Sergei vs Dimitri. The movie is set in 1936, Russia, after the Bolshevik Revolution. Colonel Sergei Kotov is one of the revolutionary hero. Dimitri (Hans) is an officer in Stalin's secret police. Both men search for a soccer ball as Dimitri confronts Sergei. They trade sharp criticisms and accusations. Power vibes shift between the two men as little Nadya interrupts them.. + Informações

"Having read all of the negative commentaries on this film, I would first like to point out that severely criticising the period of Soviet history in which Utoml'ennye Solntsem takes place, and in that effort, condemning the people of that era such as are portrayed in this film as being entirely culpable for their actions, is all very well and good to do from hindsight, and from the safety of a soft computer chair in the modern-day West. Because of course, no one is tortured today in the West for a casual remark against the reigning despot; nor do we live under the threat that our families may be sent off to Siberia as one of the consequences of our actions, great or trivial. I myself can't say what I would have been willing to do under the circumstances that existed during the time of the Soviet purges, whom I would have betrayed just to survive, or if I would have the courage to make some kind of moral, social, or political stand, and if I think I could have? Well,if we all admit it to ourselves, we know that torture will break any man eventually... In watching this film, I think that we should keep in mind that we are not necessarily here to judge but to take the director's journey to another time and place: and yet we should still be able to remember and respect the fact that what we are seeing here is a piece of the history that lies beneath the modern day Russia. This history is a shadow that has cast its pall over the lives of every Soviet citizen since then .... + Informações

Burnt by the sun, by Sophie Solomon. + Informações

Music fragment from the Russian film "Burnt by the Sun" (aka Utomlyonnye solntsem), directed Nikita Mikhalkov. More info about this song and the original one at www.discorgy.com. + Informações

Burnt by the sun - Sophie Solomon (Lyrics) Sophie Solomon is a British violinist, songwriter and composer (born June 6, 1978) who fuses many different musical influences into her music. She began playing the violin at the age of two. At four she met Yehudi Menuhin and was taken to see the great cellist Mstislav Rostropovich. For the first five years she played totally by ear, learning to read music at the age of seven. Even though the National Children's Orchestra and ProCorda heralded her as one of the most promising violinists of her generation, Sophie "was never completely satisfied by the classical world alone, I felt constrained by the fact that the music was written down and the strict parameters of the repertoire. I felt I had to step outside of that and find my own voice." She studied at Cheltenham Ladies' College, and later at University College, Oxford (University of Oxford) graduating in 1999 with a First Class degree in Modern History and Russian. She also holds an MSc in Economic History from the London School of Economics. I was burnt by the sun said good bye to the sea when I saw you were losing your love for me Your eyes told the tale of a wound that's still raw as I watched you renouncing any hope of a cure How can I be bitter that it's over after all I've got myself to blame the sun dissolves to winter now it's over I'm lost amongst the shadows that remain Then your words rang out strong at once broken but clear and I heard you dismissing any last trace .... + Informações

Nikita Mikhalkov's "Burnt by the Sun" with subtitles.. + Informações

Song by Beulah off the album The Coast is Never Clear.. + Informações

"""Having read all of the negative commentaries on this film, I would first like to point out that severely criticising the period of Soviet history in which Utoml'ennye Solntsem takes place, and in that effort, condemning the people of that era such as are portrayed in this film as being entirely culpable for their actions, is all very well and good to do from hindsight, and from the safety of a soft computer chair in the modern-day West. Because of course, no one is tortured today in the West for a casual remark against the reigning despot; nor do we live under the threat that our families may be sent off to Siberia as one of the consequences of our actions, great or trivial. I myself can't say what I would have been willing to do under the circumstances that existed during the time of the Soviet purges, whom I would have betrayed just to survive, or if I would have the courage to make some kind of moral, social, or political stand, and if I think I could have? Well,if we all admit it to ourselves, we know that torture will break any man eventually... In watching this film, I think that we should keep in mind that we are not necessarily here to judge but to take the director's journey to another time and place: and yet we should still be able to remember and respect the fact that what we are seeing here is a piece of the history that lies beneath the modern day Russia. This history is a shadow that has cast its pall over the lives of every Soviet citizen since then .... + Informações

This is a track from CD "Igor Outkine sings Russian Tango,Romances and Folk Songs" CD is available at website: www.mazaika-music.com On this CD most beautiful selection of Russian songs performed live in the oldest concert hall in Europe by singer and accordion player Igor Outkine who sung "Dark Eyes" on screen in the David Cronenberg film "Eastern Promises" (2007) and is featured on Marc Almonds DVD Sin Songs. Igor's band Mazaika has recorded Russian and Gypsy CD What is sorrow to me. It features Igors vocals and accordion and virtuoso violinist Sarah Harrison backed by guitar, double bass and balalaika. + Informações

