New York songwriters were utilized frequently by the studios, especially when the films were shot around New York (Paramount and Universal maintained important studios in Astoria, Long Island). Dana Suesse and lyricist Edward Heyman were scheduled to appear in a film short, produced as part of a series by director Fred Waller for Paramount Pictorial. At nine o'clock on the morning of February 9, Eddie and Dana arrived at the studio and began the tedious process of filmmaking. Make-up, hair, light, endless sound checks, rehearsal, Etc. Dana reminisced 40 years later, "I wore glasses in those days. The makeup man put false eyelashes on me, this makeup, changed my whole face, and when he finally got through, I was walking down to the sound stage...in the morning. I didn't have my glasses on. I was walking down this long, long corridor all by myself. At the end of the corridor I see a figure coming. With my limited vision I guessed that the figure was female, because it had a skirt on. I kept walking and kept wondering, when is she going to move over? She's walking straight in my path, so what the hell is she doing? Does she want the whole corridor to herself? Then I banged right into a mirror at the end of the corridor." Unaccustomed to publicly performing, Heyman (whose numerous lyrics included Body and Soul, Out of Nowhere and Through The Years) was directed to stand by the keyboard behind an enormous canister shaped microphone and sing songs he had written, accompanied by .... + Informações

Everyone and his dog has covered this song, let's face it. Still, the music sheet was given to me in the late 90s by legendary session bassist (and jazz guitar virtuoso), Carol Kaye. I just had to learn how to play it. Great songs beg to be covered. And jazz standards have the best chord changes. I'm still learning how to play this one, many years later. Here's an instance where I wish I was on a grand piano, instead of my Roland RD 500. I never had the opportunity to study jazz piano with a jazz music teacher (it probably shows in this performance, to a degree, given I am playing the melody of the song with my left hand), but in so many ways, I have learned so very much just from all the knowledge Carol Kaye has shared online, first on online community message boards, later via email and news lists. She was the first "web friend" I made when I first went online in 1996. When I was working for Sony Music in the late 90s, I got sent down to Los Angeles on business. Of course I contacted her, hoping we would be able to meet for coffee, as she was someone I respected enormously, as a musician, as a teacher, and as an enduring presence in the music business. Carol has enormous integrity, and a shockingly encyclopedic memory, unfiltered by heresay, media spin, and hype. She was right there when all the great music was being recorded in Los Angeles in the 50s, 60s, and 70s. Carol is the real deal. Carol ended up picking me up at my hotel and spent the entire day and evening .... + Informações

Encontros Musicais BH - When in Fall in love (letra: Edward Heyman / música: Victor Young) - interpretação: solo vocal - Marzo Sette Torres / acompanhamento ao piano - Adilson Garcia. + Informações

Marabeau (Voice) and José Cabrera (Digital piano) Music - Love Letters. Victor Young and Edward Heyman Marabeau Jazz - SCLN 216 Bloco C entrada lateral - Asa Norte - Brasília - Brasil Fev 2012. + Informações

Música em casa : canto e piano Judith Imbassahy em 13.03.2011. Niterói Rj Brasil. + Informações

Feeling cheesier than ever... :) Nat King Cole was the man!! Nick Schinder: vocals, piano Set it to 720p HD, for best audio and video quality!! Recorded live at home, London, 14.09.10, 10 PM (No copyright infringement intended Song written by Victor Young & Edward Heyman). + Informações

PIANO E SAX - TOCCATA CORAL E ORQUESTRA - WHEN I FALL IN LOVE - VICTOR YOUNG E EDWARD HEYMAN. + Informações

This is the most popular of Dana Suesse's compositions, copyrighted in February of 1934. By 1933 she and Edward Heyman (lyricist) had a string of song successes and boasted to their publisher that they could write a hit in 15 minutes. For the tune, Suesse appropriated a melody from a 1901 ballet piece by Riccardo Drigo (1846-1930) ('Serenade' from Les Millions d' arlequin). Heyman, who was very prolific with catch phrases (Out Of Nowhere, Ho Hum, Shake Well Before Using, Body and Soul), created a lyric using names of famous movie stars, some of whom were more famous in silent films (Tom Mix, Richard Dix, Lilyan Tashman, Janet Gaynor). According to their story, they locked themselves in a rehearsal room at the publisher's office and emerged 15 minutes later with "You Oughta Be In Pictures." Years later Heyman told me he approached the publisher with the idea of a lyric that included names of contemporary stars such as Warren Beatty. "Don't tamper with a classic," he was told. Although the sheet music says the song emanated from the Columbia film 'New York Town,' there is no such title in the Columbia catalog. All three refrains are heard in this video, played on the Steinway concert grand that was purchased by Suesse in August of 1934.. + Informações

recorded on sep.12th, 2010. + Informações

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weplayjam h19 ru. + Informações

