Juntei as imagens que eu mais gosto com uma música mais linda ainda! Espero que gostem!! Se trata de uma música trovadoresca, de 1638! (Cláudio Monteverdi por Jordi Savall - La Capella Reial de Catalunia - Lamento Della Ninfa). + Informações

Claudio Monterverdi: Duo Seraphim from Vespro della Beata Vergine Transcription for two cellos and bass Sonia Wieder-Atherton and Natalia Shakhovskaia, cellos Pic by me. Better viewed in HQ. Enjoy! ******** No copyright infringement intended! If copyright owner wishes the video to be removed please contact me directly. Thanks.. + Informações

"Amor" de "Lamento della ninfa", madrigal de Claudio Monteverdi (1567-1643). Versión de Jordi Savall.. + Informações

music director: René Jacobs, Orfeo: Simon Keenlyside, choreography: Trisha Brown dancers: Kathleen Fisher, Stanford Makishi, Mariah Malohey, Brandi Norton, Stacy Matthew Sencer, Katrina Thonpson, Keith A. Thompson, Abigall Yager, Ming-Lung Yang ORPHEUS: See now, I return to you, dear woods and beloved hills, made blessed by that sun through whom alone my darkness is lightened. FIRST SHEPHERD: Look, Orpheus, how the shade of those beech trees invites us, now that Phoebus darts burning rays from heaven. On these grassy banks let us rest, and let each in his own way let loose his voice to the murmur of the waters. FIRST & SECOND SHEPHERDS: In this flowery meadow every sylvan deity is often wont to linger for his pleasure. Here Pan, the shepherds' god, has sometimes been heard lamenting, sweetly recalling his unrequited loves. CHORUS of NYMPHS & SHEPHERDS: Here the charming dryads, a company always decked with flowers, have been seen gathering roses with white fingers. Therefore, Orpheus, make worthy of the sound of your lyre these fields, where there blows a breeze with the perfumes of Araby. ORPHEUS: Do you recall, O shady woods, my long, bitter torments, when the rocks, their hearts softened, replied to my laments? Say, did I not then seem to you more wretched than any other? Now Fortune has changed her tune and turned my woes into rejoicing. Once I lived in sadness and sorrow; now I rejoice, and those anxieties that I have suffered for so many years make my present happy .... + Informações

Claudio Monteverdi " Orpheus". + Informações

Claudio Monteverdi (getauft 15. Mai 1567 in Cremona; ? 29. November 1643 in Venedig) war ein italienischer Komponist, Violaspieler, Sänger und katholischer Priester. Sein Werk markiert die Wende von der Musik der Renaissance zum Barock. L'Orfeo (dt.: "Orpheus") ist eine Oper von Claudio Monteverdi., deren Inhalt sich an der griechischen Sage von Orpheus und Eurydike orientiert. Das Libretto stammt von Alessandro Striggio dem Jüngeren.. + Informações

28º OFICINA DE MÚSICA DE CURITIBA -19 de janeiro de 2010. MADRIGAL - Regente Marília Vargas; Regente Assistente - Lara Tanaka CLAUDIO MONTEVERDI (1567-1643) (Livro VIII - Madrigali Guerrieri et Amorosi) Hor che'l ciel e La terra e'l vento tace Cosi sol d'uma chiara fonte viva. + Informações

High resolution: br.youtube.com Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 1 Basilica di San Marco, Venice 1989 - Live Recording The Monteverdi Choir The London Oratory Junior Choir The English Baroque Soloists John Eliot Gardiner This performance, which takes place in the Basilica of San Marco, Venice, includes the following groups in addition to the Choir and Baroque Soloists: His Magesties Sagbutts and Cornetts-London Oratory Junior Choir and vocal solists: Ann Monoyios & Marinella Pennicchi (sopranos); Michael Chance (countertenor); Mark Tucker,Nigel Robson,Sandro Naglia (tenors); Bryn Terfel, Alastair Miles (basses).. + Informações

When i searched You Tube for this madrigal some time ago and didnt find it i was kinda amazed!Imho this is the finest madrigal Claudio ever wrote,the pinnacle of the art.So here it is.If you guys wanna check out the sheet music for the piece you can find it at www.cpdl.org Also here are the lyrics.What did you think of the slideshow...?:P Cruda Amarilli original text (Italian) :Cruda Amarilli che col nome ancora D'amar, ahi lasso, amaramente insegni. Amarilli del candido ligustro, Più candida e più bella, Ma dell'aspido sordo E più sorda e più fera e più fugace. Poi che col dir t'offendo I mi morò tacendo. Translation: Cruel Amaryllis, who with your name to love, alas, bitterly you teach. Amaryllis, more than the white privet pure, and more beautiful, but deafer than the asp, and fiercer and more elusive. Since telling I offended you, I shall die in silence. Ok thats it.Go with Christ!. + Informações

