un recuerdo que es muy tuyo y que llevo por mi mal. Un recuerdo que me hicieron en tu nombre cuando yo jugué como hombre con la vida del rival.. + Informações

Tango tradicional. Música: Matos Rodriguez Letra: Matos Rodriguez, Enrique Maroni y Pascual Contursi.. + Informações

La hija de la japonesita, foxtrot de Enrique Rodriguez y su Orquesta (1941 ),canta Armando Moreno, tema compuesto por Vicente de La Vega con la colaboracion de Enrique Maroni e interpretado por Carlos Gardel (1927) y por Charlo (1928 ). + Informações

Juan D'arienzo y su Orquesta Tipica, cantor Hector Maure. Hector Maure.-Cantor (13 de marzo de 1920 - 12 de mayo de 1976) Nombre real: Vicente José Falivene. Sus interpretaciones de los tangos "Amarras", "Cicatrices" y "Cosas olvidadas" están impresas en la antología del mejor tango, por su voz cálida, su espíritu gardeliano y su impronta de porteño cabal.Dejó 293 grabaciones para los sellos Víctor, Orfeo, Columbia y Music Hall. CICATRICES Música: Adolfo Rafael Avilés Letra: Enrique Maroni Cicatrices incurables de una herida que me ha causado la vida en su triste batallar. Cicatrices que ya no se cierran nunca porque llevan siempre trunca la esperanza de curar. La quería eternamente pero ella fue perjura y llenó de honda amargura y de pena mi ilusión. Y es por eso que ahora vivo siempre a golpes con la suerte y sólo quiero la muerte para mi angustiado y pobre corazón. En la cara también luzco con orgullo un recuerdo que es muy tuyo y que llevo por mi mal. Un recuerdo que me hicieron en tu nombre cuando yo jugué como hombre con la vida del rival. Cicatrices imborrables de un tormentoso pasado que la suerte me ha brindado y que nunca perderé. Cicatrices de mi vida que, aunque no tienen encanto, yo las quiero tanto y tanto que jamás, jamás ya nunca olvidaré.. + Informações

- Tango's Most Famous Song The cafe 'La Giralda' in Montevideo, Uruguay, occupies a special place in Tango history. It was there in the year 1917 that a young Gerardo Matos Rodriguez gave (anonymously) the music score of a tango he had written to the orchestra of Roberto Firpo to play for the first time. Gerardo was then an adolescent (17 years old) who was barely making it as a student in the faculty of Architecture in Montevideo. Was it modesty? shyness? fear of ridicule? who knows why he wanted to remain anonymous? Firpo only knew that the name of the young composer was Gerardo. It was only later that the full identity of the author was known. He was young, educated, well mannered and sensible. He was also a bit naive. He sold for 20 pesos his rights of authorship to the Breyer publishing house. After some moderate success the composition was forgotten. Seven years later, in 1924, Gerardo was living in Paris and he met Francisco Canaro who had just arrived with his orchestra. That's when he found out that La Cumparsita was a major hit. The tango lyricists Enrique Maroni and Pascual Contursi had added words to the tango and renamed it 'Si Supieras'--If you knew. All of Buenos Aires was hearing, dancing, and demanding to buy the score for the tango that was seemingly everywhere in shows, recordings, and broadcasts. Shortly after, La Cumparsita arrived in Paris where, in the full grip of the roaring 20's, people danced charlestons, shimmys, one-steps, bostons, and when .... + Informações

We should be just and fair: the famous Tango La Cumparsita may be regarded both, as Argentine and as Uruguayan tango. It was written by uruguaian, Gerardo Matos Rodriguez in 1917 and was first played in the coffee house La Giralda, Montevideo, Uruguay. Gerardo was 17 years old at the time, and in that moment he could not imagine that he was creating one of the most famous tango compositions in tango history. After seven years he went to France, where he met the famous musician, Francisco Canaro, and found out that his tango was a major hit in Paris. Meanwhile, the tango lyricists Enrique Maroni and Pascual Contursi had added lyrics to the tango and renamed it 'Si Supieras'. The next twenty years Gerardo spent in and out of court trying to regain his rights as the true author of La Cumparsita, the most famous tango in the world. The tango La Cumparsita is considered the hymn of uruguayan tangos. Like everything else about tango, there is a disagreement about who first recorded La Cumparsita, but most of the sources in history of Tango Argentino agree that Roberto Firpo was the one who first recorded it with his tango orchestra. Here is presented a unique vocal version with lyrics written by composer, starting with words: La Cumparsa de miserias sin fin desfila, en torno de aquel ser enfermo, que pronto ha de morir de pena. - which nowadays can be so rarely heard.. + Informações