CANNES FILM FESTIVAL 2010 - IN COMPETITION clip from "Utomlyonnye solntsem 2 / Burnt by the Sun 2" french subtitles only, sorry! If you would like to translate, please add them by using the subtitle function! Thanks! Genre: Regie / directed by: Nikita Mikhalkov Darsteller / cast: Nikita Mikhalkov, Oleg Menshikov, Nadezhda Mikhalkova, Yevgeni Mironov, Sergei Makovetsky, Sergey Garmash, Viktoriya Tolstoganova, Verwendung mit freundlicher Genehmigung von Festival de Cannes Press Office used with authorization. + Informações

"""Having read all of the negative commentaries on this film, I would first like to point out that severely criticising the period of Soviet history in which Utoml'ennye Solntsem takes place, and in that effort, condemning the people of that era such as are portrayed in this film as being entirely culpable for their actions, is all very well and good to do from hindsight, and from the safety of a soft computer chair in the modern-day West. Because of course, no one is tortured today in the West for a casual remark against the reigning despot; nor do we live under the threat that our families may be sent off to Siberia as one of the consequences of our actions, great or trivial. I myself can't say what I would have been willing to do under the circumstances that existed during the time of the Soviet purges, whom I would have betrayed just to survive, or if I would have the courage to make some kind of moral, social, or political stand, and if I think I could have? Well,if we all admit it to ourselves, we know that torture will break any man eventually... In watching this film, I think that we should keep in mind that we are not necessarily here to judge but to take the director's journey to another time and place: and yet we should still be able to remember and respect the fact that what we are seeing here is a piece of the history that lies beneath the modern day Russia. This history is a shadow that has cast its pall over the lives of every Soviet citizen since then .... + Informações

clip Nikita & Nadia Mihalkov. + Informações

"""Having read all of the negative commentaries on this film, I would first like to point out that severely criticising the period of Soviet history in which Utoml'ennye Solntsem takes place, and in that effort, condemning the people of that era such as are portrayed in this film as being entirely culpable for their actions, is all very well and good to do from hindsight, and from the safety of a soft computer chair in the modern-day West. Because of course, no one is tortured today in the West for a casual remark against the reigning despot; nor do we live under the threat that our families may be sent off to Siberia as one of the consequences of our actions, great or trivial. I myself can't say what I would have been willing to do under the circumstances that existed during the time of the Soviet purges, whom I would have betrayed just to survive, or if I would have the courage to make some kind of moral, social, or political stand, and if I think I could have? Well,if we all admit it to ourselves, we know that torture will break any man eventually... In watching this film, I think that we should keep in mind that we are not necessarily here to judge but to take the director's journey to another time and place: and yet we should still be able to remember and respect the fact that what we are seeing here is a piece of the history that lies beneath the modern day Russia. This history is a shadow that has cast its pall over the lives of every Soviet citizen since then .... + Informações

"""Having read all of the negative commentaries on this film, I would first like to point out that severely criticising the period of Soviet history in which Utoml'ennye Solntsem takes place, and in that effort, condemning the people of that era such as are portrayed in this film as being entirely culpable for their actions, is all very well and good to do from hindsight, and from the safety of a soft computer chair in the modern-day West. Because of course, no one is tortured today in the West for a casual remark against the reigning despot; nor do we live under the threat that our families may be sent off to Siberia as one of the consequences of our actions, great or trivial. I myself can't say what I would have been willing to do under the circumstances that existed during the time of the Soviet purges, whom I would have betrayed just to survive, or if I would have the courage to make some kind of moral, social, or political stand, and if I think I could have? Well,if we all admit it to ourselves, we know that torture will break any man eventually... In watching this film, I think that we should keep in mind that we are not necessarily here to judge but to take the director's journey to another time and place: and yet we should still be able to remember and respect the fact that what we are seeing here is a piece of the history that lies beneath the modern day Russia. This history is a shadow that has cast its pall over the lives of every Soviet citizen since then .... + Informações

"""Having read all of the negative commentaries on this film, I would first like to point out that severely criticising the period of Soviet history in which Utoml'ennye Solntsem takes place, and in that effort, condemning the people of that era such as are portrayed in this film as being entirely culpable for their actions, is all very well and good to do from hindsight, and from the safety of a soft computer chair in the modern-day West. Because of course, no one is tortured today in the West for a casual remark against the reigning despot; nor do we live under the threat that our families may be sent off to Siberia as one of the consequences of our actions, great or trivial. I myself can't say what I would have been willing to do under the circumstances that existed during the time of the Soviet purges, whom I would have betrayed just to survive, or if I would have the courage to make some kind of moral, social, or political stand, and if I think I could have? Well,if we all admit it to ourselves, we know that torture will break any man eventually... In watching this film, I think that we should keep in mind that we are not necessarily here to judge but to take the director's journey to another time and place: and yet we should still be able to remember and respect the fact that what we are seeing here is a piece of the history that lies beneath the modern day Russia. This history is a shadow that has cast its pall over the lives of every Soviet citizen since then .... + Informações

