Steve Earle with The Pogues recording 'Johnny Come Lately' in London for the album 'Copperhead Road'.. + Informações

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Andertons exclusive demo of the new HT1R 1 watt, small valve amp from Blackstar! We test out the whole range of sounds and features of this incredible new amp. The range starts from just £169 - unbelievable! HT1's start arriving in Oct 2010 & Andertons have more HT1 amps on order than anyone in the world!!. + Informações

www.premierguitar.com PG's Rebecca Dirks is On Location in Anaheim, CA, at the 2012 NAMM Show where she visits the Fender booth. In this segment, we get to see and hear two of Fender's newest amps -- the Pawn Shop Special Excelsior and Greta. For more NAMM '12 video demos or to watch one of Premier Guitar's 1500 other videos online, be sure to visit http. + Informações

As the title says. 30 seconds each for 14 amps. All songs are Feared songs except the Diezel Einstein clip where I play Nevermore Riverdragon has come, and the Hughes and Kettner Triamp vid where I play Bolt Thrower War. For quick navigation: Mesa Boogie Road King - 0:05 Hughes & Kettner Triamp - 0:36 Engl Savage - 1:05 Mesa Boogie Mark IV - 1:36 Peavey 5150 - 2:05 Mesa Boogie Dual Rectifier - 2:36 Framus Cobra - 3:05 Marshall JVM 410 - 3:35 EVH 5150mk3 - 4:06 Engl Blackmore - 4:35 Fortin Natas - 5:05 Diezel Einstein - 5:36 Elmwood Modena M60 - 6:05 Mesa Boogie Roadster - 6:36 Just to answer if I own all this equipment or not. NO I don't own all these amps. The ones I owned was the Dual Rectifier, Engl Savage and the Engl Blackmore.. + Informações

www.ProGuitarShop.com - Orange Tiny Terror Guitar Amplifier The Orange Tiny Terror took the world by storm in 2006 and has been raising a ruckus ever since. Perfect for small stage, studio, and practice the Tiny Terror was one of the first all tube guitar amplifiers to bring boutique quality tone and durability to the working musician. Combining Class A performance and that infamous Orange tone, the Tiny Terror has become a new standard in modern guitar amplifiers. Simple controls make it easy to dial in the tone you crave and the 15 watts switch brings even more versatility to the table for studio use. Orange Tiny Terror The Orange Tiny Terror is built around a two stage preamp that delivers almost the same amount of gain as a four stage preamp. At mid gain settings the Tiny Terror is pure vintage rock n roll ala Black Sabbath. Crank the gain some more and get into some more modern rock tones. The clean tone is crisp and clear and the Tone control is extremely usable in all ranges. The addition of one 16 ohm and two 8 ohm outputs means the Tiny Terror can plug into the cabinet of your choice. The 7 watt setting is perfect for lower volume saturation and lead tones, especially when using a sensitive microphone to record. If you havent heard an Orange Tiny Terror, you need to. Orange Tiny Terror Specifications: * Class A Operation * 2-EL84 2-ECC83 * 7 lbs * 15/7 Watt Operation * Two Stage Preamp * Rugged Metal Chassis. + Informações

www.premierguitar.com PG's Rebecca Dirks is On Location in Anaheim, CA, at the 2012 NAMM Show where she visits the Marshall Amps booth. In this segment, we get to see and hear Marshall's 50th anniversary amps the JTM1, JMP 1, JCM 800, DSL 1, and JVM 1 For more NAMM '12 video demos or to watch one of Premier Guitar's 1500 other videos online, be sure to visit http. + Informações

Buy Roland Cube Amps Here... www.nevadamusic.co.uk Roland have recently upgraded their Cube range of combo amplifiers, the new generation of cubes have several new features such as new effects whilst the higher end models also have amp modeling and a phrase looper. Let's look at the third of the 4 models available which is the Roland 40XL .... The CUBE 40XL offers 40 watts of power through an 10" high-performance custom designed speaker, there are discrete footswitchable channels via the optional Boss FS series footwsitches, JC Clean and Lead channels with Solo modes for each. Ten COSM amp models are provided, including the new Extreme and there are 8 effects on-board, including Heavy Octave, COSM vintage Spring Reverb, and Power Squeezer for full gain at low volume. An Aux Input allows portable music players to be connected for jam-along fun, whilst the cherry on the cake is an 80- second phrase looper. As stated earlier, should you wish to you can connect a portable music player such as an MP3 or iPod to the Aux-In jack and jam along with your favourite songs, there's also a direct recording out and a headphone socket for silent practice. Considering the diminuative size of this unit Roland have packed an enormous amount of features into a small, easily transportable package - Check out the Cube 40XL now at the Nevada Music Warehouse. Those interested in Alex's guitar can get a closer look here... www.youtube.com. + Informações

