One of the great all-time blues pianists, Amos Milburn spawned an entire generation of admirers including Fats Domino. "One Scotch, One Bourbon, One Beer" is one of his best from 1953.. + Informações

Originally from Texas, Amos Milburn moved to Los Angeles and soon became a fixture in the Central Avenue music scenes thriving in Watts during the 1940's and 1950's. As you can hear from his piano style, Milburn would be a great influence on Fats Domino. He wrote many hits during his day, and was also noted for recording Rudy Toombs' "One Scotch, One Bourbon, One Beer." See more at: www.weirdovideo.com. + Informações

amos milburn chicken shack boogie. + Informações

PLEASE NOTE: I divided my uploads between multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: tinyurl.com Boogie piano master Amos Milburn was born in Houston, and he died there a short 52 years later. In between, he pounded out some of the most hellacious boogies of the postwar era, usually recording in Los Angeles for Aladdin Records and specializing in good-natured upbeat romps about booze and its effects (both positive and negative) that proved massive hits during the immediate pre-rock era. The self-taught 88s ace made a name for himself as "the He-Man Martha Raye" around Houston before joining the Navy and seeing overseas battle action in World War II. When he came out of the service, Milburn played in various Lone Star niteries before meeting the woman whose efforts would catapult him to stardom. Persistent manager Lola Anne Cullum reportedly barged into Aladdin boss Eddie Mesner's hospital room, toting a portable disc machine with Milburn's demo all cued up. The gambit worked -- Milburn signed with Aladdin in 1946. His first date included a thundering "Down the Road Apiece" that presaged the imminent rise of rock & roll. But Milburn was capable of subtler charms too, crooning mellow blues ballads in a Charles Brown-influenced style (the two would later become close friends, playing together frequently). The first of Milburn's 19 Top Ten R&B smashes came in 1948 with his party .... + Informações

Alcatraz episode 3 ending song :). + Informações

Auténtico!!. + Informações

Amos milburn. + Informações

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....1948..... + Informações

Boogie Woogie star Amos was big in the 40s and early 50s. He is sometimes mentioned as an influence on rock and roll. His speciality was songs about getting drunk, like this one.. + Informações

For more stuff, visit: ninthwardjukebox.blogspot.com. + Informações

Amos Milburn-Let Me Go Home Whiskey Aladdin Records-78-3164-1952. + Informações

Outstanding performances abound in this musical variety show filmed at Harlem's Apollo Theatre, New York City in 1954. We highlight different shades of the blues in this clip with Amos Milburn doing Bad Bad Whiskey, Big Joe Turner with a great version of Shake Rattle & Roll and Cab Calloway surprising everyone with a version of Minnie the Moocher You can download the entire movie at the link below. Or watch the individual performances here at MindsiMedia. www.archive.org. + Informações

Atomic Baby - Amos Milburn. + Informações

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Perhaps best known for a series of "drinking songs" he recorded during the '50's like "One Scotch, One Bourbon, One Beer", and "Bad, Bad Whiskey", Amos Milburn inspired several R&B pianists like Fats Domino. Amos also rocked a little Christmas in 1960 with "Christmas Comes But Once A Year".. + Informações

Charles continued to work club dates around the Cincinatti area at this time, basically taking whatever work he could get. He was apparently an inveterate gambler, able to lose large sums of money almost as fast as he made them. He ended up deep in hock to a syndicate boss by the name of Screw Andrews, who kept him playing (with a gun to his head) as the house band at his Copa Club in Newport, Kentucky (a 'sin-bin' right outside of Cincinatti). It was here that Sam Cooke would hear Charles perform I Want To Go Home as part of his regular show whenever he was in town. Cooke was a big fan, and would often tell him that someday he was gonna record it with him... By 1962, Andrews was dead, and Brown was free to return to the west coast. By this time, Sam had written new lyrics to the song, and asked Charles to come down and play piano at the recording session for his tune, now re-titled Bring It On Home To Me. Brown declined, opting instead to go to the racetrack... The rest, as they say, is history, with Sam and long-time Chicago Gospel pal Lou Rawls nailing it on the second take, this phenomenal song would go on to become the giant hit that it remains today (please check out Peter Guralnick's excellent Dream Boogie for more on Cooke and his world).. + Informações

The citizens of the San Fernando Valley in Southern California strut and show their stuff to a boogie beat. Amos Milburn and the red Caps play Rooming House Boogie. Unless otherwise noted all pictures were taken in the San Fernando Valley of Southern California circa 2007. + Informações

Amos Milburn in 1955. + Informações

Amos Milburn-Bad Bad Whiskey Aladdin Records-78-3068-1950. + Informações

blue. + Informações

PLEASE NOTE: I divided my uploads between multiple channels, Bookmark this link in your browser for instant access to an index with links to all of John1948's oldies classics. LINK: tinyurl.com Boogie piano master Amos Milburn was born in Houston, and he died there a short 52 years later. In between, he pounded out some of the most hellacious boogies of the postwar era, usually recording in Los Angeles for Aladdin Records and specializing in good-natured upbeat romps about booze and its effects (both positive and negative) that proved massive hits during the immediate pre-rock era. The self-taught 88s ace made a name for himself as "the He-Man Martha Raye" around Houston before joining the Navy and seeing overseas battle action in World War II. When he came out of the service, Milburn played in various Lone Star niteries before meeting the woman whose efforts would catapult him to stardom. Persistent manager Lola Anne Cullum reportedly barged into Aladdin boss Eddie Mesner's hospital room, toting a portable disc machine with Milburn's demo all cued up. The gambit worked -- Milburn signed with Aladdin in 1946. His first date included a thundering "Down the Road Apiece" that presaged the imminent rise of rock & roll. But Milburn was capable of subtler charms too, crooning mellow blues ballads in a Charles Brown-influenced style (the two would later become close friends, playing together frequently). The first of Milburn's 19 Top Ten R&B smashes came in 1948 with his party .... + Informações

Milburn clip from 1951. + Informações

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n February of 1954, the trade papers note the good comeback by Milburn. Beginning in March he will do a national tour of one nighters. "How Could You Hurt Me So" and "Rocky Mountain" are released on #3226. In May "Milk And Water" and "I'm Still In Love With You" are paired on #3240. Milburn does shows in Northern California and the Pacific Northwest. In June Milburn records the standard "Glory Of Love" and "Baby Baby All The Time" for Aladdin #3248. After an appearance at the Savoy Ballroom in Los Angeles, Milburn heads for Ohio and the Midwest. In November Amos Milburn is part of the Top Ten of R & B show tour which also features Fats Domino, Joe Turner, The Clovers, Faye Adams, The Moonglows, Charlie & Ray, Bill Doggett, and Paul Williams and his orchestra. Studio Films makes a series of television films called "Apollo Varieties" one of which stars Milburn. Amos takes part in the big Jam With Sam show in Chicago with dj Sam Evans. #3253 pairs "I Done Done It" and "Vicious Vicious Vodka" which does a disappearing act showing that maybe the drinking songs have run their course. At the end of the year "That's It" and "One Two Three Everybody" is issued on #3269. Amos Milburn moves into the rock and roll age by a tour of one nighters that combine for sixty dates in ten weeks from January to March. "Why Don't You Do Right" and "I Love You Anyway" is released in March on #3281. In May Amos once again plays the Jam With Sam show in Chicago's Trianon Ballroom along with Ruth .... + Informações