"Having read all of the negative commentaries on this film, I would first like to point out that severely criticising the period of Soviet history in which Utoml'ennye Solntsem takes place, and in that effort, condemning the people of that era such as are portrayed in this film as being entirely culpable for their actions, is all very well and good to do from hindsight, and from the safety of a soft computer chair in the modern-day West. Because of course, no one is tortured today in the West for a casual remark against the reigning despot; nor do we live under the threat that our families may be sent off to Siberia as one of the consequences of our actions, great or trivial. I myself can't say what I would have been willing to do under the circumstances that existed during the time of the Soviet purges, whom I would have betrayed just to survive, or if I would have the courage to make some kind of moral, social, or political stand, and if I think I could have? Well,if we all admit it to ourselves, we know that torture will break any man eventually... In watching this film, I think that we should keep in mind that we are not necessarily here to judge but to take the director's journey to another time and place: and yet we should still be able to remember and respect the fact that what we are seeing here is a piece of the history that lies beneath the modern day Russia. This history is a shadow that has cast its pall over the lives of every Soviet citizen since then .... + Informações

From his 1997 album Feelings.. + Informações

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Burnt By The Sun. + Informações

Reproducciones: 2570 www.imdb.com En el centro de la historia, Augusto Melmotte (David Suchet), un financiero de una ciudad europeo, cuyos orígenes son tan misteriosos como su trato comercial. Unas semanas después de la llegada a Londres, él anuncia una nueva compañía y promete la fortuna inmediata a aquellos que se afilian a él en este esquema. El Melmotte es rodeado por un círculo de aristócratas decadentes, Enredando a viudas y hombres de negocios nuevos ricos, toda la tentativa de conseguir un pedazo de la tarta financiera.. + Informações

The ?Last Sunday" -- erroneously called ?THAT Last Sunday" -- was composed by the Polish composer Jerzy Petersburski in 1936. It is a nostalgic tango with lyrics by Zenon Friedwald describing the final meeting of former lovers who are parting. The Polish title was: "To Ostatnia Niedziela" ("The Last Sunday"). The song was extremely popular and was performed by numerous artists (the best known performance by the pre-war Polish singer Mieczys?aw Fogg). Along the way, it first gained the nick-name of "Suicide Tango" due to its sad lyric (although, the real ?suicie song" in the night restaurants of Warsaw -- where the shoot in the brow at 12 at night was not an unusual happening - was in 1930s another sad ?Sunday": the ?Gloomy Sunday" (in Polish: ?Smutna niedziela") by a Hungarian composer Rezs? Seress. Soon, it became an international hit; in the US sung by Billie Holiday. But Polish ?Last Sunday" also had a terribly sad fate. During World War II In the concentrations camps it was often played while Jewish prisoners were led to the gas chambers and ovens, to be executed. During World War II its Russian version was prepared by Iosif Alveg and performed by Leonid Utyosov under the title of "Weary Sun" (Russian: "Utomlyennoye Solntse"). After World War II, the song remained largely successful and appeared in a number of films, including Yuriy Norshteyn's 1979 "Tale of Tales" (considered by many international critics to be the greatest animated film ever made), the award-winning .... + Informações

The video for Love Pain and the Whole Damn Thing from Amy Sky's 1998 album Burnt By The Sun.. + Informações

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[New]KPM Music - Burnt Like the Sun (2011) - Composer Michael Price / Rael Jones - Album Dramatic Cinema. Image by : akajork.deviantart.com. + Informações

Song: "Betrayal" by The Black Maria (slightly edited) I love how they used to say, It's all in your head. You're a paranoid picture, You're a photograph... Exposed by the light, When you step outside, Burnt by the sun, That's in your eyes... But when I saw it in my face, In this mirror that needs to break, Something bothered me and left me to feel... Betrayal, Betrayal, It rips right through me, How you lie right to me, Betrayal, Betrayal, Will this world make better sense? Once you mean nothing to me... It's on the cutting room floor, Footage of this mess, Filmed then packaged and ready to sell... Betrayal, Betrayal, It rips right through me, How you lie right to me, Betrayal, Betrayal, Will this world make better sense? Once you mean nothing to me... You used to live in a memory, Now those pictures are burning...now You're a memory, [A fingerprint on the film, You're a shadow in the sun,] Now it's your time to burn... Betrayal, Betrayal, It rips right through me, How you lie right to me, Betrayal, Betrayal, Will this world make better sense? Once you mean nothing to me... One day, you will come crawling back, To the same place that I've been.... + Informações