Donna Elliott sings haunting classic by composer Johnny Green and lyricist Edward Heyman. Deanna Rallo, "I've never heard the song 'I Cover the Waterfront'. Loved the dramatic lighting and the mooood." Jeanie Columbo, "Then I watched 'I COVER THE WATERFRONT', as well. Good for you!! YES!!!!!!!!!!" Miss Elliott is available for bookings including the haunting classics by Green and Heyman. Please email for more information at donnadivadarling@msn.com.. + Informações

Song written in 1930 by Edward Heyman, Robert Sour, Frank Eyton and Johnny Green. Voice: Dinah Shore. + Informações

"I Cover the Watefront" is a 1933 popular song and jazz standard composed by Johnny Green with lyrics by Edward Heyman.. + Informações

Out of Nowhere es una canción popular compuesta por Johnny Green , con letra de Edward Heyman . Fue grabado por primera vez por Bing Crosby en 1931 y se convirtió en su primer número uno. Se ha convertido en un estándar del jazz , con decenas de versiones instrumentales y vocales por varios artistas. En este caso " Clave Fussion Quartet" nos deja una version jazzeada al mejor estilo swing, este grupo está formado por: Juan Genesis=guitarra Gustavo Falconi=piano Jorge Iturgay=batería y Pedro Gascon =bajo. Esto fué una actuación en el teatro Quintanilla en un festival de jazz organizado por OSCAR 'CACHO' ARAYA el 4 de Junio de 1992 Mendoza Argentina.. + Informações

Piano: Jay Cameron. + Informações

There are few songs to which the word 'exquisite' applies, and here is one, composed by Johnny Green (he wrote 'Body and Soul') with Yip Harburg and Edward Heyman. Its unexpected harmonies and its intricate melody set it apart from the more predictable independent songs. Even the sheet music cover hints at the sophistication found inside.. + Informações

While I am in Seattle doing concerts (Kenyonhall.org) I will upload tunes recorded on OPP (other people's pianos). The audio will not sound as rich as the equipment I use in my home/studio. The Fazioli concert grand used in this clip is courtesy Piedmont Piano Company (James Callahan, III) of Oakland, California. Video by Martha Mintun. Both in their early twenties, Johnny Green and Edward Heyman would write several classics together, including 'Body and Soul' and 'I Cover The Waterfront' and 'Out of Nowhere.' I played this for Johnny and his wife, Bonnie, to whom he had the explain that he wrote it as the signature song for the Fleischer cartoon series of the same name.. + Informações

When I fall in love - Victor Young (music) and Edward Heyman (lyrics). Piano: Fernando Britto Violin: Delaías Rigonatto. + Informações

Recorded on May 11, 2011 using a Flip Video camera.. + Informações

Creative Arts High School (Camden, NJ) Jazz Band (2010) performs Body & Soul (by Edward Heyman) @ Berklee College of Music High School Jazz Festival, March 13, 2010, Reginald Lewis-Tenor Saxophone, Micah Johnson-Drums, George Williams-Piano, Royden Francis-Bass, Band Director Jamal Dickerson for more info visit www.unitycommunity.com. + Informações

Our cover of "Out of Nowhere" Our encore piece. We never thought we'd get to this, so we didn't rehearse it. Hmmm.... + Informações

Love Letters - Gourmet Duo Victor Young / Edward Heyman / Yvetta Uustalu LIVE @VIRU Merineitsi restaurant 28.10.2011 - Tallinn / ESTONIA Yvetta Uustalu - vocal & piano Marko Mägi - sopran sax Tõnis Tüür - bass Indrek Tetsmann - drums. + Informações

Body and Soul composta por Edward Heyman, Robert Sour, Frank Eyton e Johnny Green. Piano solo: Luis Giovelli Gravado no auditório do IA da UNICAMP no começo de 2011. (Alguém pode me explicar como um standard de 32 compassos consegue ter tantos compositores?) Foto: Soul Meets Body ericana.deviantart.com. + Informações

(If This Is Love) I Don't Want Love" In the early 1930s Johnny Green was musical director/accompanist to "The Great Complainer," Ruth Etting, who had already sung "Ten Cents A Dance" and "Cigarettes! Cigars!" on Broadway. This song would have been ideal for Miss Etting.. + Informações