Claudio Monteverdi - Vespro della Beata Vergine (1610) Duo Seraphim Audi Coelum Coro e Orquestra Dir. Roberto Rodrigues Dec. 2010 - Capela do Colégio Nossa Senhora de Sion São Paulo, Brasil Soloists Guga Costa, Tenor Ruben Araujo, Tenor Fabio V. Peres, T Sopranos - Anna Carolina Moura, Juliana Christmann, Maria Fregni, Natália Aurea, Rafaela Martins, Rosemeire Moreira Altos - Ana Ganzert, Clarissa Cabral, Luiz Guimarães, Vesna Bankovic Tenors - Ernani Mathias, Fabio V. Peres, Guga Costa, Guilherme Sparrapan, Ruben Araújo Basses - Alberto Cecconi, Elon Bittencourt, João Vitor Ladeira, Otávio Simões, Paulo Vaz, Sabah Teixeira, Silas de Oliveira Violins - Juliano Buosi (spalla), Alexandre D'Antonio, Raquel Aranha Violas - Waldir Gomes Filho, André Pretzel Recorders - Guilherme dos Anjos, Gustavo de Francisco, Renata Pereira Trombones -- Fábio Martinele, Maurício Roger Simão, Rodrigo Santos Cello - João Guilherme de Figueiredo Theorba - Guilherme de Camargo. + Informações

Primeiro publicado no Il sesto libro de madrigali a cinque voci, Veneza, 1614, arranjada para cinco vozes, subseqüentemente republicada (essencialmente em sua forma original) como um solo soprano com contínuo acompanhamento, Veneza, 1623. Lasciatemi morire é a única música sobrevivente da ópera perdida de Monteverdi, Lariana, composta e produzida em Mantua em 1608. Esta peça é também conhecida como Lamento DArianna, ou Ariannas Lament. (15-12-2009). + Informações

L' ORFEO: Favola in Musica (1607) - Claudio Monteverdi (1567 - 1643). (Representación de Jordi Savall y La Capella Reial de Catalunya en el Gran Teatro del Liceo de Barcelona, 2002) Intérpretes: - Montserrat Figueras (La Música) - Furio Zanasi (Orfeo) - Arianna Savall (Eurídice) - Sara Mingardo (Mensajera) - Cécile van de Sant (La Esperanza) - Antonio Abete (Caronte) - Adriana Fernández (Proserpina) - Daniele Carnovich (Plutón) - Fulvio Bettini (Apolo) - Mercedes Hernández (Ninfa) - Marilia Vargas (El Eco) - Gerd Türk (Pastores) - Francesc Garrigosa, Carlos Mena, Iván García (Pastores / Espíritus) El libreto es obra de Alessandro Striggio (el Joven) (1535 - 1590) y se basa en la obra de Rinuccini "L'Euridice" que ya había servido de base a las óperas de Peri y Caccini. Striggio amplió el pequeño poema de Rinuccini hasta convertirlo en un libreto de cinco actos, con un sentido teatral más dramático y emocionante. "El Orfeo" se considera la primera gran ópera de la historia de la Lírica y punto de arranque fundamental en el desarrollo del género durante los siglos posteriores. El texto de "El Orfeo" con traducción al español se puede ver en el siguiente enlace: www.el-atril.com ARGUMENTO: ( La acción se desarrolla en Grecia y las regiones subterráneas del mundo de los espíritus, en una antigüedad mítica). [PRÓLOGO] Tras una tocata instrumental de metales en RE Mayor con carácter estruendoso, aparece la Música, haciendo alabanzas de los presentes e instándolos a guardar .... + Informações

High resolution: br.youtube.com Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 4 Basilica di San Marco, Venice 1989 - Live Recording The Monteverdi Choir The London Oratory Junior Choir The English Baroque Soloists John Eliot Gardiner This performance, which takes place in the Basilica of San Marco, Venice, includes the following groups in addition to the Choir and Baroque Soloists: His Magesties Sagbutts and Cornetts-London Oratory Junior Choir and vocal solists: Ann Monoyios & Marinella Pennicchi (sopranos); Michael Chance (countertenor); Mark Tucker,Nigel Robson,Sandro Naglia (tenors); Bryn Terfel, Alastair Miles (basses).. + Informações

Música cantada pelos Canarinhos de Petrópolis durante o Concerto de Inverno no Teatro Municipal Don Pedro (antigo Theatro Paulo Gracindo) em Petrópolis. Regência de Marco Aurélio Lischt. + Informações

Claudio Mondeverdi. + Informações

Claudio Monteverdi - Lamento Della Ninfa Michel Corboz (1973). + Informações

Claudio Monteverdi's sparkling setting of Gabriello Chiabrera's "Damigella tutta bella." Featuring Thomas Cooley and Christopher LeCluyse, tenors; Carla Moore and Katherine Kyme, baroque violins; Elisabeth Reed, baroque cello; Katherine Heater, chamber organ; Hanneke van Proosdij, harpsichord; David Tayler, baroque guitar. Live video from the Voices of Music "Zefiro Torna" concert 2009. Performed on original instruments by San Francisco Early Music Ensemble Voices of Music.. + Informações

