Apresentação de Aimê El-Bachá no projeto Rede na Varanda (Teatro do SESI - Rio Vermelho) em 29/12/2010 acompanhada por Amadeu Alves no violão, Luiz Rocha na gaita, Fabrício Rios no bandolim e Ricardo Hardman na percussão.. + Informações

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Canzone di Georges Brassens, che io considero un po il Fabrizio francese. Io dedico questa canzone ad ogni donna pensata come amore in un attimo di libertà a quella conosciuta appena non c'era tempo e valeva la pena di perderci un secolo in più. A quella quasi da immaginare tanto di fretta l'hai vista passare dal balcone a un segreto più in là e ti piace ricordarne il sorriso che non ti ha fatto e che tu le hai deciso in un vuoto di felicità. Alla compagna di viaggio i suoi occhi il più bel paesaggio fan sembrare più corto il cammino e magari sei l'unico a capirla e la fai scendere senza seguirla senza averle sfiorato la mano. A quelle che sono già prese e che vivendo delle ore deluse con un uomo ormai troppo cambiato ti hanno lasciato, inutile pazzia, vedere il fondo della malinconia di un avvenire disperato. Immagini care per qualche istante sarete presto una folla distante scavalcate da un ricordo più vicino per poco che la felicità ritorni è molto raro che ci si ricordi degli episodi del cammino. Ma se la vita smette di aiutarti è più difficile dimenticarti di quelle felicità intraviste dei baci che non si è osato dare delle occasioni lasciate ad aspettare degli occhi mai più rivisti. Allora nei momenti di solitudine quando il rimpianto diventa abitudine, una maniera di viversi insieme, si piangono le labbra assenti di tutte le belle passanti che non siamo riusciti a trattenere. ------------------------------- Je veux dédier ce poème A toutes les femmes qu'on aime .... + Informações

Apresentação de Aimê El-Bachá no projeto Rede na Varanda (Teatro do SESI - Rio Vermelho) em 29/12/2010 acompanhada por Amadeu Alves no violão, Luiz Rocha na gaita, Fabrício Rios no bandolim e Ricardo Hardman na percussão.. + Informações

Une chanson de Renaud,que j'aime depuis toujours!. + Informações

Certains disent qu'on se ressemble, Moi je dis qu'on se ressens, C'est juste qu'on a les mêmes ambitions. Certains nous voient même ensemble, Moi je dis qu'on s'aime sans pourtant vouloir d'une love relation. Tout nous relie, tout nous allie mais rien ne nous dit qu'on est plus que des amis, Nous fait penser qu'on a tout pareil mais rien de concret... Juste complicité. Refrain : C'est mon frère, mon plus bel ami de coeur, C'est mon air, mon oxygène, mes heures. C'est mon frère, mon plus bel ami de coeur, C'est mon air, mon âme soeur. On va toujours dans le même sens, Certains disent qu'on a le même sang, Pour nous, ce n'est qu'une liaison d'esprit. On a la même innocence et parfois les mêmes croyances, Et c'est pour cela qu'on s'est choisi. Est-ce un délit, d'être à ce point unis, on est meilleurs amis...Et moi je dis où est le souci? Peu m'importe si les gens s'étonnent ou s'ils sont jaloux, On s'y fait, on garde notre complicité... Refrain De confiance en confidences, je le connais mieux que personne... Je lui dois tous mes sourires, et mes soupirs s'envolent grâce à ces paroles.... Refrain C'est mon frère, mon plus bel ami de coeur, (C'est mon frère, mon plus bel ami de coeur) C'est mon air, mon oxygène, mes heures (Celui qui efface mes peurs) C'est mon frère, mon plus bel ami de coeur, (Le seul témoin de mes pleurs) C'est mon air, mon âme soeur... C'est mon frère, mon plus bel ami de coeur, Celui qui efface mes peurs, Le seul témoin de mes pleurs, Mon âme soeur.... + Informações

Pablo Pino - Voz // Fernando Aimé - Guitarra // Diego Almirón . Guitarra // Cristian Narváez - Bajo // Javier Robledo - Batería // Marcelo Vizarri - Teclado // Fabricio De Vita - Percusión //. + Informações

Salsa en la Montana (salsa ski) aime Salsa en la Playa (salsa tong). + Informações