For more gear reviews and videos check out guitarworld.com In this video Slipknot's Mick Thompson talks about his signature amplifier, the KR7 from Rivera amplification.. + Informações

Marshall Class 5 Amp only £299 at Andertons!! Click here to get one now: bit.ly Marshall Class 5 JVM210. I was invited down to Marshall to check out some of there new amps! I was blown away by the fantastic new gear and liked them so much that I am officially now a Marshall artist ;-) It's great to be working with a company that is positive, friendly and professional. And lastly I can now confirm that I will be shooting my next DVD with Marshall: Shred-ucation Lead guitar concepts & techniques With Rob Chappers from Monkey Lord Featuring Eddie Kramer How to record electric guitar This will feature loads of new Marshall Amps, the Eddie Kramer section will be shot in LA while I am at the NAMM show. Take it easy dudes Chappers. + Informações

The Ultimate Kemper Profiling Amplifier Demonstration www.andertons.co.uk Here are our profiles!! http Andertons Cornford kemper-amps.com Andertons Orange Dark Terror kemper-amps.com Andertons EVIL ROBOT Chappers band Dorje: www.youtube.com www.facebook.com Rob Chapman Facebook: www.facebook.com Profiled at Maplewood Studio by Paul 'Stick' Annis www.youtube.com Video sound files are available to download here soundcloud.com All audio was recorded & produced by Paul 'Stick' Annis/Maplewood Studio www.youtube.com www.facebook.com www.soundcloud.com www.twitter.com www.maplewoodstudio.com. + Informações

SUBSCRIBE FOR MORE VIDEOS. Germino Club 40 2x12" combo brought to you by FatSoundGuitars.com and Germino Amplifiers The Tele and Gibson '54 Historic Les Paul and SG are direct into the amp, no pedals were used. A small room reverb was added in post production due to close mic' recording in order to help recreate the sound heard in the room while playing the amp live. Thanks to Audley Freed for lending his incredible talents to us for the day! www.FatSoundGuitars.com? A Greg V. Production. + Informações

SUBSCRIBE FOR MORE VIDEOS. Buy or download my CD "Tailgate Troubadour" at iTunes phobos.apple.com or CdBaby www.cdbaby.com or visit my website www.gregvmusic.com Guitarist Greg V. http playing a Tungsten Amp Crema Wheat 20 watt Tweed Deluxe with Fender Nocaster and Lava ELC cable. Please subscribe for more YouTube videos. The stock Fender Nocaster Tele is direct into the amp, no pedals were used. The voice mic picks up the ambient room sound and a small room reverb was added in post production to replicate a more accurate room sound since no one listens to a speaker 1 inch off the grill cloth which is where the mic is located.. + Informações

www.oldtonezone.com - In the 4th video of this series, I spend some time illustrating with sound and graphics, what happens when you vary the different volume levels in your signal chain. It's a very simple look at a 3 part signal chain guitar - preamp tube - power tube, and you should understand after watching this video how those 3 things work together to create different kinds of distortion.. + Informações

A Solar Charge Regulator aka Controller acts as voltage regulator allowing batteries to charge without overcharging. 7 amp hours at 12 volt = 12 watts of continuous usage for 7 hours OR 7x12 = 84 watts for ONE hour. 7 amps of current at 12 volt is 84 watts. Most regulators figure somewhere between the charging battery voltage and the open voltage or right at the top of a fully charged battery. 7 amps x 14 volts (fully charged battery) = 98 watts rounded to 100 watt MAX! Some older batteries that are in poor condition, like the one I am using in this video, draws current less effectively, this is why it is only receiving 38 watts. Also, the wiring is not proper for a real installation and the panel is not at the optimal angle to the sun, this is just to show you what a "Charge Regulator" does. It is easy to forget!!!!! I had toxic gas smelling up my yard from a smoking battery I hooked direct in the morning and by 12 noon it was destroyed! Dangerous and stupid, BY A CHARGE REGULATOR! A fully charged 12 volt battery is 12.6 - 12.8 volts at rest and 13.6 - 14.0 volts while charging.. + Informações

First test made with an Orange Tiny Terror 15W all tube amp driving an Orange cabined loaded with a Celestion V30. The guitar used is a Charvel mod 6 with Floyd Rose and a Seymour Duncan Jeff Beck humbucker. I used an 8ch preamplifier: ELBERG MP8. The test is done with: GrooveTubes 1a, Shure SM57, Sennheiser e906 and MD421. No compression or EQ has been used whatsoever. AD converters from a MOTU 8pre. Ps. The 57, the e906 and one of the 1a are at the same distance from the center of the cone (something around middle way between center and edge). The other 1a is at the center and the MD421 is on the edge of the speaker. These positions are ones I like best from each mic. About the GT 1a: www.soundonsound.com. + Informações