Zefiro Torna, madrigal for 2 tenors and continuo (from Book 9 & Scherzi musicali), SV 251 (ca. 1632) Les Arts Florissants William Christie This work is one of two madrigals composed by Monteverdi with the title Zefiro torna and is not to be confused with his five-voice a cappella setting of a sonnet by Petrarch published in his Sixth Book of Madrigals in 1614. This madrigal sets a text by Ottavio Rinuccini, the poet who authored the librettos for the first two surviving operas, Peri's La Dafne and Euridice, as well as Monteverdi's lost opera, Arianna. It was published in the collection Scherzi Musicali, and in the composer's Ninth Book of Madrigals (1632). Scored for two tenors and continuo, most of the piece is in the form of a ciaccona or passacaglia, which uses a constantly recurring bass line, and it is the first known example of a vocal duet that uses a ciaccona accompaniment. Although it is sometimes performed in a "straight" manner, it is most frequently interpreted as a comic parody of madrigals as they had evolved by the early seventeenth century, particularly the mannered conventions of the seconda prattica, in which the musical setting is largely driven by the text, and dissonance is used with extreme freedom as an expressive tool. The poem, a sonnet, is a rhapsodic pastoral ode to Zephyr, the west wind that brings Spring and its attendant opportunities for romance, or at least dalliance. Here, as in many of his madrigals, Monteverdi's exceptionally fluid text .... + Informações

Claudio Monteverdi "Zefiro torna" Nuria Rial (soprano) Philippe Jaroussky (countertenor) L'Arpeggiata (direction: Christina Pluhar). + Informações

Video in high resolution: br.youtube.com Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 5 Basilica di San Marco, Venice 1989 - Live Recording The Monteverdi Choir The London Oratory Junior Choir The English Baroque Soloists John Eliot Gardiner This performance, which takes place in the Basilica of San Marco, Venice, includes the following groups in addition to the Choir and Baroque Soloists: His Magesties Sagbutts and Cornetts-London Oratory Junior Choir and vocal solists: Ann Monoyios & Marinella Pennicchi (sopranos); Michael Chance (countertenor); Mark Tucker,Nigel Robson,Sandro Naglia (tenors); Bryn Terfel, Alastair Miles (basses).. + Informações

Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 9 Basilica di San Marco, Venice 1989 - Live Recording The Monteverdi Choir The London Oratory Junior Choir The English Baroque Soloists John Eliot Gardiner This performance, which takes place in the Basilica of San Marco, Venice, includes the following groups in addition to the Choir and Baroque Soloists: His Magesties Sagbutts and Cornetts-London Oratory Junior Choir and vocal solists: Ann Monoyios & Marinella Pennicchi (sopranos); Michael Chance (countertenor); Mark Tucker,Nigel Robson,Sandro Naglia (tenors); Bryn Terfel, Alastair Miles (basses).. + Informações

Motet for alto - SV301 Giuseppe Zambon Hans-Ludwig Hirsch (Organ) Villa Emo, Salone dello Zelotti, Fanzolo Claudio Monteverdi (1567 - 1643). + Informações

Vespro Della Beata Vergine - Claudio Monteverdi ( 1610 )- part 6 Basilica di San Marco, Venice 1989 - The Monteverdi Choir The London Oratory Junior Choir The English Baroque Soloists John Eliot Gardiner This performance, which takes place in the Basilica of San Marco, Venice, includes the following groups in addition to the Choir and Baroque Soloists: His Magesties Sagbutts and Cornetts-London Oratory Junior Choir and vocal solists: Ann Monoyios & Marinella Pennicchi (sopranos); Michael Chance (countertenor); Mark Tucker,Nigel Robson,Sandro Naglia (tenors); Bryn Terfel, Alastair Miles (basses).. + Informações

Claudio Monteverdi (1567 - 1643) Il Sesto Libro de Madrigali a cinque voci (1614) "Zefiro torna e'l bel tempo rimena" (Francesco Petrarca, 1304 - 1347) Concerto Italiano Cristina Miatello, Soprano Bianca Simone, Mezzo-soprano Claudio Cavina, Controtenore Giuseppe Maletto, Tenore Daniele Carnovich, Basso Andrea Damiani, Liuto Mara Galassi, Arpa Rinaldo Alessandrini, Direttore. + Informações

High resolution br.youtube.com Vespro Della Beata Vergine ( 3 ) - Claudio Monteverdi ( 1610 ) Basilica di San Marco, Venice 1989 - The Monteverdi Choir The London Oratory Junior Choir The English Baroque Soloists John Eliot Gardiner This performance, which takes place in the Basilica of San Marco, Venice, includes the following groups in addition to the Choir and Baroque Soloists: His Magesties Sagbutts and Cornetts-London Oratory Junior Choir and vocal solists: Ann Monoyios & Marinella Pennicchi (sopranos); Michael Chance (countertenor); Mark Tucker,Nigel Robson,Sandro Naglia (tenors); Bryn Terfel, Alastair Miles (basses).. + Informações