Flavio Romanelli interpretando "Tortazos" milonga de J. Razzano y E. Maroni en el estudio Pasión por Tango, en Auckland, Nueva Zelanda, el 22 de nov. de 2009. // Flavio Romanelli playing "Tortazos" milonga composed by J. Razzano & E. Maroni, in Pasion por Tango Studio, Auckland, New Zealand, 22nd of November 2009.. + Informações

The cafe 'La Giralda' in Montevideo, Uruguay, occupies a special place in Tango history. It was there in the year 1917 that a young Gerardo Matos Rodriguez gave (anonymously) the music score of a tango he had written to the orchestra of Roberto Firpo to play for the first time. Gerardo was then an adolescent (17 years old) who was barely making it as a student in the faculty of Architecture in Montevideo. Was it modesty? shyness? fear of ridicule? who knows why he wanted to remain anonymous? Firpo only knew that the name of the young composer was Gerardo. It was only later that the full identity of the author was known. He was young, educated, well mannered and sensible. He was also a bit naive. He sold for 20 pesos his rights of authorship to the Breyer publishing house. After some moderate success the composition was forgotten. Seven years later, in 1924, Gerardo was living in Paris and he met Francisco Canaro who had just arrived with his orchestra. That's when he found out that La Cumparsita was a major hit. The tango lyricists Enrique Maroni and Pascual Contursi had added words to the tango and renamed it 'Si Supieras'?(If you knew). All of Buenos Aires was hearing, dancing, and demanding to buy the score for the tango that was seemingly everywhere in shows, recordings, and broadcasts. Shortly after, La Cumparsita arrived in Paris where, in the full grip of the roaring 20's, people danced charlestons, shimmys, one-steps, bostons, and when the crowd asked for a tango .... + Informações

GM Rodriguez's La Cumparsita performed by Tomasz Pacynski La Cumparsita GM Rodriguez'a wykonana przez Tomasza Pacy?skiego. The song was originally a Uruguayan carnival march whose melody was composed in early 1916 by an architecture student in Montevideo, an 18-year-old man named Gerardo Hernán "Becho" Matos Rodríguez, the son of Montevideo's Moulin Rouge nightclub proprietor Emilio Matos. On 8 February 1916, Matos Rodríguez had his friend Manuel Barca show orchestra leader Roberto Firpo the music in the cafe called La Giralda. Firpo looked at the music and quickly determined that he could make it into a tango. As presented to him it had two sections; Firpo added a third part taken from his own little-known tangos "La gaucha Manuela" and "Curda completa", and also used a portion of the song "Miserere" by Giuseppe Verdi from the opera Il trovatore.[3][4] Years later, Firpo reported the historic moment as follows: "In 1916 I was playing in the café La Giralda in Montevideo, when one day a man was accompanied by about fifteen boys?all students?to say he brought a carnival march song and they wanted me to review it because they thought it could be a tango. They wanted me to revise and tweak the score that night because it was needed by a boy named Matos Rodríguez. In the 2/4 [march time signature] score there appeared a little [useful melody] in the first half and in the second half there was nothing. I got a piano and I remembered my two tangos composed in 1906 that had not .... + Informações

El gran cantante Ecuatoriano OLIMPO CARDENAS en una version de La Cumparsita - ( Si Supieras ) de Pascual Contursi y Enrique Maroni musica Gerardo Mattos Rodriguez -. + Informações

Música: Adolfo Rafael Avilés Letra: Enrique Maroni Cicatrices incurables de una herida que me ha causado la vida en su triste batallar. Cicatrices que ya no se cierran nunca porque llevan siempre trunca la esperanza de curar. La quería eternamente pero ella fue perjura y llenó de honda amargura y de pena mi ilusión. Y es por eso que ahora vivo siempre a golpes con la suerte y sólo quiero la muerte para mi angustiado y pobre corazón. En la cara también luzco con orgullo un recuerdo que es muy tuyo y que llevo por mi mal. Un recuerdo que me hicieron en tu nombre cuando yo jugué como hombre con la vida del rival. Cicatrices imborrables de un tormentoso pasado que la suerte me ha brindado y que nunca perderé. Cicatrices de mi vida que, aunque no tienen encanto, yo las quiero tanto y tanto que jamás, jamás ya nunca olvidaré.. + Informações