This Fender Mustang I amplifier review vid will show you each of the preset sounds, I just jam around a bit on each one. Of all the beginners amps I've tried so far this one is by far the most fun and inspiring to play about with... what you are seeing here is just a slice of the 3 hours I was jamming around with it!! It's not going to compete tonally with my main amps but at less than 100 bucks I think it's fantastic. Big THANK YOU to Musicroom.com for loaning me the amp for the review. www.musicroom.com Shiteburgers... I just noticed the audio is out of phase. What a joke, a review about the sound and the audio is out, and it seems I can't replace it so going to have to re-upload this as soon as I can figure out how to re-edit the audio. FekFull support at the justinguitar web site where you will find hundreds of lessons on a wide range of subjects, and all the scales and chords that you will ever need! There is a great forum too to get help, no matter what the problem. And it is all totally free, no bull. No sample lessons, no memberships, no free ebook. Just tons of great lessons :) To get help with this lesson (and for further info and tabs), find the Lesson ID in the video title (like ST-667 or whatever) and then look it up on the Lesson Index page of justinguitar.com www.justinguitar.com Have fun .. + Informações

www.nevadamusic.co.uk The New range of valve amps from Marshall featuring the 40 watt HAZE combo with digital Fx and clever channel switching options. Chris George from Marshall takes us through what will surely be another classic must have combo. Another one to add to the gear wish list............ The Marshall MHZ-40C is a 40W, all valve combo fitted with a 1x12 Celestion Marquee speaker. Developed and engineered in the UK, this two channel amplifier features three ECC83 pre-amp valves and two 6V6 power tubes, producing classic vintage Marshall tones from a compact combo. A first for a Marshall valve amp, the Haze MHZ40 features onboard digital effects, providing a choice of either classic echo, vibe or chorus with settings being saved to each channel for instant recall. Alongside the effects is a reverb, adding depth and warmth. Both the reverb and effects are routed in parallel to the direct signal so that no degradation of the direct signal occurs. It is also possible to bypass the effects loop on the MHZ-40C so that the effect section is true bypassed, mechanically removing the circuit from the amplifier...subsequently leaving the Marshall Haze with an all-valve signal path. Finished in high grade vinyl with protective corners, the cabinet is constructed to Marshall's usual high standards. The vintage style baffle is covered in a hand stretched, acoustically transparent fret cloth and finished with white piping to ensure your amp looks fantastic. Included with the .... + Informações

Steve Vai demonstrates his "new for 2012" Legacy 3 amp. This amp combines features from the Original Legacy 2-channel amp and features from the Legacy 2. ? All-Tube, 3 Channel 100w Amp ? Rackmountable - lightest 100w in the industry ? Master Volume & foot switchable Boost ? Ch 1 Clean Channel - same circuit from original Legacy ? Ch 2 Drive Channel - same circuit from original Legacy ? Ch 3 Drive Channel with high-gain switch ? Ch assignable Reverb ? 2 Effect Loops: 1 pre master & 1 post master ? MIDI In/Thru ? Red/Amber/Green backlit LEDs color changes with channel ? Output: 100/50/15 watts ? 12AX7 preamp tubes ? 4 matched EL34 power tubes ? Optional Vai green chassis ? 17"wx 9"dx 8.5"h ? 29 Lbs ? Made in USA This video was shot in Steve's studio. Legacy 3 audio was recorded by Steve's studio equipment. Here is an overview of how the amp is set-up and recorded. Legacy 3 head (primary) - Steve's guitar goes into a few pedals (Wah etc. on the floor) then straight into the front of the primary Legacy 3 amp. Steve uses the Axe-Fx for his delays etc.. The Master Out on the rear of the primary Legacy is connected to the input on the Axe-Fx. The Axe-Fx output is stereo. Left output goes back into the primary Legacy 3 head via the Power Amp In jack. The Right Axe-Fx output goes into the Effect Loop return of a Second Legacy head (bypassing the preamp). Both Legacy heads have a Legacy 2x12 ext. cab connected for a stereo image. The cabs are mic'd up individually (actually 3 .... + Informações