DVD: www.amazon.com thefilmarchive.org Here is Germany was a 1945 propaganda documentary film directed by Frank Capra. Like its companion film, Know Your Enemy: Japan, the film is a full-length exploration of why one of the two major Axis countries started World War II and what had to be done to keep them from "doing it again". The film opens with scenes of everyday life in Germany, described by narrator Walter Huston. It shows people such as housewives, mailmen, farmers and policemen at work, and notes that these people were not so different than us, and seem like people Americans can understand. Anthony Veiller then interrupts with "Or can we?", as the film then switches to a montage of Nazi concentration camps and piles of dead bodies. The narrator notes that this is not the only time that Germany has unleashed war on the world, stating that while its generation fought the "Nazis", its fathers fought the "Huns" (pejorative term for Germany during World War I), and its grand father remembers the "Prussians". The narrator claims that its was all part of the same German lust for conquest. Going even further back 150 years, the film informs us that while America, Britain, and France were forming their democratic traditions, Germany was a group of 300 medieval feudal states, not one of them with a constitution or parliament. The film traces the rise of Prussia from Frederick the Great through Bismarck, telling the audience that the Prussian state was dominated first by .... + Informações

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Je t'aime mon amour. + Informações

Explore todos os seus sentidos.. + Informações

O Oficial sai dia 10/04 ! Musica: Gary Fico - On les aime (Les Franaises) (Anton Wick Remix) como prometido ! Facebook: www.facebook.com Twitter: twitter.com Produção: twitter.com ---------------------------------------TAGS------------------------------------ DoougyC {+}Extreme Style{+} Free Step Free step tenoriioast japinha rick barbosa max gomes Wiiu Tex FREE STEP pee lopes gaah mendes gleuber faria Liipe.G pee ramos Euphoria Pop mini tex caa sanchez ernandes d! Pedro.G leê ferreira meet up All Stars Team astfactor asteventos deeEwiiu Kaa moura los cocas music top 10 electro house deê tenorio ast all star team next level eletronica los cocas Deê.T.enorio - THANK'S EVERYONE [Free step] Gaa. Mendes x leê ferreira(WIN) -ORIGINAL- [ RACHA FREE STEP ] (WIN) leê ferreira vs Gaa. Mendes -ORIGINAL- [ RACHA FREE STEP ] Gaa Mendes vs Rick Barbosa ETERNITY'S Free Step DOUBLE-T [Free Step 1.0] Tenoriio [BASIC STEPS] Deê.Tenoriio 'COMING BACK' (treino) Japinha - FreeStep [No Edit]. NM Japinha - Base Training [FreeStep] Gaa.Mendes.! - Brincks & Dancing [ Free Step ] Iuury Silva Dancing... IuurySilvaOFICIAL mendesO1fariaNL leeferreira10 psyelite2010 ? gléuber faria [ FREE STEP ] ? NEXT LEVEL Dee.T.enorio [All Stars Team] AST/temas [FAKES] AllStarTeamOfficial JapinhaFreeStep deeEwiiu GaaMendes 2010 AST all star team rebolation dee tenorio wiiu tex pee lopes japinha anndy extacy elit3 no mallas electrohouse top 10 Tcha nana nanana Mike de Free step Rebolation Mosqueiro E3 Especial 2009 .... + Informações

ravanelli is the best of the one best time of l OM!!!!!! thanks man for the beautifuls games!!!!!!. + Informações

Sita Sings the Blues Dear Audience, I hereby give Sita Sings the Blues to you. Like all culture, it belongs to you already, but I am making it explicit with a Creative Commons Attribution-Share Alike License. Please distribute, copy, share, archive, and show Sita Sings the Blues. From the shared culture it came, and back into the shared culture it goes. You don't need my permission to copy, share, publish, archive, show, sell, broadcast, or remix Sita Sings the Blues. Conventional wisdom urges me to demand payment for every use of the film, but then how would people without money get to see it? How widely would the film be disseminated if it were limited by permission and fees? Control offers a false sense of security. The only real security I have is trusting you, trusting culture, and trusting freedom. That said, my colleagues and I will enforce the Share Alike License. You are not free to copy-restrict ("copyright") or attach Digital Restrictions Management (DRM) to Sita Sings the Blues or its derivative works. Some of the songs in Sita Sings the Blues are not free, and may never be; copyright law requires you to obey their respective licenses. This is not by my choice; please see our restrictions page for more. There is the question of how I'll get money from all this. My personal experience confirms audiences are generous and want to support artists. Surely there's a way for this to happen without centrally controlling every transaction. The old business model of .... + Informações