Buy the Mustang amps here... www.nevadamusic.co.uk The Fender Mustang III is a 100-watt open-backed combo with a 12" Celestion speaker that utilises modeling software technology to re-create classic Fender, UK and other popular US amplifier models. It contains 100 amp presets derived from 12 different amp models, delivering tones from vintage Fender sparkle to contemporary metal distortion, and 37 different effects in four categories (stomp, modulation, delay and reverb) that can be accessed at the push of a button ... With a power rating of 100 watts the Fender Mustang III covers pretty much all bases and is loud enough for rehearsals and gigs whilst the 1/8" headphone input doubles as speaker-emulated line out. To further expand the possibilities of the Mustang III combo, connect it to your computer via the on-board USB port with the free Fender FUSE application software. Suddenly this opens up an entire world of possibilities, including on-screen parameter control, deep editing, additional effects, unlimited preset storage, online preset swapping with the Fender FUSE community, and free Fender artist presets. Mustang III's included programmable two-button footswitch controls the preset up/down programme access, effects on/off and tap tempo (optional four-button footswitch also available). This is an amp that you need to hear to be able to appreciate just how good the software emulations are, the 100 watt rating will be loud enough for all but the biggest venues and .... + Informações

www.FreedomUniversity.TV. A series of videos on the operational amplifier. For more videos on these and other technical topics. contact Professor Santiago at john@e-liteworks.com or visit the above website.. + Informações

Ever wonder how to set your amp gains properly? Do you just turn them up till its loud enough for you and call it done? Do you turn them up all the way...... or do you tell your boys "my amp is ONLY up 1/4 of the way"? If you want to set them properly then the only true way to do it previously, is to us an Oscilloscope or "O-Scope" to detect a clipped signal. Well now you have a cheaper yet very accurate alternative, the SMD Distortion Listener (no official name yet). This was developed for and with SMD by Tony of D'amore Engineering and our other partner and electronic guru Juan. It was developed for those who dont have access to an O-Scope or even if they did, they might not understand how to use one. This is a pretty fool proof way to do it, without the scope. Put it this way, this device might not just force you to turn your gain down, in some cases you might have left some of your power "on the table" and werent taking advantage of it. Use tracks ranging from 0db to -10 db (included on the disc) to set your gain overlaps according to the way you play your system. Detailed instructions will be included of course and i promise you this is EASY. Stay tuned to my channel, there will be updates on availability soon as well as another cool little device i plan on showing. Check out my website www.SteveMeadeDesigns.com and join today!! also, hit up my facebook page @ www.facebook.com. + Informações

Interview with guitarist Eric Johnson at Saucer Studios in Austin, Texas. In part 3, Eric shows us some of the guitars, amps and effects he used for the recording of his new album "Up Close" including his Fender '57 Strat with DiMarzio HS2 bridge pickup, Fender Eric Johnson Signature Strat, Rosewood Eric Johnson Strat with Super V Tremolo, Gibson 335 and SG, Fender Twin Reverb Amps, Stereo TC Electronic Chorus, Boss Digital Delay DD2, EXH Deluxe Memory Man, Barracuda Toadworks Flanger, Danelectro Fuzz Face, Echoplex Tube Driver, 50-100W Marshall, and the secret ingredient: a "tilted" Vox amp.. + Informações

Retail $1595.00 Call 818-222-4113 email caroline@frettedamericana.com Boutique, One of A Kind, Master Amp Builder John KASHA, No Circuit Boards, all hand point to point wiring, 100% USA Baby, NO Compromising, Highest Quality Transformer, Hand Made Speaker, Tube Vibrato. First Run is LIMITED to 100 Amps. The Tonemonster is unique. Making another amp sound the same or better than Phil's Tonemaster was no easy task. It is true, sometimes you get lucky and the tone is just there, but with Phil's amp, this was not the case. We even purchased a similar amp to Phil's, and the tone was not even close. There are number of factors that create desirable amp tone including tubes, speakers, transformers, wood types, construction of the cabinets and the electronics. However, what I rely on the most are my ears and talented artists like Phil X to validate it, all the other items will be groomed to fit. When the Tonemonster was almost complete, we played it live for a number of pros who have years experience, and then recorded it at a professional studio in Hollywood where producers and engineers were freaking out over the tone. However, the only thing we wanted to hear was what Phil told us, "you just recreated my Tonemaster and it sounds even better". That's why we thought it was appropriate to change the name from Tonemaster to Tonemonster. Once we demo the Tonemonster for the FA audience with Phil's original amp, you will hear what what we're talking about. A closing comment: All .... + Informações

A humble tribute to Jim Marshall, founder of legendary Marshall Amplification. Cranking my Marshall Amp to 10 for Jim Marshall's death. I've never done it before this. A Moment of Deafening Crankage for the Father of LOUD. RIP & thank you for everything. -Mike of Deadtide James Charles "Jim" Marshall, OBE: July 29, 1923 in London - April 5, 2012 Thumbs up for Jim & Marshall Amps, and leave some words for the Father of Loud.. + Informações